Medeas (2013)
Género : Drama
Tiempo de ejecución : 1H 37M
Director : Andrea Pallaoro
Sinopsis
Una mirada atrevida y lírica a la vida íntima de una familia. Sin juicios morales, Medeas prueba los límites de la alienación humana y los extremos de desesperación a los que puede llegar el individuo por los lazos del amor y el instinto de autoconservación.
An 18 year old girl called Joy has gone missing. Another girl called Helen is a few weeks away from leaving her care home. Helen is asked to 'play' Joy in a police reconstruction that will retrace Joy's last known movements. Joy had everything. A loving family, a boyfriend, a bright future. Helen, parent-less, has lived in institutions all her life and has never been close to anyone. Gradually Helen begins to immerse herself into the role, visiting the people and places that Joy knew; quietly and carefully insinuating her way into the lost girl's life. But is Helen trying to find out what happened to Joy that day, or is she searching for her own identity?
The story begins with an experiment. A filmmaker in the country of Georgia posts an ad inviting youth to audition for her film. Facing the camera, the hopefuls confess their struggles and dreams. These raw interviews unfold seamlessly into cinematic slivers of Georgian life.
La película trata la historia de un padre y su hijo y está contada desde el punto de vista del chico, un adolescente de 16 años, quien en ese momento de su vida decide dejar de lado lo que su padre tiene proyectado para él y tomar su propio camino.
Siete escenas breves, cada una con una pareja, explora las sorpresas y los cambios de opinión que pueden ocurrir durante los encuentros sexuales. Sólo una de las siete parejas ha estado en la cama antes, la mayoría son extraños o conocidos. Una prostituta y su chulo, una mujer mayor y un joven que la sigue a su casa, dos amigas, un hombre gay con un hombre hetero, una mujer que quiere hacerlo con la luz encendida, y una mujer de habla española con un hombre de habla francesa.
Since 2008, albinos in Tanzania have become human targets. Witch doctors offer huge sums of cash for their body parts to be used in magic potions. From 2008 to 2010, more than 200 witch-doctor inspired murders occurred. As a local saying goes: “Albinos do not die, they just disappear.” This is the story of Alias, an albino boy on the run. After his father’s murder, his mother sends him to the city. His uncle Kosmos, a truck driver, takes care of him. Alias learns fast in the city, selling sunglasses, DVDs and cellphones, it will not take long before the boy experiences at first hand the difficulties of life and of being different.
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If the scorpion could see and the viper could hear, there would be no escape". The viper is deaf and the scorpion can't see, so it is and so shall be, the same way the countryside is peaceful and the city bustling and the human being impossible to satisfy. Lacrau demands the return "to the curve where man got lost" in a journey from the city towards nature. The escape from chaos and emotional void we call progress; matter without spirit, without will. The search for the most ancient sensations and relationships of mankind. The amazement, the fear of the unknown, the loss of basic comforts, loneliness, the meeting with the other, the other animal, the other vegetable. A dive looking for a connection with the world. Where beginning and end are the same, but I am not.
En 1939, José Garcés, vencido y prisionero en el campo de concentración de Argéles (Francia), consigue mantenerse con vida aferrándose a sus recuerdos. Sobre todo al recuerdo de su primer amor, Valentina, la hija del notario, una niña rubia y angelical que se convirtió en su imposible ideal y a la que nunca debía olvidar. Ambos tuvieron una historia de amor en un pueblo del norte de España hacia 1911. José Garcés a los 12 años era un niño lleno de vitalidad que duda entre ser héroe, santo o poeta, y que inventa lo que sea necesario para estar con Valentina, pese a las amenazas familiares y a la sombra inquietante de los padres de la novia. Mosén Joaquín, profesor del niño, es el único en comprender la fuerza de su pasión.
“My best friend, Anna, asked me if I would mind taking her fifteen-year-old son Itvan to Berlin with me. I accepted immediately.” An elegant, refined man in his forties sets off with Itvan on a long, enjoyable journey, his Winter Journey. They cross snowbound Germany by car. As the man drives the boy through cities and countryside, Itvan discovers the past and the vast job of reunification now underway. Poetry and culture are also part of the journey, which is accompanied by classical German music. When their paths cross with the man's former lovers or the journey provides unexpected encounters, Itvan also gets to know more about the man's own life. When they finally arrive in Berlin, their ways must part. Itvan watches the man leave, taking the melancholy of his existence with him. However their journey together has created an unbreakable tie between the two men. Itvan will never be the same again.
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Aunque alguna vez fue coronel en Argentina, el personaje principal de esta película ahora es un rico exiliado que vive en París con su amada esposa, quien no ha podido tener hijos. Para llenar este vacío en sus vidas, él alimenta y viste a los niños abandonados, criándolos en su mansión como si fueran suyos. Como nunca sería el caso en la vida real de hoy, en esta historia fantástica ambientada en 1925, nadie se opone a este comportamiento, y viven juntos de forma agradable y placentera. Las cosas se vuelven mucho más animadas cuando un mago escénico coloca a su atractiva hija en la casa del coronel, lo que despierta un vivo interés romántico de sus hijos y del gran hombre.