Seasonal Concerns (2024)

One11 is a 1993 monochrome art film by John Cage and Henning Lohner. It is the only feature-length film production Cage was ever involved in.

Adaptación de un cuento de Julio Cortázar que narra la historia de un fotógrafo que, tras realizar unas tomas en un parque londinense, descubre al revelarlas una forma irreconocible que resulta ser un cadáver. Premiada en el Festival de Cannes con la Palma de Oro.

In 1969, the painter-sculptor Daniel Pommereulle made his third film, this one financed by Sylvina Boissonnas. Although only a short, Vite was one of the most costly of all the Zanzibar productions. It features, for instance, shots of the moon taken by a state-of-the-art telescope, the Questar, that Pommereulle first saw while visiting Marlon Brando in southern California in 1968. In Rohmer’s La Collectionneuse, Pommereulle and his friend Adrien philosophize on how best to achieve le vide (emptiness) during their summer holidays. Three years later, Pommereulle would transform the word “vide” to “vite” (quickly), signifying his profound disenchantment with the aftermath of the revolution of May ’68. —Harvard Film Archive

An obsessive Vine star goes down a road of surreal imagery, as his obsession with the application develops into murder.

Albert es el sádico dueño de un restaurante. Su fuerte carácter y las tiránicas formas que aplica en el trabajo hacen que todos los empleados estén sometidos a un continuo régimen de esclavitud, incluida su esposa, Giorgina, a quien ridiculiza.

"Single Frame sequences of TV or film images, with periodic distortions of the image. The images are airplanes, women men interspersed with pictures of texts like: 'silence, genius at work' and 'ich liebe dich.' The end credit is 'Television décollage, Cologne, 1963."

Mulvey's readings of the myth of Oedipus and the sphinx are layered atop 360º panning shots of various locales; the protagonist appears in elliptically-edited sequences.

Making Space is a film about trying to find oneself in the constant flow of change and renewal, navigating through the anxiety that comes with not knowing where ‘home’ is, and finally letting go of the need of finding one single person, place, or answer that will solve all your problems. It’s also a film about faces, closeness, and intimacy, and how a Super 8 camera allowed her to get closer to the people she was portraying while also keeping a protective distance. This film was part of a project commissioned by the Echo Park Film Center for the 20th anniversary of its location in LA. The project was supported by the Mike Kelley Foundation for the Arts. Making Space was shot in 2021, entirely on KODAK TRI-X Reversal Film.

La ganadora del concurso Miss Virginidad Mundial se casa, se escapa de su marido masoquista y termina involucrada en un mundo de libertinaje.

Poet and artist Vito Acconci points his finger towards the camera and his own reflection in an offscreen video monitor.

Marcel Broodthaers’ film and book, both titled A Voyage on the North Sea which were distributed together as part and parcel of the same publishing plot. The ostensibly related subject of both book and film consists mutually of 19th and 20th century nautical images including: 1. photographic reproductions and details of an amateur’s 19th century painting of a fleet of fishing ships and 2. photographs of a contemporary sailboat.

An abstract perspective into two young South African workers in the heart of Johannesburg's industrial sector during Covid-19

The first collection of music videos by Daniel Lopatin under his solo handle, Oneohtrix Point Never. Created entirely from YouTube videos and edited in Windows Movie Maker, Lopatin recomposes outmoded video graphic landscapes via repetition and abuse.

In an urban Indian city, A struggling actor battles for his career, but his friend who loses money in a scam deal commits an action that puts both of their lives in danger. The three last days before the incident follows the struggling actor, an ambitious filmmaker, a wannabe hustler, an opportunist, a lover and two cinephile thugs, through an inter-twining vignette of their lives.

A symbolic rape by the Devil and a renewal of self worth.

Hutton's most impressive work ... the filmmaker's style takes on an assertive edge that marks his maturity. The landscape has a majesty that serves to reflect the meditative interiority of the artist independent of any human presence. ... New York is framed in the dark nights of a lonely winter. The pulse of street life finds no role in NEW YORK PORTRAIT; the dense metropolitan population and imposing urban locale disappear before Hutton's concern for the primal force of a universal presence. With an eye for the ordinary, Hutton can point his camera toward the clouds finding flocks of birds, or turn back to the simple objects around his apartment struggling to elicit a personal intuition from their presence. ... Hutton finds a harmonious, if at times melancholy, rapport with the natural elements that retain their grace in spite of the city's artificial environment. The city becomes a ghost town that the filmmaker transforms into a vehicle reflecting his personal mood.

This is an abstract film of a dream. It is a dream of paranoia, schizophrenia, manic-depression, and anxiety.

Un maestro mexicano lleva una figura de Cristo y otros discípulos a una montaña de sabios inmortales. El escándalo del Festival de Cine de Cannes de 1973, la inundación de imágenes sacrílegas y simbolismo existencial de Alejandro Jodorowsky en The Holy Mountain es una búsqueda espiritual de la iluminación que enfrenta la ilusión de la verdad. El Alquimista (Jodorowsky) reúne a un grupo de personas de todos los ámbitos de la vida para representar a los planetas en el sistema solar. La intención del adepto oculto es someter a sus reclutas a extraños ritos místicos y despojarlos de su equipaje mundano antes de embarcarse en un viaje a la isla de Lotus. Allí ascienden la Montaña Sagrada para desplazar a los dioses inmortales que gobiernan secretamente el universo.