Midori-ko (2011)

A young boy tries to cope with rural life circa 1950s and his fantasies become a way to interpret events. After his father tells him stories of vampires, he becomes convinced that the widow up the road is a vampire, and tries to find ways of discouraging his brother from seeing her.

The film is a parody of Disney's Fantasia, though possibly more of a challenge to Fantasia than parody status would imply. In the context of this film, "Allegro non Troppo" means Not So Fast!, an interjection meaning "slow down" or "think before you act" and refers to the film's pessimistic view of Western progress (as opposed to the optimism of Disney's original).

Karrer plods his way through life in quiet desperation. His environment is drab and rainy and muddy. Eaten up with solitude, his hopelessness would be incurable but for the existence of the Titanik Bar and its beautiful, haunting singer. But the lady is married and Karrer is determined to keep her husband away...

A young man is confined in a mental hospital. Through a flashback we see that he was traumatized as a child, when he and his family were circus performers. Back in the present, he escapes and rejoins his surviving and armless mother.

Beat Takeshi lives the busy and sometimes surreal life of a showbiz celebrity. One day he meets his blond lookalike named Kitano, a shy convenience store cashier, who, still an unknown actor, is waiting for his big break. After their paths cross, Kitano seems to begin hallucinating about becoming Beat.

The story of the person who became the captive of surrealistic madness.

In a southern Mexico village, young deaf students are taking on an unusual challenge: to make a movie out of their dreams. While Eric and his friends watch films and discuss ideas, their dreams begin to work their way into the documentary itself. Both a study of the students lives and the basic visual language of film

Uninvolved with the political movements of the time, Ichiro and Sachiko hope for something better, but they’re no revolutionaries; their spare time is spent drinking, smoking, daydreaming, and sleeping—together and at times with others.

A sexually voracious young woman receives a dirty phone call from a stranger; so satisfied by the experience, she sets out to find him somewhere in New York City.

An anonymous urban protagonist experiences a series of absurd situations--including a crazy cab ride, an encounter with a wacky criminal gang, and lots of gunplay--infused with a unique anarchic energy, eventually suggesting our true animal nature.

In Dunkirk, during the carnival, a strange man find himself alone in the deserted streets. He wanders around, finally arriving on the beach where he discovers that the noises of the carnival come from the sea.

A popular magician seeks help from a psychiatrist to protect him from a witch that has haunted him since childhood.

A short animation that evokes the 19th century penny dreadfuls to tell a Hammer - style romp about a ghostly Highwayman wreaking revenge on those who conspired to put him and his sweetheart in their graves.

An experimental short film by Walerian Borowczyk and Jan Lenica.

"The strangeness of this film is laced with carefully moulded apocalypses as the filmmaker explores a vision of life beyond death – the Elysian fields of Homer, Dante’s Purgatorio, de Chirico’s stitched plain. A moving single picture. Evolving the structure or script for the film involved a process of controlled hallucination, whereby I sat quietly without moving, looking at the background until the pieces began to move without my inventing things for them to do. I found that, given the chance, they really did have important business to attend to, and my job was to furnish them with the power of motion. I never deviated from this plan." —Canyon Cinema

Jack wakes up from a bad dream only to find elements from the dream present themself in reality.

Soviet animation from Vladimir Tarasov.

A fresco mixing the satirical, the surreal and the fantastical to portray the social and political evils of today’s Korea. A gas mask-wearing serial killer is spreading terror. Four people are on his tail on election day: Miju – a wolf-girl who leads a sect of youths who are planning their mass suicide, Bosik – a traffic cop who’s convinced he is a super hero, Patrick – a US Marine on the brink of madness following the serial killer’s murder of his Korean girlfriend, and Ju Sanggeun, the favourite of the candidates for the mayoral seat of Seoul, who has received a disturbing death threat. The man behind the mask remains a mystery. The killer is everywhere or perhaps he is simply inside each of us. –Venice Film Festival

Arthur Dichter thinks he is dying of insomnia, but the reality is much more frightening. In this surreal puzzle film, Dichter turns from his wife to a private journal to record his deepest fears. Anna knows her husband lives in a waking nightmare where delusions and reality blend, but is powerless to help him. As Arthur's disease gives way to despair, loneliness, and alienation, he and Anna hang onto their last shred of hope. This atmospheric film explores personal identity, marital discord, and contemporary life, turning narrative and chronology inside out to find the darkest corners of the human spirit. With music from avant-garde legends AMM, Art Bears, and Stephen O'Malley's Ginnungagap.

Bernard is in love with a water spider. He wants to replace his wife Catherine with the spider because she bores him. The spider transforms into a tarantula and later in a mysterious mute girl named Nadie. He falls in love with the girl/spider and finally he has to choose between his wife or the spider.