Rytíř na houpacím koni (1968)

Austria, 1938. María es una alegre novicia que abandona la abadía de Estrasburgo para convertirse en la institutriz de los siete hijos de un militar retirado, el capitán von Trapp, viudo desde hace poco tiempo. La casa de los von Trapp funciona como un cuartel, pero María consigue devolver la alegría a los niños y ganarse su respeto y cariño.

Durante más de treinta años, y a través de su programa de televisión, Fred Rogers (1928-2003), presentador, productor, escritor y pianista, acompañado por sus marionetas y sus muchos amigos, habló directamente a los niños pequeños sobre algunos de los temas más importantes de la vida.

Bravely going where no ventriloquist has gone before, Nina Conti concocts a virtual zoo of puckish characters for this world premiere show. Talk to the Hand is an hour of nimble, profanity-strewn stand-up from the vibrant Nina Conti and her touring companions: the scruffy monkey, a posh-sounding owl-poet with a taste for generic verse, a Scottish granny, and the vodka-loving Lydia, recently purchased from another ventriloquist and yet to find a voice she likes. Her alter-egos come face to face with apparitions, special guests and real live humans which means you can rely on consistent lashings of warmth, technical brilliance, and vibrant wit.

Un malvado urbanizador amenaza con envenenar a una colonia de ratas y robar su territorio.

A feature-length adaptation of the award-winning digital broadcast, "Tell 'em Steve-Dave". Sort of like the Muppets, but with much darker subject matter. Bry, Walt and Q (with occasional guests) host a weekly podcast #TESD to discuss the ups and downs of their life. For the first time ever, experience some of the most popular of their legendary tales through the medium of puppetry.

Focuses on the collaboration between cabaret and drag artist Joey Arias and master puppeteer Basil Twist, whose 2008 show brought them some of the biggest success of their careers.

The curtains of a theatre open onto a smaller puppet theatre presided over by Marianne. The ringmaster waves her baton at three shadowy acrobats that climb one by one out of her hat. Each performs his number, although not without some difficulty. The clumsiness of the first, the mischievousness of the second, and the fieriness of the third trigger a few clashes that ultimately lead to chaos. How can Marianne create harmony without losing control? Will her show flop? Who's really calling the shots, the little puppet or her acrobats?

Mario and Netta Show is a quite successful show. Mario is the ventriloquist, Netta is the puppet with whom he shares the scene. Theirs is a complicated relationship, not just on stage.