We Don't Care About Music Anyway (2009)
Género : Música, Documental
Tiempo de ejecución : 1H 20M
Director : Cédric Dupire, Gaspard Kuentz
Sinopsis
From radical turntablism (Otomo Yoshihide) to laptop music innovation (Numb), via classical instrument hijacking (Sakamoto Hiromichi), Tokyo's avant-garde music scene is internationally known for its boldness. While introducing some of the greatest musicians of this scene, "We Don't Care About Music Anyway..." offers a kaleidoscopic view of Tokyo, confronting music and noise, sound and image, reality and representation, documentary and fiction.
Dos mujeres, insatisfechas con su vida amorosa, deciden hacer un pacto para pasar 24 horas juntas con la esperanza de encontrar una nueva forma de crear intimidad.
Cuando un miembro de una popular compañía de improvisación de la ciudad de Nueva York recibe un gran descanso, el resto del grupo - todos los mejores amigos - empiezan a darse cuenta de que no todo el mundo lo va a hacer después de todo.
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The Grand está en la tradición de comedias de improvisación como Best In Show y This Is Spinal Tap. La historia se desarrolla en el mundo del poker profesional y sigue a seis jugadores que llegan a la mesa final del segundo torneo de high stakes más famoso del mundo, el Grand Championship of Poker.
En los talones de su programa de televisión enormemente popular, la Brigada de Ciudadanos Verticales (Matt Besser, Amy Poehler, Ian Roberts, Matt Walsh) le trae Asssscat - una incomparable maravilla de la comedia de improvisación. Comenzando con una sugerencia de la audiencia, un monólogo invitado cuenta una historia que da inicio a una serie de bocetos improvisados de alto octanaje. Desde marihuana medicinal hasta embarazosos encuentros sexuales, ningún tema está fuera del alcance de los artistas renegados que han ayudado a Asssscat a ser uno de los programas de improvisación de más larga duración en la historia del mundo.
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Fed up with his status as gallery poster boy, Rodin’s “The Thinker” airs his grievances to his partner...
A short documentary about Jörg Buttgereit's father.
Phillip Hochmair is a young, successful actor with engagements at big theatres in Vienna and Hamburg. His life is marked by learning new texts by heart, rehearsals, and performances, thus gradually losing contact with the reality of everyday life. Only when he meets his uncle Walter, whom he didn't know about before and establishes an ambiguous friendship with, and also faces his neighbour Victor’s destiny, he discovers with full force how cruel the daily battle for survival can be.
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