Midori-ko (2011)
Género : Animación, Ciencia ficción, Terror
Tiempo de ejecución : 55M
Director : Keita Kurosaka
Sinopsis
Más de una década de trabajo y cerca de treinta mil dibujos necesitó el animador japonés Keita Kurosaka para darle forma a Midori-ko, un deslumbrante, hiperclimático “cuento de hadas paranoico”, como ha sido llamado. La historia comienza dibujada con crayones, con la pequeña Midori soñando con un colorido mundo de vegetales. En vez de eso, adonde viaja ya de adolescente es a un futuro posapocalíptico, surrealista y grotesco como una pesadilla de Jan Svankmajer, y que sufre una grave escasez de alimentos. Ni el hambre ni los estrafalarios vecinos/mutantes del edificio en que vive logran debilitar la convicción vegana de Midori. Mientras tanto, en un laboratorio, cinco científicos consiguen desarrollar “la comida de los sueños”, una que es al mismo tiempo carne y verdura. (FILMAFFINITY)
En una comunidad rural en 1950, un niño de ocho años está fascinado por los relatos de terror. Inspirado por esas historietas, el chaval empieza a sospechar que su nueva vecina, una mujer solitaria, distante y siempre vestida de negro, es una vampiresa... (FILMAFFINITY)
Película escrita, dirigida y dibujada por el italiano Bruno Bozzetto en el año 1977. Cuenta, en imágenes “reales” con estética muy surreallista, la historia de una extravagante orquesta formada exclusivamente por ancianas. Va intercalando además fragmentos de dibujos animados con distintas historias, sin relación entre sí, utilizando música de Debussy, Dvorak, Ravel, Sibelius, Vivaldi y Stravinsky.
Karrer lleva una vida retirada en una población minera. Las tardes las pasa siempre en el bar Titanik, cuyo dueño le propone participar en una operación de contrabando, pero él prefiere cederle ese trabajo al marido de la cantante del bar.
Un niño que trabaja en el circo de su padre como mago y mimo, y cuya madre es una fanática religiosa que lidera una secta apocalíptica llamada "Santa Sangre", experimenta una serie de atroces vivencias que lo llevan a ser recluido en un hospital psiquiátrico. Ya adulto, emprende un viaje interior cuya meta es liberarse de los fantasmas que lo atosigan. (FILMAFFINITY)
Beat Takeshi vive la ajetreada, y a veces surrealista, vida de una celebridad del mundo del espectáculo. Pero su doble, Kitano, un cajero de un supermercado, es todavía un desconocido actor esperando su gran oportunidad. Tras cruzar sus pasos con Beat Takeshi en una serie de frustrantes audiciones, Kitano parece caer misteriosamente en un estado de fantasía en el que sobresalen aspectos de la vida real de Beat y de su violenta personalidad en la pantalla. (FILMAFFINITY)
The story of the person who became the captive of surrealistic madness.
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"The strangeness of this film is laced with carefully moulded apocalypses as the filmmaker explores a vision of life beyond death – the Elysian fields of Homer, Dante’s Purgatorio, de Chirico’s stitched plain. A moving single picture. Evolving the structure or script for the film involved a process of controlled hallucination, whereby I sat quietly without moving, looking at the background until the pieces began to move without my inventing things for them to do. I found that, given the chance, they really did have important business to attend to, and my job was to furnish them with the power of motion. I never deviated from this plan." —Canyon Cinema
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Arthur Dichter thinks he is dying of insomnia, but the reality is much more frightening. In this surreal puzzle film, Dichter turns from his wife to a private journal to record his deepest fears. Anna knows her husband lives in a waking nightmare where delusions and reality blend, but is powerless to help him. As Arthur's disease gives way to despair, loneliness, and alienation, he and Anna hang onto their last shred of hope. This atmospheric film explores personal identity, marital discord, and contemporary life, turning narrative and chronology inside out to find the darkest corners of the human spirit. With music from avant-garde legends AMM, Art Bears, and Stephen O'Malley's Ginnungagap.
Bernard is in love with a water spider. He wants to replace his wife Catherine with the spider because she bores him. The spider transforms into a tarantula and later in a mysterious mute girl named Nadie. He falls in love with the girl/spider and finally he has to choose between his wife or the spider.