Dominique Davray

The story of Jean Valjean, a Frenchman convicted of minor crimes, who is hounded for years by an unforgiving and unrelenting police inspector, Javert.

Victor is a screenwriter whose last work about the Marechal Pétain is refused by his producer. To add insult to injury, he tells Victor he is paunchy. The unfortunate man becomes obsessed by his weight. He goes out of his way to lose pounds, abetted by his wife, Corinne, who puts him on a reducing diet. He must also go to a health center where he takes exercise. Nothing really works. And one day, in a brewery, he cannot withstand his diet anymore and he has a gastronomic meal. Desperate, he tries his luck at a weight watchers reunion.

In 1945, as World War Two comes to a close, five small time crooks unite to form a gang. After several bold robberies they become notorious as "the front-wheel drive gang". The police attempt to stop their crime spree with little success, but how long will their luck last?

Charles Duchemin, a well-known gourmet and publisher of a famous restaurant guide, is waging a war against fast food entrepreneur Tri- catel to save the French art of cooking. After having agreed to appear on a talk show to show his skills in naming food and wine by taste, he is confronted with two disasters: his son wants to become a clown rather than a restaurant tester and he, the famous Charles Duchemin, has lost his taste!

Two whimsical, aimless thugs harass and assault women, steal, murder, and alternately charm, fight, or sprint their way out of trouble. They take whatever the bourgeoisie holds dear, whether it’s cars, peace of mind, or daughters. Marie-Ange, a jaded, passive hairdresser, joins them as lover, cook, and mother confessor. She’s on her own search for seemingly unattainable sexual pleasure.

1930. Adelaide is fed up with Paris and founds a 'retreat' for her women friends in a Breton port. They live well and take their pleasure seriously, until the attractive sailor Thomas arrives and nothing is ever the same again.

The whole clique of Cruchot's police station is retired. Now he lives with his rich wife in her castle - and is bored almost to death. He fights with the butler, because he isn't even allowed to do the simple works. But when one of the clique suffers from amnesia after an accident, all of the others reunite and kidnap him, to take him on a tour to their old working places and through their memories. In their old uniforms they turn St. Tropez upside down.

A cold hearted American hit man goes to Europe for "one last score". His encounter with a beautiful young woman casts self doubt on his lifeblood, and influences him to resist carrying out the contract.

Suspecting that her husband might be having an affair, a wife plots to catch him in the act.

The Saint-Tropez police launch a major offensive against dangerous drivers. Marechal Cruchot (Louis de Funès) relishes the assignment, which he pursues with a manic zeal. Cruchot is after an offending driver, who turns out to be Josépha (Claude Gensac), the widow of a highly regarded police colonel. When they meet, Cruchot falls instantly in love....

An art dealer wants to buy a Modigliani, which is tattooed on the back of an old soldier.

Monsieur Bosquier, the owner of a private school, is far from pleased when his eldest son, Philippe, fails his end of year exams. He decides to send his wayward offspring to England to improve his English. In exchange, Philippe’s host, a wealthy whisky distiller, Mac Farrel, will send his daughter, Shirley, to live with the Bosquiers in France. However, Philippe has already decided to spend the summer holidays on a yacht with his friends, so he sends a fellow student, Michonnet, to England in his place. The deception is soon discovered but things go from bad to worse when Philippe and Shirley fall in love and fly to Scotland to get married...

The film consists of three novels. The film begins with the fact that the Bernard Blier hero removes a lantern from the entrance to a brothel. The second part is about how the lantern and jewelery were stolen from a young baroness. And in the third part the hero of Louis de Funes hangs a lantern at the entrance to his house.

An illegal gambling den where players can lose millions... and the owners make their fortune.

An aging gangster, Fernand Naudin is hoping for a quiet retirement when he suddenly inherits a fortune from an old friend, a former gangster supremo known as the Mexican. If he is ambivalent about his new found wealth, Fernand is positively nonplussed to discover that he has also inherited his benefactor’s daughter, Patricia. Unfortunately, not only does Fernand have to put up with the thoroughly modern Patricia and her nauseating boyfriend, but he also had to contend with the Mexican’s trigger-happy former employees, who are determined to make a claim.

