Laura Christensen

Get an exclusive behind-the-scenes look at the creative challenges Lars von Trier presents his cast and crew to bring his vision to life from script to shoot and to the screen at home.

Steen is a clairvoyant psychic who has dedicated his life to his work. He has helped many families finding their missing loved ones, but he is estranged from his own adult son. His grandson’s birthday is coming up, a last possibility of reconciliation. Nothing must go wrong. But on his way there, he is approached by a desperate woman whose son has gone missing. She seeks out Steen as her last resort.

When a young consigliere is asked to take a drive into the woods for no reason, she knows it's bad news

무수한 남성을 만난 뒤 조는 첫 남자 제롬(샤이아 러버프)과 조우하고 사랑이라는 감정을 느낀다. 그러나 아이러니하게도 사랑은 성적 쾌감을 빼앗아갔다. 조는 삶의 공허함을 느끼게 되고 가학적인 방식으로 성적 만족을 제공하는 K(제이미 벨)를 찾아간다. 조는 감각을 되찾은 대가로 제롬을 잃지만 여성으로서 자신감을 되찾는다. 아무도 믿지 않고 아무 의미도 추구하지 않던 조는 자신의 분신이자 후계자인 P(미아 고스)에게 마음을 주기 시작하면서 조금씩 달라진다. 길고 긴 조의 경험담이 다다른 결론은 자신의 욕망을 인정한다는 것이다.

Being a stranger doesn’t necessarily mean to be coming from the farthest away. Karl and his mother are about to learn this when they move from the west coast of Denmark to the ethnically and religiously mixed area of Nørrebro in Copenhagen. Sawsan, a Danish-Turkish girl in Karl’s new class, takes him under her wings and tries to integrate him into the big city, with all its slang and hipness. Sawsan is far more experienced and blunt than most – especially compared to Karl, this young Danish boy from the provinces. Sawsan’s big dream comes true when one of her songs is chosen for the Danish version of the Eurovision Song Contest for kids. Sawsan’s father of course says no, but Karl has a plan.

This sequel to the box office hit All for One finds the previously tight-knit trio dispersed: Nikolai is on parole, while brothers Ralf and Timo are planning a heist involving the unlikely combination of unsalted butter, a strict diet and a helicopter. When their seemingly impossible heist succeeds, Nikolai asks to borrow some money to start over. The brothers reject him, but when all three of them are tricked by a fish-loving banking executive, they are forced to team up again.

Opening in the seductive style of the sixties, »A Funny Man« uncovers the perennial loneliness that comedian Dirch Passer (Nikolaj Lie Kaas) has found himself in after a fast-tracked rise to fame. He struggles between his own desire to gain critical respect and servicing the audience¿s needs. Costing his kindred friendship to on-stage partner Kjeld Petersen (Lars Ranthe) Dirch takes on Steinbeck's classic »Of Mice and Men«, only for the audience to break out in laughter at his first line. Dirch's Lennie becomes a running joke, and so has, Dirch believes, his own life.

주인공 반은 조용하고 지루한 일상을 살아가고 있는 중년의 독신 남성이다. 그의 독신 생활에서 유일한 낙은 동료들과의 축구뿐이다. 해마다 떠나는 스웨덴 여행에서 동료들은 실수로 그를 주유소에 두고 가버린다. 반은 갓 감옥에서 출옥한 존을 우연히 만나 그와 함께 동료들을 찾아 길을 떠나게 되면서, 그때까지 알지 못했던 자기 자신의 모습을 천천히 발견하는 기회를 얻게 된다. 코믹함과 진지함을 겸비한 탄탄한 시나리오가 돋보이는 로드 무비. (2010년 제4회 충무로영화제)

Jonas Bechmann, a defense attorney, is a man of the system. Until the day he himself is accused of murder. Taking matters into his own hands, he throws himself into the hunt for a group of blackmailers who threaten to expose him as the killer. But nothing is what it appears to be, and the blackmail links back to his father's death under mysterious circumstances a year and a half earlier.

Three girls meet by chance in a hospital. Struggling to come to terms with their fate, they all look back on a decisive moment in their life: Sara, a professional swimmer relentlessly urged on by her ambitious father, was deprived of her only real chance of happiness. Mette has left her deeply religious family, finding it too hard to bear that they have accepted her fate while she hasn't. And Stephanie has brutally rejected her boyfriend in fear of being rejected herself. Although their stories are very different, the three girls are brought together in their search for love and companionship. Based on the Oscar nominated short fiction »At Night«

Christmas and New Year. Three girls between 18 and 20, are hospitalized with cancer. All three of them have serious problems, not just in terms of health, but also in terms of their relationships with their nearest and dearest. The girls find a haven in each other's company, where they are free from the fear of death and loneliness, and a substantial part of the film describes their sense of humour, unrestrained candidness and uncompromising zest for life.

Christina is living in a suburb to Copenhagen. With her class mates Cecilie, Trine and Pernille she slacks her school work, living mostly for the weekends of gate crashing, getting drunk, experimenting with drugs and scoring guys. But her world is turned upside down when Cecilie's boyfriend Shaid starts hitting on her, and Cecilie mistakenly believes the two of them are making out.

