Evelyn Lambart

Evelyn Lambart

出生 : 1914-07-23, Ottowa, Ontario, Canada

死亡 : 1999-04-03

略歴

Evelyn Lambart (23 July 1914 – 3 April 1999) was a Canadian animator and technical director with the National Film Board of Canada, known for her early collaborations with Norman McLaren as well as her later films, as sole director.

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Evelyn Lambart
Evelyn Lambart

参加作品

Making Movie History: Evelyn Lambart
Self
Animation pioneer Evelyn Lambart recalls arriving at the NFB in the 1940s, her celebrated collaborations with Norman McLaren and her approach to her solo work.
Evelyn Lambart
The fifth thematic mini documentary about revolutionary filmmaker Norman McLaren; this time with a focus on his collaborator Evelyn Lambart.
Birdlings
This 1967 footage shows McLaren at a computer with Evelyn Lambart, Rene Pardo and two other technicians, followed by the animation test some call Birdlings. McLaren found computers still too primitive for his needs and continued to explored the optical printer in Pas De Deux, Synchromy and Narcissus. Silent film.
The Town Mouse and the Country Mouse
Director
In this animated short, Evelyn Lambart uses her well-known style of animation – paper figures and brightly colored backgrounds – to revisit Aesop’s tale of 2 mice with vastly different lifestyles. Ultimately, the film suggests it is far better to live simply and in peace than to live in luxury amidst danger.
The Lion and the Mouse
Writer
This animated short by Evelyn Lambart is a visual adaptation of the famous Aesop fable "The Lion and the Mouse," in which a mouse proves to a lion that the weak and small may be of help to those much mightier than themselves.
The Lion and the Mouse
Animation
This animated short by Evelyn Lambart is a visual adaptation of the famous Aesop fable "The Lion and the Mouse," in which a mouse proves to a lion that the weak and small may be of help to those much mightier than themselves.
The Lion and the Mouse
Director
This animated short by Evelyn Lambart is a visual adaptation of the famous Aesop fable "The Lion and the Mouse," in which a mouse proves to a lion that the weak and small may be of help to those much mightier than themselves.
Mr. Frog Went A-Courting
Director
In this short film by animator Evelyn Lambart, a handsome frog courts and wins a mouse for his bride. The colourful animation does full justice to the events that take place during and after the wedding breakfast. Sung by Derek Lamb to lute accompaniment.
The Story of Christmas
Animation
This short animation tells the familiar story of Christmas in an innovative and colourful way. Filmmaker Evelyn Lambart uses glowing zinc cut-outs to give this traditional tale a contemporary twist. Akin to a joyful medieval manuscript, the film is embellished by the artist's own whimsy—heraldic trumpet sounds, luminescent light, and wildflowers in every scene tell the message of rebirth. A film without dialogue.
The Story of Christmas
Director
This short animation tells the familiar story of Christmas in an innovative and colourful way. Filmmaker Evelyn Lambart uses glowing zinc cut-outs to give this traditional tale a contemporary twist. Akin to a joyful medieval manuscript, the film is embellished by the artist's own whimsy—heraldic trumpet sounds, luminescent light, and wildflowers in every scene tell the message of rebirth. A film without dialogue.
Pin Screen
Pinscreen animation makes use of a screen filled with movable pins, which can be moved in or out by pressing an object onto the screen. The screen is lit from the side so that the pins cast shadows.
Paradise Lost
Writer
This short animation by artist and animator Evelyn Lambart offers a wordless plea for the right of all living creatures to a clean, unpolluted environment. With rich colour and intricate animated motion, the film features birds, butterflies and other woodland creatures succumbing to air pollution caused by human inventions.
Paradise Lost
Director
This short animation by artist and animator Evelyn Lambart offers a wordless plea for the right of all living creatures to a clean, unpolluted environment. With rich colour and intricate animated motion, the film features birds, butterflies and other woodland creatures succumbing to air pollution caused by human inventions.
The Hoarder
Animation
A greedy little blue jay carries away whatever his beak can grasp. Berries, birds' eggs (nests and all), and even the sun in the sky go into his secret cache.
The Hoarder
Director
A greedy little blue jay carries away whatever his beak can grasp. Berries, birds' eggs (nests and all), and even the sun in the sky go into his secret cache.
Fine Feathers
Animation
Two duelling birds get the urge to change their plumage. A blue jay wants to be decked out in the green of cedar, and a loon dons the burnished red of oak leaves, but neither bird foresees the consequences of vanity.
Fine Feathers
Director