Three girls in Paris is the story of three Danish girls (Ghita Nørby, Susse Wold and Hanne Borchsenius) traveling to Paris, but after having placed suitcase and money on the hotel and takes off in the city, they forget what it's called and where it is located. They are helped by a Parisian taxi driver, and meets a series of typical French.

Charles, fresh out of jail, rejects his wife's plan for a quiet life of bourgeois respectability. He enlists a former cell mate, Francis, to assist him in pulling off one final score, a carefully planned assault on the vault of a Cannes casino.

In a building close to the Place de la Contrescarpe in Paris, a tale of criss‑crossings in turn romantic, gourmet, interested or mystical, between an Italian gigolo and a nightclub hostess, a family of butchers and an apprentice rocker, a mystic tailor, a writer sending himself telegrams, an alert paralytic woman, a thoughtful concierge, a bird breeder and a just‑out‑of‑jail hooligan. Little by little each one discovers each other’s more or less troubled history… when a mysterious death introduces the Police within this huis clos, hastens disclosure of well‑kept secrets and ruffle this little World.

Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.

In the 18th century, Louis de Bourguignon is working with the Malichot's gang, but their ways are too 'unethical' for him. He creates his own band, acting under the name of Cartouche, making audacious robberies of the rich people, and even distributing the takings with the poor. Thus, cartouche attracts the people's sympathies, Venus's love, and hate from the Police and Malichot... Cartouche can escape all the traps they set at him - except the entrapments of love. Eventually, he will be saved by a woman, at her own cost.

Charles-Edmond, the eldest of the Larmentiel brothers, decides to return to La Rochelle, his hometown to die there. Forty years earlier he had been driven out by his father. Before passing away, the old eccentric announces that he has a hidden son, Émile, a fisherman to whom he wishes to bequeath his property. François, the younger brother, whom Charles-Edmond hates, is eyeing the inheritance to bail out the powerful family business, a veritable fishing trust, and will try to appropriate the affection and property of this inopportune heir. Émile, meanwhile, is too busy arguing with Fernande, a beugland singer, to suspect what awaits him...

In a small circus campaign, the act of Valentine, the dwarf, is one of the highlights of the show. But then one night, he grew suddenly and turns into a handsome young man of six feet tall. First mad with joy, he will face harsh reality of normality.

Gentleman gangster Max and his partner, Riton, pull off their last, most successful heist and find themselves comfortable enough to retire in the style they enjoy. However, Max confides the details of the theft to his younger mistress, Josey -- who has secretly taken up with ambitious young rival gangster Angelo. Angelo then has Riton kidnapped and demands the stash of gold as ransom, which threatens Max's dreams of the perfect retirement.

A dam is under construction in the Pyrénées mountains. All the workers only have eyes for pretty, sensual Clara, the canteen waitress. And what she exchanges with many of them is more than just looks, this is for sure. Nevertheless, despite her frivolity, Clara falls truly in love with Tonio Borelli, the site foreman. The latter takes her to Paris and they marry. But Clara soon realizes that the call of the flesh still consumes her...

Norwegian film's great charmer, Frank Robert, plays an associate professor and bachelor whose waking desire for life brings him to Paris, where he breaks free.

While celebrating his birthday, police inspector Basquier (Bernard Blier) recalls two of his most-celebrated cases. The first involves duplicitous moneylender Olga (Suzy Prin). The second concerns the brutal broad-daylight murder of innocent young Yvonne (Veronique Deschamps).

Ex-convict Georges Manda returns to the free world determined to go straight and takes a steady job as a carpenter. Unable to completely shake his connections with the underground, he meets with a former prison mate, older gangster Félix Leca, who introduces him to his mistress, the sweet but guarded Marie "Casque d'Or". Marie and Georges fall into a passionate relationship, driving Félix to do everything in his power to ruin the couple.

Identite Judiciare stars Raymond Souplex as wily French police inspector Basquier. The villain is Berthet (Jean Debucourt), a high-ranking government official. Basquier suspects that Berthet is a vicious murderer, but is unable to prove anything thanks to bureaucratic interference. Thus, the good inspector plays a waiting game a la Columbo, hoping for that one fatal slip on the part of the killer. Certain portions of Identite Judiciare proved a bit too intense for American audiences, and were accordingly snipped by the censors.

