Madagascar, a Journey Diary (2010)

A woman sits alone on a chair at a table in a room on one of the top floors of an asylum. Bright spot lights dot the night, sometimes shining on her window. She sharpens pencils and writes on a page in a copy book. The pencil point often breaks under her fingers' force. She places broken points outside the window on the sill. A satanic figure is somewhere nearby, animated but of straw or clay, not flesh. She finishes her writing, tears the paper from the pad, folds it, places it in an envelope, and slips it through a slot. Is she writing to her husband? "Sweetheart, come." Written by

Short animated film featuring the song "Can't Go Wrong Without You" by His Name Is Alive.

The Quays' interest in esoteric illusions finds its perfect realization in this fascinating animated lecture on the art of anamorphosis. This artistic technique, often used in the 16th- and 17th centuries, utilizes a method of visual distortion with which paintings, when viewed from different angles, mischievously revealed hidden symbols.

A porcelain doll’s explorations of a dreamer’s imagination.

Stop-motion animated short film with a white ball, a rabbit, and a girl, and a voice singing "Are We Still Married".

Near an extraordinary chair with many legs, a hand is visible gripping an edge. The hand is weathered, the fingers cracked and scarred. The end of a rifle appears and a shot fires. The bullet is visible whirling through space; it caroms and then goes through a pine cone. A long spoon emerges from a drawer in the chair and stretches toward the hand. The bullet is on the spoon. Later, the hand holds the bullet between two fingers; another shot is fired.

Stop-motion animated short film in which, among other things, a man made of wire looks malevolent.

A display at the strange and wonderful artifacts in a collection of medical curiosities.

In Prague, a professorial puppet, with metal pincers for hands and an open book for a hat, takes a boy as a pupil. First, the professor empties fluff and toys from the child's head, leaving him without the top of his head for most of the film. The professor then teaches the lad about illusions and perspectives, the pursuit of an object through exploring a bank of drawers, divining an object, and the migration of forms. The child then brings out a box with a tarantula in it: the professor puts his "hands" into the box and describes what he feels. The boy receives a final lesson about animation and film making; then the professor gives him a brain and his own open-book hat.

With harpsichord music in the background, a dandy, seated at a table, plucks a quill pen from a ceiling full of them above him, dips it in ink, thinks, then draws a straight line down the page in front of him, out of which sprout six more quill pens, each held by a hand. The calligrapher moves all the hands and pens in unison, drawing an elaborate feathered wing, which comes to live, peeling off the page, and, now a quill pen, slips in to his hand. He tucks it behind his left ear.

Enigmática historia contada en siete capítulos, cada uno iniciado con un cartel elíptico. Un hombre está en un apartamento, sale afuera y observa una catedral... cine experimental y surrealismo directo de la retorcida mente de los multipremiados Hermanos Quay, en éste su primer trabajo. (FILMAFFINITY)

Two men seek to negotiate an agreement of international significance.

Stop-motion animated short film in which a puppet on a trike captures a puppet bird-man.

A puppet, newly released from his strings, explores the sinister room in which he finds himself.

Considerado uno de los mejores especiales para televisión sobre navidad de la historia, esta película de animación en stop-motion narra la historia de Rudolph, un reno con la nariz roja, creado por Robert May. En 1998, se hizo un remake (en animación tradicional) dirigido por William R. Kowalchuk.

De la mente del director Tim Burton ('Alicia en el país de las maravillas', 'La leyenda de Sleepy Hollow'), surge 'Frankenweenie', la tierna historia de un chico y su mascota. Cuando el pequeño perro Sparky fallece, Víctor (su amo y amigo) trata de usar diversas técnicas científicas para intentar revivir al animal, y traerlo de vuelta al mundo de los vivos, todo ello mediante algunos ajustes corporales. Aunque el chico intenta que nadie vea a su "monstruo", el perro Sparky consigue escapar, los amigos del colegio del niño, sus profesores e incluso todos sus vecinos sabrán que construir una nueva vida puede llegar a ser algo terrible y escalofriante.

Wallace y su perro, Gromit, abren una panaderia. Al poco de tenerla abierta se encuentran con misterioso asesinato, pero tras el enamoramiento de Wallace, Gromit se encontrará solo para resolver el caso.

Cuando unos extraterrestres intentan robar la gravedad de la Tierra, solamente el espíritu bondadoso de la Navidad y un pequeño alienígena podrán salvar el mundo.

Los aterrorizados habitantes de un pueblo asediado por zombis sólo pueden pedir ayuda al incomprendido Norman, un joven que sabe hablar con los muertos. Pero éste, para salvar a su pueblo de una antigua maldición, no sólo tendrá que enfrentarse con zombis, sino también con brujas y, sobre todo, con un grupo de adultos subnormales.

Se acerca el Concurso Anual de Verduras Gigantes y se desata una “vegetalmanía” en el pueblo de Wallace y Gromit. Los dos amigos, se están haciendo de oro con su invento, el sistema “Anti-Pesto”, una forma humanitaria de controlar a los conejos que intentan invadir los preciados huertos. De pronto, todo se viene abajo cuando una enorme, misteriosa y voraz “bestia” empieza a aterrorizar al vecindario, atacando los huertos de noche. La organizadora del Concurso, Lady Tottington, absolutamente desesperada, encarga a Anti-Pesto que capturen a la terrible criatura y salven el concurso. Pero Victor Quartermaine, el engreído pretendiente de Lady Tottington, está al acecho, decidido a matar a la bestia de un tiro para convertirse en héroe local y conseguir casarse con la rica heredera. El concurso está en juego, y Lady Tottington no tiene más remedio que dejar que Victor vaya detrás de la voraz criatura, pero las verdaderas intenciones del cazador pueden tener graves consecuencias.