Two duelling birds get the urge to change their plumage. A blue jay wants to be decked out in the green of cedar, and a loon dons the burnished red of oak leaves, but neither bird foresees the consequences of vanity.
Mosaic
Director
A man sets a ping-pong ball into motion and it becomes fruitful and multiplies.
Lines: Horizontal
Animation
An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films.
Lines: Horizontal
Director
An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films.
Lines: Vertical
Animation
An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films.
Lines: Vertical
Director
An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films.
Short and Suite
Director
A color cocktail by Norman McLaren and Evelyn Lambart, translating into moving patterns of color and light the moods of music written for a jazz ensemble by Eldon Rathburn. Inscribed and colored directly on film.
A Chairy Tale
Animation
An ordinary looking chair refuses to be sat upon.
Rythmetic
Director
Rythmetic is a 1956 Canadian short animated film directed by Norman McLaren and Evelyn Lambart where numbers are the main characters.
O Canada
Animation
This very short stereoscopic film by Evelyn Lambart uses drawings to suggest movement across Canada’s ever-changing countryside.
O Canada
Director
This very short stereoscopic film by Evelyn Lambart uses drawings to suggest movement across Canada’s ever-changing countryside.
Around Is Around
Animation Director
Early abstract 3D film by animation master Norman McLaren and collaborator Evelyn Lambart.
Around Is Around
Director
Early abstract 3D film by animation master Norman McLaren and collaborator Evelyn Lambart.
Now Is the Time
Producer
Early abstract 3D film by animation master Norman McLaren.
Family Tree
Director
The story of the settlement of Canada, illustrated with cheerful animated cartoons. The arrival of Jacques Cartier, the fishing and fur trades which followed, and the rival colonization by the French and British, climaxed by the battle of the Plains of Abraham, are depicted. The coming of the United Empire Loyalists is seen; then the west-coast gold rush and the completion of the transcontinental railway. New branches were added to the family tree when many European settlers came to fill the great spaces of the Prairies. Finally, we see the whole country matured into a nation, its traditions enriched by those of many peoples.
Begone Dull Care
Animation
Begone Dull Care shines with his masterful use of scratching and painting on film stock. In Begone Dull Care, McLaren adds complexity to Lye’s compositions, emphasising sound/visual synchronisation and generating depth on his mobile canvas. The film gives warmth and movement to compositions resembling a constantly morphing Jackson Pollock painting, yet never fails to remind us of its very calculated aesthetics when it suddenly adapts to the score’s slower movements and shifts from expressionistic and oversaturated explosions to minimalist vertical lines that vibrate accordingly to Oscar Peterson’s piano.
Begone Dull Care
Editor
Begone Dull Care shines with his masterful use of scratching and painting on film stock. In Begone Dull Care, McLaren adds complexity to Lye’s compositions, emphasising sound/visual synchronisation and generating depth on his mobile canvas. The film gives warmth and movement to compositions resembling a constantly morphing Jackson Pollock painting, yet never fails to remind us of its very calculated aesthetics when it suddenly adapts to the score’s slower movements and shifts from expressionistic and oversaturated explosions to minimalist vertical lines that vibrate accordingly to Oscar Peterson’s piano.
Begone Dull Care
Director
Begone Dull Care shines with his masterful use of scratching and painting on film stock. In Begone Dull Care, McLaren adds complexity to Lye’s compositions, emphasising sound/visual synchronisation and generating depth on his mobile canvas. The film gives warmth and movement to compositions resembling a constantly morphing Jackson Pollock painting, yet never fails to remind us of its very calculated aesthetics when it suddenly adapts to the score’s slower movements and shifts from expressionistic and oversaturated explosions to minimalist vertical lines that vibrate accordingly to Oscar Peterson’s piano.
The Impossible Map
Animation
Development in long-range travel and the growing importance of the Arctic and Antarctic regions make it necessary to understand how maps may be misleading. Experiments with a grapefruit illustrate the difficulty of presenting a true picture of the world on a flat surface and it is concluded that the globe is the most accurate way of representing the earth.
The Impossible Map
Director
Development in long-range travel and the growing importance of the Arctic and Antarctic regions make it necessary to understand how maps may be misleading. Experiments with a grapefruit illustrate the difficulty of presenting a true picture of the world on a flat surface and it is concluded that the globe is the most accurate way of representing the earth.