Laura Christensen

Get an exclusive behind-the-scenes look at the creative challenges Lars von Trier presents his cast and crew to bring his vision to life from script to shoot and to the screen at home.

Steen is a clairvoyant psychic who has dedicated his life to his work. He has helped many families finding their missing loved ones, but he is estranged from his own adult son. His grandson’s birthday is coming up, a last possibility of reconciliation. Nothing must go wrong. But on his way there, he is approached by a desperate woman whose son has gone missing. She seeks out Steen as her last resort.

When a young consigliere is asked to take a drive into the woods for no reason, she knows it's bad news

The continuation of Joe's sexually dictated life delves into the darker aspects of her adult life and what led to her being in Seligman's care.

Being a stranger doesn’t necessarily mean to be coming from the farthest away. Karl and his mother are about to learn this when they move from the west coast of Denmark to the ethnically and religiously mixed area of Nørrebro in Copenhagen. Sawsan, a Danish-Turkish girl in Karl’s new class, takes him under her wings and tries to integrate him into the big city, with all its slang and hipness. Sawsan is far more experienced and blunt than most – especially compared to Karl, this young Danish boy from the provinces. Sawsan’s big dream comes true when one of her songs is chosen for the Danish version of the Eurovision Song Contest for kids. Sawsan’s father of course says no, but Karl has a plan.

This sequel to the box office hit All for One finds the previously tight-knit trio dispersed: Nikolai is on parole, while brothers Ralf and Timo are planning a heist involving the unlikely combination of unsalted butter, a strict diet and a helicopter. When their seemingly impossible heist succeeds, Nikolai asks to borrow some money to start over. The brothers reject him, but when all three of them are tricked by a fish-loving banking executive, they are forced to team up again.

Opening in the seductive style of the sixties, »A Funny Man« uncovers the perennial loneliness that comedian Dirch Passer (Nikolaj Lie Kaas) has found himself in after a fast-tracked rise to fame. He struggles between his own desire to gain critical respect and servicing the audience¿s needs. Costing his kindred friendship to on-stage partner Kjeld Petersen (Lars Ranthe) Dirch takes on Steinbeck's classic »Of Mice and Men«, only for the audience to break out in laughter at his first line. Dirch's Lennie becomes a running joke, and so has, Dirch believes, his own life.

Now in his fifties, Vagn leads a solitary life and plays football with a group of similarly aged men, some even older. After being left behind at a petrol station by his teammates on their way to a match in Sweden, he encounters a young habitual offender and together they set off in hot pursuit of Vagn's buddies. A Nordic road movie taking in a whole series of comic, serious and, above all, well-written scenarios.

Jonas Bechmann, a defense attorney, is a man of the system. Until the day he himself is accused of murder. Taking matters into his own hands, he throws himself into the hunt for a group of blackmailers who threaten to expose him as the killer. But nothing is what it appears to be, and the blackmail links back to his father's death under mysterious circumstances a year and a half earlier.

Three girls meet by chance in a hospital. Struggling to come to terms with their fate, they all look back on a decisive moment in their life: Sara, a professional swimmer relentlessly urged on by her ambitious father, was deprived of her only real chance of happiness. Mette has left her deeply religious family, finding it too hard to bear that they have accepted her fate while she hasn't. And Stephanie has brutally rejected her boyfriend in fear of being rejected herself. Although their stories are very different, the three girls are brought together in their search for love and companionship. Based on the Oscar nominated short fiction »At Night«

Christmas and New Year. Three girls between 18 and 20, are hospitalized with cancer. All three of them have serious problems, not just in terms of health, but also in terms of their relationships with their nearest and dearest. The girls find a haven in each other's company, where they are free from the fear of death and loneliness, and a substantial part of the film describes their sense of humour, unrestrained candidness and uncompromising zest for life.

Christina is living in a suburb to Copenhagen. With her class mates Cecilie, Trine and Pernille she slacks her school work, living mostly for the weekends of gate crashing, getting drunk, experimenting with drugs and scoring guys. But her world is turned upside down when Cecilie's boyfriend Shaid starts hitting on her, and Cecilie mistakenly believes the two of them are making out.

The life of Nynne is based on GUCCI bags and Chanel products, carpaccio and countless visits to cafés, loose relationships with men who screams 'good luck!' when they cum, unused memberships to the local gym and a lenient relationship with mixing champagne, white wine, red wine, cognac, gin, tequila and beer. It goes with out saying: Nynne has yet to experience her Kodak moment.

Mette was brutally attacked by a girl gang a few years previously. Since then, Mette has been in a wheelchair and her quality of life has rapidly changed. One day she meets Louise, who she thinks she recognize as the leader of the gang.

A young couple and their daughter move into a rambling old house. Soon, an increasingly alarming string of events and supernatural disturbances connects the house, and them, with a series of unsolved murders committed three years earlier. They are the only living witnesses, but for how long?

Starting a new job as a political journalist at a leading newspaper, Ulrik Torp witnesses a brutal struggle for power in the Midparty's ranks -- a struggle that coincides with the charismatic party leader's involvement in a near fatal car accident. A flurry of lies and media speculation surrounds the incident. Gradually, Ulrik unearths a ruthless conspiracy involving the incumbent prime minister.

A young married couple has to deal with their emotional breakdowns after the death of their only daughter.

Based on a true story the film tells the story of Svend who fights to save his elderly parents' marriage even though it has made his life almost unbearable. When he meets Lizzie he discovers how big a part of his family's hatred and jealousy he himself is. The only thing left is the ultimate break off, or the ultimate forgiveness.

It is the last day of school for Christian and his younger sister Sophie. They are heading to a party at his friend Trina. High school graduation is just around the corner and after the freedom and future. But behind the idyllic facade lurks tragedy and secrets. That evening Sophie commits suicide.

Erik Lund is a professor in child psychology. When his sister and her husband go on vacation, he is left in charge of their five children. He really feels up to it, since he is now going to be able to try out his skills in child psychology. However, reality is something else than theory and children do not always do as they are supposed to, according to his book on child psychology. The children soon fool him into doing as they please when it comes to food and pleasures. However, soon they start to realise that if they can make him serve them hot dogs and hamburgers and let them watch TV as much as they like, they can also make him help them restore their old house, so that they won't have to move, as their parents want to. And, as their uncle is nice enough to help them, they also decide to try and get him a wife.

Set in the neurosurgical ward of Copenhagen's Rigshospitalet, the city and country's main hospital, nicknamed "Riget", "Riget" means "the realm" or "the kingdom" and leads one to think of "dødsriget", the realm of the dead.

A story about friendship and sticking together through tough times. The movie shows how two young girls and their families cope with their differences, how they are brought together and torn apart and how they are changed by the injury of a racing pigeon. But when the girls take it upon themselves to heal the pigeon, its recovery can bring them all hope.

Set in the neurosurgical ward of Copenhagen's Rigshospitalet, the city and country's main hospital, nicknamed "Riget", a number of characters, staff and patients alike, encounter bizarre phenomena, both human and supernatural.

Combining the exultant sweep of epic period drama with the subtle intimacy of biography in a social perspective, this is a tale of materially impoverished childhood, struggling early manhood and an unrequited first love turned into good musical fortune for Carl Nielsen, one of the great composers of the 20th century. Based on the composer's autobiography, the film itself is designed to soar like a symphony.