Jaems Grant
Birth : 1952-01-01, Melbourne, Victoria, Australia
Director of Photography
Anne Hamilton-Byrne was beautiful, charismatic and delusional. She was also incredibly dangerous. Convinced she was the reincarnation of Jesus Christ, Hamilton-Byrne headed an apocalyptic sect called The Family, which was prominent in Melbourne from the 1960s through to the 1990s. With her husband Bill, she acquired numerous children – some through adoption scams, some born to cult members – and raised them as her own. Isolated from the outside world, the children were dressed in matching outfits, had identical dyed blonde hair, and were allegedly beaten, starved and injected with LSD. Taught that Hamilton-Byrne was both their mother and the messiah, the children were eventually rescued during a police raid in 1987, but their trauma had only just begun.
Director of Photography
A year after the boys crossed dimensions, discovered magic and battled the restoring demon, they are back home in Bremin and are struggling with everyday teenage life. Felix has high hopes for the four heroes. He wants them to push the limits of their magical ability, working as a team to become masters of the arcane. But although he's unwilling to admit it, the boys have grown apart. The boys, once in perfect magical and elemental alignment, are a tangle of rivalry and distrust. On the verge of separating, the Nowhere Boys are drawn together for one last spell when Felix discovers a magically sealed 'Book of Shadows'. Unwittingly this releases a powerful force of chaos, and the gang is reluctantly drawn into a showdown that threatens their world and all they love...
Director of Photography
Melbourne, 1886. Two gentlemen climb into a hansom cab late one murky night. One man climbs out, the other travels on to St Kilda. On arrival, the driver finds the second man dead; murdered. The ‘high-society’ killing sends shockwaves through the young city, still flush from its gold-rush boom.
Cinematography
Jon Peregrine (Jason Donovan), a financial slueth investigates a stock market rort which caused his brother-in-law to commit suicide. Meanwhile his ex-wife asks for his help to investigate a missing underworld "business" figure.
Director of Photography
The real-life case based on the horrific crimes of Sante and Kenny Kimes, the mother and son duo who specialized in theft, fraud and murder.
Director of Photography
The hilarious tale of a sexually-curious, romantically-frustrated bookstore clerk on a mission to lose her virginity. In between encounters with other people, she returns to the one person she can trust and truly relate to, her gay friend Jimmy, whose faith in love is being shaken by the revelation that his boyfriend has been unfaithful.
Cinematography
Nineteen-year-old Ari confronts both his sexuality and his Greek family. Ari despises his once-beloved parents, former radical activists, for having entombed themselves in insular tradition. Ari is obsessed with gay sex, although he does make an unenthusiastic attempt to satisfy the sister of one of his best friends. While all of this is going on, he's facing problems with his traditional Greek parents, who have no clue about his sexual activities.
Director of Photography
Ron Ryan is accused of a murder he did not commit. As his family races to prove his innocence, he and a priest aim for redemption.
Cinematography
In this captivating, perplexing portrait of her mother, Dora Bialestock, filmmaker Rivka Hartman explores the wildly contradictory nature of this well-known Melbourne figure.
Cinematography
Alex is in love with her best friend, Vicki, her mother has dissapeared and she sets fire to things in her spare time. Vicki comes from an abusive home and wants Alex to run away with her. Alex is a bit of a nerd and a teachers pet, so takes advantage of this by trying to seduce her drippy school teacher. Alex watches as Vicki, unable to escape her terrible homelife and an psychological wreck, sets alight to herself and burns to death.
Director of Photography
A half-hour narrative fiction short that explores the Greek experience in Australia. Memories, betrayals and secrets emerge from the past when Katina's mother comes from Greece to visit the family. The bitter embrace between mother and daughter is observed by Katina's own daughter, Sophia, who must play her own role in this moving drama of estrangement.
Director of Photography
Two crooked gallery officials swap a Picasso for a fake hoping to make a fortune. When thieves break into the gallery to steal the Picasso, an amusing chain reaction snowballs into a hilarious romp.
Director of Photography
On the first morning of her honeymoon after a whirlwind 3 week romance, successful business woman Virginia Bond finds herself both a widow and the prime suspect in her husband's murder. Desperately attempting to piece together the jigsaw of her husband's life, Virginia and police detective Broulle uncover political and business connections involving mullions of dollars worth of real estate. As the true picture of the man she impulsively married emerges, Virginia plunges deeper into a web of danger and conspiracy.
Cinematography
Three versions of a woman – bride to be (virgin), dominatrix (whore), and actress playing Joan of Arc (saint) – are shown. Each is dissatisfied with her place in the world.
Cinematography
The story of two men from opposite backgrounds and social structures who become friends. Jack Phillips is a laid-back, wry service station proprietor in a small Australian country town. His world is disrupted when a fast talking, gesticulating, vocal Italian, Nino Patrovita bursts upon the scene.
Second Unit Director of Photography
Celia, an imaginative and somewhat disturbed young girl, fantasizes about evil creatures and other oddities to mask her insecurities while growing up in rural Australia.
Director of Photography
Partly funded as a Bicentennial commission through the University of Queensland Art Museum and the ABC, Hughes’ speculative, essayistic documentary is an examination of the future of Australia in light of the processes of post-industrialisation, Walter Benjamin’s ruinous “angel of history” and Marx’s quixotic vision of modernity.