Joana Ferreira
Birth : , Lisbon, Portugal
History
Joana Ferreira was born in Lisbon in 1973. She is managing director and producer at C.R.I.M. She studied Anthropology at Lisbon's Universidade Nova. She has been working in film production of prestigious Portuguese fiction feature films since 1998. She developed and financed cinema projects as a production manager. Among the directors with whom she has worked are Manoel de Oliveira, João César Monteiro, João Canijo, João Botelho, Raoul Ruiz, Teresa Villaverde, Paulo Rocha, Catarina Ruivo, Miguel Gomes and Marco Martins. Since 2006 she has been working as a full-time producer and managing director at C.R.I.M. with a special focus on fiction features.
Producer
Raised without parents in an isolated mansion on Portugal’s southernmost coast, Milene turned out a sort of adult wild child — impulsive, often withdrawn, prone to hysterical outbursts. When her grandmother-minder dies, the stuffy relatives who ignored Milene until now must decide what to “do with” her. Institutionalization? Some menial job? They don’t reckon she might have her own firm ideas on the matter, especially after she meets construction worker Antonino, who’s part of a much warmer clan living on the grounds of the shuttered factory that once enriched her own family. The heart wants what it wants…but will anyone respect Milene’s desires?
Producer
Several Portuguese creators occupy the director's chair in this collective short film shot during the COVID-19 pandemic shutdown in an unfolding of personal perspectives.
Director
“C for Coffee” is a series of informal conversations between directors, about cinema, around a coffee table. The eight conversations, which form the four episodes of the series, took place during the Porto/Post/Doc, Punto de Vista, IndieLisboa and Curtas Vila do Conde festivals, in emblematic cafés in each city.
Producer
A nun is called upon to adopt her 15-year-old nephew, and as a consequence religious, familial and sensual love become entangled.
Producer
Certain moments seem to stretch time differently, lingering in our minds longer than others do. They can be a positive memory, of a peaceful afternoon on the beach, or a negative one, like the helplessness that comes with a moment of uncertainty. In a house with vestiges of someone moving (leaving or arriving?), two women attempt a dialog filled with absences, trying to decipher the past and the future. Enigmatic, somewhere between an illusion and a daydream, time here seems suspended, lulled by silences and shadows.
Producer
Portrait of a tannery in Beira Alta and of its workers. The film follows the lives of Carla and Lúcia, the only female workers left after the departure of Patrícia, whose disappearance is the subject of much talk among the workers and serves as a metaphor for the future of the factory after the economic crisis that stormed the country.
Producer
On the riverside quay of the enormous container port of Lisbon two old decaying sky-blue painted buildings are located directly opposite to each other. One is closed and abandoned, the other inhabited by the two bright and inquisitive girls Ana and Matilde. Watching the closed building every single day and night the sisters get more and more suspicious. Strange phenomenons and movements behind the thick blue walls increase their curiosity. How is possible what their children`s eyes are witnessing? Who are those mysterious neighbours? How to discover old house`s secret?
Producer
At 30, Jiro embarked on a year-long trip taking in the Soviet Union, North Africa, Europe, and the United States. Nearly half a century later, his daughter makes use of various memorabilia to take a step back in time and explore how such adventures have shaped the man’s take on the modern world.
Producer
Cinema and affections from life in images and what goes on outside the frame. 'Snapshots' of shootings and the present-day memory of directors, actors and technicians.
Producer
A man, a child, two wars, a river, a tree. A man and a child meet under a tree on a river bank, sharing the same memory and a secret. They find in each other the serenity, the silence and the time they lost in the flowing water of the river.
Producer
In an abandoned aqua park, a boy and a girl hide from the exterior world.
Producer
Adaptation by the director Inês Oliveira from the traditional Portuguese tale «O Sapo e a Rapariga». The laundry room is closed and a young woman (Rita Cabaço) has to learn how to wash clothes by hand with the wise Deolinda (Isabel Ruth), who tells her a strange story of enchantment.
Producer
A path for tourists on their way to the Castle of São Jorge, the Pátio Dom Fradique was once a popular courtyard where around sixty families used to live.Today, ruins of their houses are the unique remains.There, the erased memories of the old city history and the frenzy of the new Lisbon give way to a contemporary urban tale.
