Robert Whitelock

A meek undertaker becomes trapped in a violent world when a gangster enlists him to dispose of a growing number of corpses.

Tommy, an out of work building contractor, faces up to the consequences when a series of phone calls expose a lie that spirals out of control. With his family in danger and everything he knows rapidly unravelling around him, he must make the toughest decision of his life. Set entirely within the claustrophobic confines of a parked car, HOLD brings an atmospheric and tense twist on a familiar genre.

Inspired by global phenomenon of military wives choirs, the story celebrates a band of misfit women who form a choir on a military base. As unexpected bonds of friendship flourish, music and laughter transform their lives, helping each other to overcome their fears for loved ones in combat.

Novice Private Investigator Joe Smith is called by a wealthy woman living in north London to investigate the disappearance of her family cat. In the course of his investigation, Smith discovers some unexpected and unsettling things.

Fourteen hundred years ago, a tormented soul walked the earth that was neither man nor god. Hercules was the powerful son of the god king Zeus, for this he received nothing but suffering his entire life. After twelve arduous labors and the loss of his family, this dark, world-weary soul turned his back on the gods finding his only solace in bloody battle. Over the years he warmed to the company of six similar souls, their only bond being their love of fighting and presence of death. These men and woman never question where they go to fight or why or whom, just how much they will be paid. Now the King of Thrace has hired these mercenaries to train his men to become the greatest army of all time. It is time for this bunch of lost souls to finally have their eyes opened to how far they have fallen when they must train an army to become as ruthless and blood thirsty as their reputation has become.

When famous DJ Alan Partridge’s radio station is taken over by a new media conglomerate, it sets in motion a chain of events which see Alan having to work with the police to defuse a potentially violent siege.

Part documentary, part recreation, this movie is an exploration of Britain's first railway murder. Based on the book by Kate Colquhoun.

Tom was a soldier, a British veteran of an anonymous war from the 1990's. Whilst serving, soldiers under his command were separated from the rest of his patrol and ambushed. His search for them leads him to a traumatized soldier, shaken and confused by something he has seen inside a farm building. Tom enters the building. What happened in there will haunt him forever. He returns a decorated hero but he can't forget.

An injured RAF pilot, confined to a wheelchair is committed to an eerie hospital where he starts to loose his mind.

Jack Hardy is the sole survivor of a mysterious submarine disaster in World War II. Now, in 1981, the ill-fated submarine Scorpion has resurfaced, miraculously intact. Naval Intelligence need Hardy's expertise to retrace the course and mission that led to her original disappearance. But what's waiting for them under the grey waters of the Baltic Sea turns out to be much worse than the Russian submarines they're expecting. Wherever Scorpion has been all this time, it's brought some very bad luck back with it...

In 79 AD, one of the infamous natural disasters in human history occurred when Mount Vesuvius erupted. With speculative dramatizations of various inhabitants' final hours along with detailed documentation of the known facts concerning the eruption, the horrific day is vividly brought to life.

Anthony Sher and Harriet Walter star in a highly-acclaimed screen version of William Shakespeare's classic story of tyranny and ambition. On the stage this Royal Shakespeare Company presentation was universally lauded. Following sell-out seasons at Statford's Swan Theatre and in London, the production played Japan and in the United States, where The New York Times praised director Gregory Doran's interpretation as a "harrowing and disturbingly funny parable for the dawn of the 21st century". To make this compelling screen version, Gregory Doran worked with all of the original cast and filmed at London's Roundhouse. Brilliantly shot by director of photography Ernie Vincze, the production uses the edgy techniques of fly-on-the-wall documentaries. The effect is raw, intimate and strikingly dynamic.