A simple civil servant Léon, who has the unusual ability to walk through walls, falls madly in love with a hotel thief by the name of Susan. He poses as Garou-Garou, a dangerous gangster to attempt to woo her affections, but is arrested and sent to jail. While in jail he annoys the guards by walking in and out of his cell, and keeps persuading Susan to cease her criminal way of life. As fundamentally being an honest and law-abiding citizen, he eventually handles back everything he has stolen, is acquitted by the court, and becomes famous and respected. When he learns that Susan is planning to return to England and start a new life, he decides to confess to her his emotions. However, the couple is interrupted by a sudden rush of journalists. Trying to escape in a building, they get cornered on a corridor, and Léon pushes Susan through a nearby wall. But by doing this, he loses his own wall-walking ability, and the film concludes.

Maurice Vallier, nicknamed "Ma Pomme"(which means "myself" in slang), is a cheerful man, well aware that money does not make happiness and who, of all things, prices freedom. Which is why he has become a tramp and he has never regretted his choice of life. Things go smoothly until the day he inherits a huge amount of money. He first refuses it but changes his mind when he realizes that thanks to the inheritance he can help others. Even more enticing is the fact that he must share the big money with a charming air hostess. However once he deems he has done enough good he gives up the money left and resumes his old lifestyle singing along "Ma pomme c'est moi, j'suis plus heureux qu'un roi..."

Although they have loved each other since childhood without admitting it, a surgeon and a young woman see their love thwarted by life.

Based on a venerable Legend of the Sea, the story concerns a pliable prostitute named Bella (Romance) who is all things to all men. No matter what sort of woman her client wants, she will become that woman -- at least for the night. When a middle-aged man named Jean insists that Bella is his long-lost sweetheart, she plays along, hoping to escape her sordid lifestyle. The emotional tragedy that follows is meant to explain how Bella became "Maya," the living embodiment of Lost Souls.

Micheline, who fled to Paris with the man she is in love with, finds herself on her own when he abandons her. She lands in a reformatory from which she manages to escape.

A soccer enthusiast like his father, Martin Lambert is the (gifted) goalkeeper of the local team. He falls in love with Jeanette and soon marries her. Alongside a happy marital life, Martin becomes a successful professional. Which proves a mixed blessing since fame makes him vain and haughty and his marriage gets seriously affected. But the Second World War breaks out and Martin is drafted. Taken prisoner a few months later, he is sent to a camp. When he is released, he tries resume his career but his wounds hurt too much and he has to give in. But not soccer: he will now proudly train young shoots.

One of Alexandre Dumas's most popular adventure novels is "The Count of Monte-Cristo". What is little known is that the famous writer made up neither its plot nor its characters. Dumas actually heard the true story of a man named François Picault during a stay at a private mansion and only adapted it into the novel everybody knows . Picault (who in the book would become Edmond Dantès) was about to marry the beautiful Marguerite (Mercédès in the novel) when he was denounced by three jealous friends who falsely accused him of being a spy for England. Picault was placed under a form of house arrest. In his prison, he made friends with an Italian abbot. When the man died, he left his fortune to Picault whom he had begun to treat as a son. On his release, Picault, who had become wealthy, was able to pursue his ruthless revenge on the three men who were responsible for his misfortune.

The film is a 125-minute, black-and-white biography of French priest and diplomat Charles Maurice de Talleyrand-Périgord (1754–1838), who served for 50 years under five different French regimes: the Absolute Monarchy, the Revolution, the Consulate, the Empire, and the Constitutional Monarchy. Its title comes from one of the main historical nicknames for Talleyrand, that he shares with demon king Asmodeus and English poet Lord Byron.

April fools in a studio where a radio host pretends to shoot dead all the performers....till a true crime occurs.

Edwige Feuillère and Pierre Richard-Willm star in director Jacques de Baroncelli's adaptation of the Balzac novella The Duchesse de Langeais, which tells the tale of a Parisian socialite who is romantically pursued by a Napoleonic war hero. With a screenplay by Jean Giraudoux.