Not Sure (2023)
Género : Documental
Tiempo de ejecución : 25M
Sinopsis
A speaking into the void.
‘Fantasya Odyssey’ es un viaje a través del imaginario de Pedro LaDroga en formato filme artístico-musical. Una combinación de música, animación y diseño 3D que recoge algunos de los temas clave de ‘Fantasya (LP)’, disco catalogado por la prensa como ‘la obra maestra’ del sevillano. Un recorrido que pasa por ‘Fantasya’, ‘Solo X Mi’, ‘Tan Difícil’, ‘Marroneo’, ‘Gotta Da’ Potion’ y ‘Te Dejé Correr’ y en el que cada canción goza de su propio escenario generando una experiencia virtual única que te sumerge de lleno en el universo de Pedro LaDroga.
What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.
In the year 2020, when the world was forced to ‘change’, I wanted to confirm what changed and what did not change in me. The white mask I wore became the screen projecting my past. My family is sometimes hurt, but support me as I suffer from schizophrenia. We live today while looking for the answer to ‘Who are we?’
An experimental look at the origin of the death myth of the Chinookan people in the Pacific Northwest, following two people as they navigate their own relationships to the spirit world and a place in between life and death.
A snooze alarm clock cannot wake a sleepy person. The bell of the alarm clock hence becomes a hypnotic trigger. Such an ordinary sound is redefined in our drowsy moments, and we are also liberated from the sounds that condition our lives—queue management systems, electric scooters, air raid drills, and public demonstrations. These sounds are released from the soft soil of our consciousness and grow into a new scene. And we sail with those who cannot be awakened on a boat drifting off course into a new realm projected by frequency. This is a film you can watch with your eyes closed.
In this experimental, self-ethnographic documentary, Tom Joslin blends breathtaking, moving snapshots from the natural world, filmic cultural touchstones, and cutting (pseudo) cinéma vérité to dissect and reassemble his gay identity despite constant warnings to stay in the closet. Blackstar sees Joslin and partner Mark Massi fleshing out their enduring commitment and obvious love for one another amidst the insecurity that a self-conscious documentary lens instills. As interviews with Joslin’s mother, father, and brothers attempt to break down the legitimacy of Joslin and Massi’s romance, the pair use everything at their disposal, including inspiration from gay revolutionaries and painfully honest conversations, to hold up their “abnormality” as a point of pride rather than shame. – Shayna Warner
Un camino que viaja entre el encuentro y el desencuentro por cada palabra e imagen compartida en un grupo de amigas, su introspección y su propia mirada a la vida, reflexionan entre sí dando lugar a este video diario de verano.
An excerpt about the troubled, passionate and intriguing relationship of an actor with his own life.
Tras consolidarse como destino turístico a mediados de los años 60, este pequeño pueblo de costa se ha convertido en el pueblo dormitorio para los trabajadores de una Central Nuclear. Con la promesa liberal de prosperidad y bienestar socioeconómico, muchos trabajadores dejaron sus casas para mudarse al pequeño municipio y empezar a laborar a la nueva Central Nuclear. El grave malestar colectivo y el silencio, cortado por las grandes rachas de viento, articulan el paisaje del pequeño municipio que ahora subiste de las ayudas de la Central Nuclear.
Archive footage from 2006 - 2010 of a young girl growing up during the ages of four to eight. Only fragments of what is remembered exists. Words from a transgender man float to the surface as fleeting memories go on.
The Red Tide follows a life changing move to Florida. Exploring a new home located near famous earthworks by Robert Smithson, the enormous art collection-turned-museum of John Ringling, and beaches plagued by a toxic phenomenon called the ‘red tide’. Beginning with a recreation of Nancy Holt and Robert Smithson’s 1969 film, Swamp, the film describes a confusion between multiple anxieties: art’s legacy, climate change, and a longing to stay connected. Taken From Sally Lawton's Website: http://www.sallylawton.net/the-red-tide.html
Trail traces.
¿Tienes miedo? ¡Hazlo con miedo! Ya sea entrar en el bosque de noche, bañarte en bolas con cocodrilos o confesarle tu amor a un amigüi. ¡A la porra! Mándalo todo a la porra.
Fajar Suharno was a theater maestro from the 80's to the 90's. He was imprisoned because his theater activities were considered against the New Order government. At its peak, he made a show entitled "Geger Uwong Ngoyak Macan" about the events of crushing people who were considered thugs/criminals (Petrus). The show was held exactly the day before the massacre took place
A letter writer reflects on the space and people she encounters in her never ending journey. A letter reader dreams of unexpected things in his never ending wait. Composed of dreamy images from a minimalist phone cinematography, "spatiohumanism" offers a psychogeographic study that is sometimes dystopian, sometimes realist, but enchanting as a whole.
The Enigma of Hedonism are profile documentaries that tell the life of Heri Dono. His attitude and view as an artist that transcends canvas and time has had an important impact on artists and artists in other fields in their work. Not only that, his exploration of the various and types of working mediums and the experience of participating in various prestigious exhibitions in the world has made him dubbed as the greatest artist of Indonesia today.
A material. A style. A purpose. A structure. The day. The night. The tragedy. The change. The pain. The monotony. A material. A style. A purpose. A structure. The day... The tragedy. The change... The monotony... The day and the night contrast in an orderly monotony of days. Something has changed, but everything has remained the same. A history of Autosilo Balestra.