Madagascar, a Journey Diary (2010)

A woman sits alone on a chair at a table in a room on one of the top floors of an asylum. Bright spot lights dot the night, sometimes shining on her window. She sharpens pencils and writes on a page in a copy book. The pencil point often breaks under her fingers' force. She places broken points outside the window on the sill. A satanic figure is somewhere nearby, animated but of straw or clay, not flesh. She finishes her writing, tears the paper from the pad, folds it, places it in an envelope, and slips it through a slot. Is she writing to her husband? "Sweetheart, come." Written by

Short animated film featuring the song "Can't Go Wrong Without You" by His Name Is Alive.

The Quays' interest in esoteric illusions finds its perfect realization in this fascinating animated lecture on the art of anamorphosis. This artistic technique, often used in the 16th- and 17th centuries, utilizes a method of visual distortion with which paintings, when viewed from different angles, mischievously revealed hidden symbols.

A porcelain doll’s explorations of a dreamer’s imagination.

Stop-motion animated short film with a white ball, a rabbit, and a girl, and a voice singing "Are We Still Married".

Near an extraordinary chair with many legs, a hand is visible gripping an edge. The hand is weathered, the fingers cracked and scarred. The end of a rifle appears and a shot fires. The bullet is visible whirling through space; it caroms and then goes through a pine cone. A long spoon emerges from a drawer in the chair and stretches toward the hand. The bullet is on the spoon. Later, the hand holds the bullet between two fingers; another shot is fired.

Stop-motion animated short film in which, among other things, a man made of wire looks malevolent.

A display at the strange and wonderful artifacts in a collection of medical curiosities.

In Prague, a professorial puppet, with metal pincers for hands and an open book for a hat, takes a boy as a pupil. First, the professor empties fluff and toys from the child's head, leaving him without the top of his head for most of the film. The professor then teaches the lad about illusions and perspectives, the pursuit of an object through exploring a bank of drawers, divining an object, and the migration of forms. The child then brings out a box with a tarantula in it: the professor puts his "hands" into the box and describes what he feels. The boy receives a final lesson about animation and film making; then the professor gives him a brain and his own open-book hat.

With harpsichord music in the background, a dandy, seated at a table, plucks a quill pen from a ceiling full of them above him, dips it in ink, thinks, then draws a straight line down the page in front of him, out of which sprout six more quill pens, each held by a hand. The calligrapher moves all the hands and pens in unison, drawing an elaborate feathered wing, which comes to live, peeling off the page, and, now a quill pen, slips in to his hand. He tucks it behind his left ear.

Enigmatic, stop-motion, animated story of a man's day.

Two men seek to negotiate an agreement of international significance.

Stop-motion animated short film in which a puppet on a trike captures a puppet bird-man.

A puppet, newly released from his strings, explores the sinister room in which he finds himself.

Sam, o boneco de neve, conta a história do jovem Rudolph, uma rena de nariz vermelho que depois de ter sido expulsa pelas outras renas por causa de seu nariz brilhante junta-se a Hermey e Yukon Cornelius. Eles viajam para longe até o Abominável Homem das Neves, e encontram uma ilha cheia de brinquedos quebrados. Rudolph faz então uma promessa: voltar para o Pólo Norte e pedir para o Papai Noel ajudá-los.

Victor (Charlie Tahan) adora fazer filmes caseiros de terror, quase sempre estrelados por seu cachorro Sparky. Quando o cão morre atropelado, Victor fica triste e inconformado. Inspirado por uma aula de ciências que teve na escola, onde um professor mostra ser possível estimular os movimentos através da eletricidade, ele constrói uma máquina que permita reviver Sparky. O experimento dá certo, mas o que Victor não esperava era que seu melhor amigo voltasse com hábitos um pouco diferentes.

Wallace e Gromit começam uma nova padaria. Gromit percebe que os pães estão desaparecendo misteriosamente, e tenta resolver o caso antes que Wallace termine como vítima.

Extraterrestres tentam roubar a gravidade da Terra. Agora, só um alien chamado X e o espírito natalino podem salvar o mundo.

Norman Babcock (Kodi Smit-McPhee) é um garoto que consegue ver e falar com os mortos. Entretanto, o único que acredita em suas habilidades é Neil, um amigo excêntrico. Um dia, o tio de Norman conta sobre um importante ritual anual realizado na cidade, com o objetivo de protegê-la de uma maldição jogada por uma bruxa séculos atrás. Norman resolve ajudar no ritual, mas as coisas não saem como planejado e uma nuvem mágica faz com que os mortos se levantem das tumbas da cidade.

O bairro onde moram o pacato inventor Wallace (Peter Sallis) e seu fiel cão Gromit está em polvorosa com a proximidade do concurso anual de legumes gigantes, organizado pela bela e solteira Lady Tottington (Helena Bonham Carter). Para proteger as plantações de coelhos famintos, Wallace inventa um equipamento que captura os animais sem machucá-los. O problema é o que fazer com o excesso de coelhos, que não demoram a superpovoar a casa do inventor. A dupla tem ainda de lidar com uma misteriosa fera vegetariana, que está destruindo as plantações à noite. Agora a honra de Wallace está em jogo, pois ele precisa capturá-la antes do arrogante Victor Quartermaine (Ralph Fiennes), que está de olho na fortuna de Lady Tottington.