RAW CONCRETE (2024)

In 2002, Lana Kaiser became well known in the first season of the German version of the Idol television franchise. She was born in 1985 and went by her birth name Daniel Küblböck. At only 17 years old she polarised the audience with her androgynous appearance and open bisexuality. On September 9th 2018, Lana disappeared from a cruise ship on her way to North America. Most media outlets and the majority of the public didn‘t consider calling her by her chosen name, Lana Kaiser. Philipp Gufler's video installation is a personal portrait of the singer and entertainer.

In the year 2020, when the world was forced to ‘change’, I wanted to confirm what changed and what did not change in me. The white mask I wore became the screen projecting my past. My family is sometimes hurt, but support me as I suffer from schizophrenia. We live today while looking for the answer to ‘Who are we?’

What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.

‘Fantasya Odyssey’ es un viaje a través del imaginario de Pedro LaDroga en formato filme artístico-musical. Una combinación de música, animación y diseño 3D que recoge algunos de los temas clave de ‘Fantasya (LP)’, disco catalogado por la prensa como ‘la obra maestra’ del sevillano. Un recorrido que pasa por ‘Fantasya’, ‘Solo X Mi’, ‘Tan Difícil’, ‘Marroneo’, ‘Gotta Da’ Potion’ y ‘Te Dejé Correr’ y en el que cada canción goza de su propio escenario generando una experiencia virtual única que te sumerge de lleno en el universo de Pedro LaDroga.

This informative video course teaches adult women on weapons and self protection. Also includes other self-defense methods shown from experts of that field. These rules also applies to underage girls and men in the audience.

A speaking into the void.

Un camino que viaja entre el encuentro y el desencuentro por cada palabra e imagen compartida en un grupo de amigas, su introspección y su propia mirada a la vida, reflexionan entre sí dando lugar a este video diario de verano.

Tras consolidarse como destino turístico a mediados de los años 60, este pequeño pueblo de costa se ha convertido en el pueblo dormitorio para los trabajadores de una Central Nuclear. Con la promesa liberal de prosperidad y bienestar socioeconómico, muchos trabajadores dejaron sus casas para mudarse al pequeño municipio y empezar a laborar a la nueva Central Nuclear. El grave malestar colectivo y el silencio, cortado por las grandes rachas de viento, articulan el paisaje del pequeño municipio que ahora subiste de las ayudas de la Central Nuclear.

A snooze alarm clock cannot wake a sleepy person. The bell of the alarm clock hence becomes a hypnotic trigger. Such an ordinary sound is redefined in our drowsy moments, and we are also liberated from the sounds that condition our lives—queue management systems, electric scooters, air raid drills, and public demonstrations. These sounds are released from the soft soil of our consciousness and grow into a new scene. And we sail with those who cannot be awakened on a boat drifting off course into a new realm projected by frequency. This is a film you can watch with your eyes closed.

Archive footage from 2006 - 2010 of a young girl growing up during the ages of four to eight. Only fragments of what is remembered exists. Words from a transgender man float to the surface as fleeting memories go on.

An excerpt about the troubled, passionate and intriguing relationship of an actor with his own life.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

The Red Tide follows a life changing move to Florida. Exploring a new home located near famous earthworks by Robert Smithson, the enormous art collection-turned-museum of John Ringling, and beaches plagued by a toxic phenomenon called the ‘red tide’. Beginning with a recreation of Nancy Holt and Robert Smithson’s 1969 film, Swamp, the film describes a confusion between multiple anxieties: art’s legacy, climate change, and a longing to stay connected. Taken From Sally Lawton's Website: http://www.sallylawton.net/the-red-tide.html