The life of Nynne is based on GUCCI bags and Chanel products, carpaccio and countless visits to cafés, loose relationships with men who screams 'good luck!' when they cum, unused memberships to the local gym and a lenient relationship with mixing champagne, white wine, red wine, cognac, gin, tequila and beer. It goes with out saying: Nynne has yet to experience her Kodak moment.

Mette was brutally attacked by a girl gang a few years previously. Since then, Mette has been in a wheelchair and her quality of life has rapidly changed. One day she meets Louise, who she thinks she recognize as the leader of the gang.

A young couple and their daughter move into a rambling old house. Soon, an increasingly alarming string of events and supernatural disturbances connects the house, and them, with a series of unsolved murders committed three years earlier. They are the only living witnesses, but for how long?

Starting a new job as a political journalist at a leading newspaper, Ulrik Torp witnesses a brutal struggle for power in the Midparty's ranks -- a struggle that coincides with the charismatic party leader's involvement in a near fatal car accident. A flurry of lies and media speculation surrounds the incident. Gradually, Ulrik unearths a ruthless conspiracy involving the incumbent prime minister.

A young married couple has to deal with their emotional breakdowns after the death of their only daughter.

Based on a true story the film tells the story of Svend who fights to save his elderly parents' marriage even though it has made his life almost unbearable. When he meets Lizzie he discovers how big a part of his family's hatred and jealousy he himself is. The only thing left is the ultimate break off, or the ultimate forgiveness.

It is the last day of school for Christian and his younger sister Sophie. They are heading to a party at his friend Trina. High school graduation is just around the corner and after the freedom and future. But behind the idyllic facade lurks tragedy and secrets. That evening Sophie commits suicide.

Erik Lund is a professor in child psychology. When his sister and her husband go on vacation, he is left in charge of their five children. He really feels up to it, since he is now going to be able to try out his skills in child psychology. However, reality is something else than theory and children do not always do as they are supposed to, according to his book on child psychology. The children soon fool him into doing as they please when it comes to food and pleasures. However, soon they start to realise that if they can make him serve them hot dogs and hamburgers and let them watch TV as much as they like, they can also make him help them restore their old house, so that they won't have to move, as their parents want to. And, as their uncle is nice enough to help them, they also decide to try and get him a wife.

'죽음의 신', '철새', '거인', '악마전'. 이렇게 4부로 구성된 는 코펜하겐의 습지대에 세워진 음울한 종합병원의 모습을 그리고 있다. 병원에서 유일하게 죽은 메리의 상처를 알고 영혼을 달래려던 드루쎄 부인(크리슨 롤프)이 어느날 병원을 나서다가 앰뷸런스에 치인다. 꾀병이라도 부려 킹덤에 머물고자 했던 드루쎄 부인은 심각한 중상에 뒤이은 죽음으로 킹덤을 떠나게 된다. 영혼과 악령의 추격은 킹덤의 미궁같은 복도를 통과하며 계속되고, 킹덤의 앰뷸런스는 미친 듯이 질주한다. 병원의 피로에 찌든 모그와 병원 사람들은 죽음을 담보로 중앙선을 가로지르는 앰뷸런스의 스피드 기록에 내기를 건다. 헬머(에른스트 휴고 예어가르트)는 자신의 과실을 세상에 알리려는 모나를 세탁물 컨베이어에 숨기고 킹덤은 점점 더 답이 없는 의문들로 뒤덮힌다.

A story about friendship and sticking together through tough times. The movie shows how two young girls and their families cope with their differences, how they are brought together and torn apart and how they are changed by the injury of a racing pigeon. But when the girls take it upon themselves to heal the pigeon, its recovery can bring them all hope.

심령술에 빠져 노후를 보내고 있는 드루쎄 부인(키르스텐 롤페스)은 적적함을 달래기 위해 상습적으로 병원에 입원한다. 어느날 그녀는 병원에 어린 소녀 메리의 영혼이 떠돌고 있음을 느끼고 메리의 억울한 죽음에 얽힌 사연을 알게 된다. 메리의 죽음은 의사 헬머(에른스트 휴고 예어가르트)의 의료사고와 관련이 있는 것으로 헬머는 자신의 과오를 숨기기 위해 수술 기록을 없애려 한다. 그러던 어느날 보건 장관이 병원의 감사를 나오면서 헬머 뿐 아니라 킹덤의 행정을 맡고 있는 모즈거드 박사 등 병원 의료진들은 긴장한다. 한편 주디스는 전 애인의 아이를 임신한 사실을 뒤늦게 알게 되고 뱃 속의 태아는 비정상적인 속도로 자라난다. 죽은 메리의 영혼은 점점 더 자주 출몰하고 병원 전체의 묵은 비리가 서서히 드러나기 시작한다.

Combining the exultant sweep of epic period drama with the subtle intimacy of biography in a social perspective, this is a tale of materially impoverished childhood, struggling early manhood and an unrequited first love turned into good musical fortune for Carl Nielsen, one of the great composers of the 20th century. Based on the composer's autobiography, the film itself is designed to soar like a symphony.