Pauline Gaillard

Award-winning French writer Christine Angot goes on a business trip to Strasbourg where her father lived before dying several years ago. It is the city where she met him for the first time at the age of 13, and where he sexually abused her over the following years. His wife and children still live there. Angot takes a camera and knocks on the doors of her family to push them to clarify their attitudes to her father’s crime that stretched over so many years. A cinematographic journey that challenges social norms and family perspectives in dealing with incest.

Sophia is a philosophy professor in Montreal and has lived as a couple with Xavier for 10 years. Sylvain is a carpenter in the Laurentians and must renovate their country house. When Sophia meets Sylvain for the first time, it’s love at first sight. Opposites attract, but can it last?

Nathalie Adler is on a mission for the EU in Sicily. She organizes the next visit of Macron and Merkel to a migrant camp. Their presence has a high symbolic value to show that everything is under control. But who still wants to believe in this European family on the verge of a nervous breakdown? Probably not Albert, Nathalie's son, an NGO activist who arrives without warning. He, moreover, no longer believes in his mother.

After a sexist joke goes viral, Cédric loses his job and embarks on a therapeutic journey to free himself from sexism and misogyny. He and his girlfriend hire a mysterious and liberated babysitter to help shake things up.

Charly is the editor in chief of a fashion magazine. When her father dies, she inherits the family business: a butchery. Not exactly her passion in life... She’s about to sell it when Mar- tial, who worked for her father, wants to take it over, but she is having second thoughts. These two opposite characters will have to get used to one another.

The touching portrait of eight-year-old Sasha, who questions her gender and in doing so, evokes the sometimes disturbing reactions of a society that is still invested in a biological boy-girl system of thought.

Maud is an architect and a mother. Due to a misunderstanding, she wins the competition to refurbish the parvis of Notre-Dame. Torn between these responsibilities and love issues, she will go through an emotional storm.

Roman loves Camille as much as he loves his two daughters. But he is hiding from all of them a serious problem of addiction, which could endanger his dearest. Does love have a chance to survive when trust is broken?

An isolated farm in a remote part of the Jura region: this is where Pauline and Alex are living in complete self-sufficient harmony with nature. Their life project is sealed by their love, their ideals and their work. The couple is now ready to take the step towards total independence, and start producing their own electricity. The arrival of Samuel, who comes to install a wind turbine, deeply troubles Pauline, upsetting their relationship and their values.

Seventeen-year-old Mathieu Reymond lies brutally battered and raped in a field of reeds. It is only after his release from hospital that the memories come back, unannounced and fragmentary, but still so precise that regular meetings with two police officers not only allow the perpetrator’s identikit image to take shape, but also the chronology of the crime itself.

In the middle of the Siberian taiga, 450 miles from the nearest village, live two families : the Braguines and the Kilines. Not a single road leads there. A long trip on the Ienissei River, first by boat, then by helicopter, is the only way to reach Braguino. Self-sufficient, both families live there according to their own rules and principles. In the middle of the village: a barrier. The two families refuse to speak. In the river sits an island, where another community is being built : that of the children. Free, unpredictable, wild. Stemming from the fear of the other, that of wild beasts, and the joy procured by the immensity of the forest, unravels a cruel tale in which tensions and fear give shape to the geography of an ancestral conflict.

Julien and Marguerite de Ravalet, son and daughter of the Lord of Tourlaville, have loved each other tenderly since childhood. But as they grow up, their affection veers toward voracious passion.

After a serious accident on a film shoot, Marc, an equestrian, loses all hope to mount back on. His insurance company instructs Florence to handle his case. This film is the story of their meeting.

Silvia’s father grants her permission to meet Dorante, the man she’s promised to in marriage, by pretending to be her servant Lisette, who in turn will play the role of her mistress.

It is April 1974 and Julie Dujonc-Renens, young feminist journalist and the cunning Joseph-Marie Cauvin, leading reporter for the Swiss radio, have been sent to Portugal to investigate Switzerland’s aid to poor countries. Sparks fly during the bus trip with Bob, sound engineer approaching retirement. The projects financed by Switzerland prove to be calamitous and the workers’ revolution that suddenly breaks out doesn’t help, obliging our heroes to disregard first the radio’s management, and then their own codes of conduct.

Two young men are playing in a bathtub. Then a third and fourth slip in to join them. They are called Émile and they are looking for their “perfect mother” when a fifth man arrives, the Émile who reconciles them all.

Roméo and Juliette are two young actors. They fall in love at first sight, move in together and make a baby. A love story and the founding of a home like millions of others. Except that their little boy, Adam, behaves abnormally. The young parents try hard to persuade themselves that everything is okay but, with the passing of time, they cannot delude themselves anymore: their son has a problem. From now on, war is declared. A war against illness. A war against Death. A war against despair.

Claude Goretta directed “L'invitation” in 1973. For filmmaker Lionel Baier, born in 1975, it is like a “travelling companion”, to adapt Serge Daney’s expression. He feels it is definitive proof that a Swiss can be deeply Chekhovian. The young filmmaker goes to Geneva to ask his elder how he achieved the whoosh of water effect in the film, why attention to detail matters so much, and how to film great actors such as François Simon. This encounter with Claude Goretta – but also with Isabelle Huppert, Nathalie Baye, Michel Robin and Frédérique Meininger – leads one of the greatest of Swiss filmmakers to open up about his work.

August in Paris' suburbs, seven friends are gathered to spend a week in the city where they grew up. The city is empty and the days pass by under a deep blue sky. Each of them has a reason to be there: some still live there, some come back to see their family, some are searching their childhood, some want to escape boredom or eventually searching for love. They are all bearing the fact that these moments they are sharing are maybe the last ones.

The film revolves around a sibling rivalry between two brothers, Hershell and Thadeus Graves (played by Gonzales and Tiga, respectively), as they compete during a game of chess. Peaches plays Marsha Thirteen, a former performance artist and the shared love interest of both brothers.

Psychological drama about a young, inexperienced film reviewer who falls for the charms of a well-established female colleague. A challenging look at the essence of film critique as well as an erotic encounter between two unequals.

In this musical take on everyday life, Adele is devastated after a painful breakup. Her distant cousin, Rachel, finds her a job and suggests that Adele sleep with other men to get over her heartbreak. The search begins, but Adele can’t escape the visage of her former lover….

Adèle, a thirty years old woman decides to contact Vidal, a musician she admires. He answers and she’s surprised. Messages are exchanged, a date is arranged. Adèle goes to the met, radiant with joy, but also worried : there’s a detail she forgot to mention, she’s pregnant.

A naked man is peacefully sleeping on his bed. The sun touches his skin. When he's awake, a melancholic boy appears to us.

Ira is Russian. Ivan Tashkov, too. She is 23 years old, lives in Geneva with her mother and knows very little about her homeland. Tashkov is a supposed gangster of the Russian mafia, and is in jail waiting to be judged. Ira, who is searching for her roots and her own path in life, happens to be the interpreter of Tashkov's defense lawyer, and gets instantly captivated by of this powerful, cultured and manipulative man.

A story that mixes fantasy, philosophy and everyday reality. The problem with Antoine Martin is that he only exists one day out of two. And it is from this circumstance so personal that he meets Clémentine, a girl who lives full time. All this will only deepen his anguish.