Dionisia (2022)

Siete chicas de instituto ven sus vacaciones chafadas cuando su profesor (Kiyohiko Ozaki) tiene que cancelar el viaje que tenía planeado realizar con ellas. Las cosas marchan incluso algo peor para Oshare (Kimiko Ikegami), una de las chicas, ya que recientemente su padre le ha presentado su nueva madastra (Haruko Wanibuchi), lo que no le ha hecho demasiada gracia. Mirando un álbum de fotos, Oshare se encuentra con la foto de boda de su madre a quien se la ve acompañada de su hermana (Yoko Minamida) quien nunca llegó a casarse ya que su prometido murió en la guerra. Oshare se pone en contacto con su tía y ésta la invita a ella y a sus amigas a pasar las vacaciones en su mansión en el campo. Cuando el grupo de chicas se presentan en la mansión, allí las recibe la tía de Oshare en sillas de ruedas y medio ciega. Muy pronto las chicas descubren que la mansión tiene vida propia.

When he understood it was all a dream. He decided to stay until eternity, darker since you died.

To produce speech, a set of mechanisms must be brought together. What is the normal articulation for speech? How to produce the sounds that make it up in the correct way? A physiological analysis of the aspects of speech shows us how: the jaw must move in a certain way; the air must be expelled from the lungs in another. Based on the concepts stated in the film "Normal Speech Articulation" (1965), produced by the University of Iowa (USA), we intend to reflect on the way women have been represented, and consequently educated, over the years, both in film and in the media. Largely composed of archival footage, this film intends to make evident, through a montage inspired by Structuralist movements, the violence of this education.

After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.

“The lakes, their rounds palms, they drowned the face of the Sky: I have turned the sphere to look at the Sky". Victor Segalen. Estelas

What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.

A cine-essay about the ego death and consciousness rebirth.

Set in a nightmarish Bardo, a place between death and rebirth, a tormented writer faces down demons of his own making. Forced to confront the darkest moment in his life, he mines fractured and repressed memories for a way out. A woman is at the center of all the writer’s afterlife encounters. She is the subject of his life’s greatest regret, and she materializes everywhere in this Otherworld. The writer cannot detach any thoughts of his life from her.

A film about creation itself, a rite of the sun and the surfaces illuminated by it. Light capturing and light summoning "in a primitive attempt to catch the sun with my hands".

This is a simple test, with a small and personal motivation to improve the history of motion and time, in the mind of the filmmaker. Hanife released it on 22 Sep 2016 while he had started executive part from 6 months before it.

In 1999, 11-year-old Nisha Platzer lost her older brother, Josh, to suicide. Twenty years later, her search for a specialized medical treatment leads her to the door of someone who was once exceptionally close to Josh. And so it is that she finally has the chance to truly know her brother through his chosen family. Captured over five years in which synchronicities continually manifested, Platzer’s documentation of these encounters gently asserts that both grieving and healing are meant to be communal experiences.

Metamorphosis is a real ballet dance on the rocks, interpreted by a great climber, Patrick Berhault, and set in the picturesque countryside of Cote d'Azur and the Lingurian coast. Berhault's evolutions, in the sea, in the grottoes, on the rocks and precipices, are exceedingly difficult but they are chiefly performed to give the movement an aesthetic value. Matemorphosis is the story of a cycle without words, narrated with gestures and music. The climber Monique Dalmasso also partecipates in the film.

A recurring drone changes and reshapes the land and sea.

A photographer looks at pictures of the last day of a boy's life.