Producer
After the Carnation Revolution the peasants in the Alentejo region occupied the huge proprieties where they were once submitted to the power of their masters. The protagonists of this film, resistants of this struggle, tell their story to the youngsters of today, in their own words.
Producer
Marta and Jorge have been a couple for seven years. All their friends think they are living a perfect romance. Too perfect, perhaps, for the despair of all: Bruno, who is much younger than Marta but madly in love with her; Lígia, who is Bruno's sister and Marta's best friend and would love to see her brother happy; Carlos, Jorge's friend, who maintains a superficial romance with Lígia while secretly in love with Marta; and for Jorge himself, who is afraid this idyllic romance will imprison him and, convinced that his love and his lover's desire to marry will take away his freedom, decides to show her the way into Carlos arms.
Producer
Bound by a silent pact, five students make a secret trip to the country for what seems to be an initiation ceremony. In threatening landscapes and abandoned ruins, they submit to the strange rituals of their leader, the Dux.
Producer
Jorge de Sena was forced to leave his country. First he moved to Brazil, and later to the USA. He never returned to Portugal. During his 20-year-long exile, he kept an epistolary correspondence with Sophia de Mello Breyner Andresen. These letters are a testimony of the profound friendship between the two poets, letters of longing and of desire to “fill years of distance with hours of conversation”. Through excerpts and verses, a dialog is established, revealing their divergent opinions but mostly their strong bond, and their efforts to preserve it until their last breaths.
Producer
Joaquim Pinto has been living with HIV and VHC for almost twenty years. “What now? Remind Me” is the notebook of a year of clinical studies with toxic, mind altering drugs as yet unapproved. An open and eclectic reflection on time and memory, on epidemics and globalization, on survival beyond all expectations, on dissent and absolute love. In a to-and-fro between present and past memories, the film is also a tribute to friends departed and those who remain.
Producer
An elderly woman in a wheelchair and a hormone driven teenage boy arrive to a beach cabin where, through rare moments of lucidity, she will persuade him to kill her.
Producer
This film dives into a new world of possibilities, from the diversity of emotions tcreated by this one man alone in this house to his behavior and transformation on the world that he is creating.
Producer
Other Letters or The Invented Love deals with the passionate book New Portuguese Letters, a collective work written by the authors known as the Three Marias in the 70s, as a pretext for a short cinematographic inventory about relationships and affection between people today and always.
Producer
Roberto is one of those men to whom simulation has become the greatest art. He is an unmoved, inscrutable, mysterious man. But the truth is that Robert feels an intimate, deep tedium. The boredom of those who have already exhausted all the pleasures of life. The only thing still surprising him is the fact that nothing surprises him anymore. One evening he has an overwhelming encounter with a woman. For his own bewilderment, he discovers the sublime horrors in which the woman has sank.
Producer
Side Effects is the story of a woman who's not afraid to believe that happiness is not only possible but the only truth to be achieved. A woman who won't give up believing in people. A woman who will fight against all adversities in order to let others not to give up a life worth living. Nowadays, the desire for happiness is a real heroic act.
Producer
Eden's Ark is a journey through the dramatic, chaotic, precarious world of botany and film preservation. A journey in danger and poetry, across the ice and the tropics, following adventurers and preservers, and confronting what we lose and save.
Producer
We went on discovering the story of princess Wakasa who fall in love with Fernão Mendes Pinto and was exchanged for a gun's secret.
Joana
Teresa finds out in Africa that her husband, Xavier, was lost in child prostitution. She flees to South Africa where she meets the maid's daughter, prostituted. It ends up getting the Mozambican police to save her and testify against the network of child prostitution. She becomes a star. The rescued girl has the media attention and also becomes a star.
Production Manager
We don`t know much about the future world where people need to visit 'Kinotels'. But we know that going to the cinema has radically changed. It has become a computer directed kind of intimate ritual during which people enter another reality and switch personality. This is the short story of aman and a woman who visit a Kinotel.
Producer
We don`t know much about the future world where people need to visit 'Kinotels'. But we know that going to the cinema has radically changed. It has become a computer directed kind of intimate ritual during which people enter another reality and switch personality. This is the short story of aman and a woman who visit a Kinotel.
