Evelyn Lambart

Animation pioneer Evelyn Lambart recalls arriving at the NFB in the 1940s, her celebrated collaborations with Norman McLaren and her approach to her solo work.

The fifth thematic mini documentary about revolutionary filmmaker Norman McLaren; this time with a focus on his collaborator Evelyn Lambart.

This 1967 footage shows McLaren at a computer with Evelyn Lambart, Rene Pardo and two other technicians, followed by the animation test some call Birdlings. McLaren found computers still too primitive for his needs and continued to explored the optical printer in Pas De Deux, Synchromy and Narcissus. Silent film.

In this animated short, Evelyn Lambart uses her well-known style of animation – paper figures and brightly colored backgrounds – to revisit Aesop’s tale of 2 mice with vastly different lifestyles. Ultimately, the film suggests it is far better to live simply and in peace than to live in luxury amidst danger.

This animated short by Evelyn Lambart is a visual adaptation of the famous Aesop fable "The Lion and the Mouse," in which a mouse proves to a lion that the weak and small may be of help to those much mightier than themselves.

This animated short by Evelyn Lambart is a visual adaptation of the famous Aesop fable "The Lion and the Mouse," in which a mouse proves to a lion that the weak and small may be of help to those much mightier than themselves.

This animated short by Evelyn Lambart is a visual adaptation of the famous Aesop fable "The Lion and the Mouse," in which a mouse proves to a lion that the weak and small may be of help to those much mightier than themselves.

In this short film by animator Evelyn Lambart, a handsome frog courts and wins a mouse for his bride. The colourful animation does full justice to the events that take place during and after the wedding breakfast. Sung by Derek Lamb to lute accompaniment.

This short animation tells the familiar story of Christmas in an innovative and colourful way. Filmmaker Evelyn Lambart uses glowing zinc cut-outs to give this traditional tale a contemporary twist. Akin to a joyful medieval manuscript, the film is embellished by the artist's own whimsy—heraldic trumpet sounds, luminescent light, and wildflowers in every scene tell the message of rebirth. A film without dialogue.

This short animation tells the familiar story of Christmas in an innovative and colourful way. Filmmaker Evelyn Lambart uses glowing zinc cut-outs to give this traditional tale a contemporary twist. Akin to a joyful medieval manuscript, the film is embellished by the artist's own whimsy—heraldic trumpet sounds, luminescent light, and wildflowers in every scene tell the message of rebirth. A film without dialogue.

Pinscreen animation makes use of a screen filled with movable pins, which can be moved in or out by pressing an object onto the screen. The screen is lit from the side so that the pins cast shadows.

This short animation by artist and animator Evelyn Lambart offers a wordless plea for the right of all living creatures to a clean, unpolluted environment. With rich colour and intricate animated motion, the film features birds, butterflies and other woodland creatures succumbing to air pollution caused by human inventions.

This short animation by artist and animator Evelyn Lambart offers a wordless plea for the right of all living creatures to a clean, unpolluted environment. With rich colour and intricate animated motion, the film features birds, butterflies and other woodland creatures succumbing to air pollution caused by human inventions.

A greedy little blue jay carries away whatever his beak can grasp. Berries, birds' eggs (nests and all), and even the sun in the sky go into his secret cache.

A greedy little blue jay carries away whatever his beak can grasp. Berries, birds' eggs (nests and all), and even the sun in the sky go into his secret cache.

Two duelling birds get the urge to change their plumage. A blue jay wants to be decked out in the green of cedar, and a loon dons the burnished red of oak leaves, but neither bird foresees the consequences of vanity.

Two duelling birds get the urge to change their plumage. A blue jay wants to be decked out in the green of cedar, and a loon dons the burnished red of oak leaves, but neither bird foresees the consequences of vanity.

A man sets a ping-pong ball into motion and it becomes fruitful and multiplies.

An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films.

An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films.

An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films.

An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films.

A color cocktail by Norman McLaren and Evelyn Lambart, translating into moving patterns of color and light the moods of music written for a jazz ensemble by Eldon Rathburn. Inscribed and colored directly on film.

An ordinary looking chair refuses to be sat upon.

Rythmetic is a 1956 Canadian short animated film directed by Norman McLaren and Evelyn Lambart where numbers are the main characters.

This very short stereoscopic film by Evelyn Lambart uses drawings to suggest movement across Canada’s ever-changing countryside.

This very short stereoscopic film by Evelyn Lambart uses drawings to suggest movement across Canada’s ever-changing countryside.

Early abstract 3D film by animation master Norman McLaren and collaborator Evelyn Lambart.

Early abstract 3D film by animation master Norman McLaren and collaborator Evelyn Lambart.

Early abstract 3D film by animation master Norman McLaren.

The story of the settlement of Canada, illustrated with cheerful animated cartoons. The arrival of Jacques Cartier, the fishing and fur trades which followed, and the rival colonization by the French and British, climaxed by the battle of the Plains of Abraham, are depicted. The coming of the United Empire Loyalists is seen; then the west-coast gold rush and the completion of the transcontinental railway. New branches were added to the family tree when many European settlers came to fill the great spaces of the Prairies. Finally, we see the whole country matured into a nation, its traditions enriched by those of many peoples.

Begone Dull Care shines with his masterful use of scratching and painting on film stock. In Begone Dull Care, McLaren adds complexity to Lye’s compositions, emphasising sound/visual synchronisation and generating depth on his mobile canvas. The film gives warmth and movement to compositions resembling a constantly morphing Jackson Pollock painting, yet never fails to remind us of its very calculated aesthetics when it suddenly adapts to the score’s slower movements and shifts from expressionistic and oversaturated explosions to minimalist vertical lines that vibrate accordingly to Oscar Peterson’s piano.

Begone Dull Care shines with his masterful use of scratching and painting on film stock. In Begone Dull Care, McLaren adds complexity to Lye’s compositions, emphasising sound/visual synchronisation and generating depth on his mobile canvas. The film gives warmth and movement to compositions resembling a constantly morphing Jackson Pollock painting, yet never fails to remind us of its very calculated aesthetics when it suddenly adapts to the score’s slower movements and shifts from expressionistic and oversaturated explosions to minimalist vertical lines that vibrate accordingly to Oscar Peterson’s piano.

Begone Dull Care shines with his masterful use of scratching and painting on film stock. In Begone Dull Care, McLaren adds complexity to Lye’s compositions, emphasising sound/visual synchronisation and generating depth on his mobile canvas. The film gives warmth and movement to compositions resembling a constantly morphing Jackson Pollock painting, yet never fails to remind us of its very calculated aesthetics when it suddenly adapts to the score’s slower movements and shifts from expressionistic and oversaturated explosions to minimalist vertical lines that vibrate accordingly to Oscar Peterson’s piano.

Development in long-range travel and the growing importance of the Arctic and Antarctic regions make it necessary to understand how maps may be misleading. Experiments with a grapefruit illustrate the difficulty of presenting a true picture of the world on a flat surface and it is concluded that the globe is the most accurate way of representing the earth.

Development in long-range travel and the growing importance of the Arctic and Antarctic regions make it necessary to understand how maps may be misleading. Experiments with a grapefruit illustrate the difficulty of presenting a true picture of the world on a flat surface and it is concluded that the globe is the most accurate way of representing the earth.