Medeas (2013)

An 18 year old girl called Joy has gone missing. Another girl called Helen is a few weeks away from leaving her care home. Helen is asked to 'play' Joy in a police reconstruction that will retrace Joy's last known movements. Joy had everything. A loving family, a boyfriend, a bright future. Helen, parent-less, has lived in institutions all her life and has never been close to anyone. Gradually Helen begins to immerse herself into the role, visiting the people and places that Joy knew; quietly and carefully insinuating her way into the lost girl's life. But is Helen trying to find out what happened to Joy that day, or is she searching for her own identity?

The story begins with an experiment. A filmmaker in the country of Georgia posts an ad inviting youth to audition for her film. Facing the camera, the hopefuls confess their struggles and dreams. These raw interviews unfold seamlessly into cinematic slivers of Georgian life.

Tensions rise when a doctor (Daniel Veronese) pressures his teenage son to follow in his footsteps.

Seven brief scenes, each with a couple, explore the surprises and the changes of heart that can occur during sexual encounters. Only one of the seven couples has been in bed together before; several are strangers or new acquaintances. A prostitute and her john, an older woman and a youth who follows her home, two women friends, a gay man with a straight man, a man with distinctive ideas about soap and water, a woman who wants the light left on, and a Spanish-speaking woman with a French-speaking man make for an array of possibilities and unanticipated consequences. The 7 bed scenes are titled: The Black Hole [Le trou noir]; Mr. Clean [Monsieur Propre]; Madame; Heads or Tails [Tête bêche]; The Ideal Man [L'homme idéal]; Love in the Dark [L'amour dans le noir]; and The Virgins [Les puceaux].

Since 2008, albinos in Tanzania have become human targets. Witch doctors offer huge sums of cash for their body parts to be used in magic potions. From 2008 to 2010, more than 200 witch-doctor inspired murders occurred. As a local saying goes: “Albinos do not die, they just disappear.” This is the story of Alias, an albino boy on the run. After his father’s murder, his mother sends him to the city. His uncle Kosmos, a truck driver, takes care of him. Alias learns fast in the city, selling sunglasses, DVDs and cellphones, it will not take long before the boy experiences at first hand the difficulties of life and of being different.

The story takes place in a small village on the beach of Sea of Azov at the beginning of 1960s. Adolescents passionately dream of love about which they have heard from their elder experienced friends. 16 year-old Ignat is the first to find out what the real feeling is. His love for an adventuress who pretends to be a singer from capital becomes destructive.

Alejandro Gerber Bicecci's "Vaho" (Becloud) tells the story of three childhood friends, Andres, Felipe, and Jose, and their lives in a dusty, run down corner of Mexico City. The boys were inseparable until they witnessed a tragedy that haunts them to the present day. The tragedy shaped each boy differently, and had a profound effect on their lives.

Perhaps the most ebullient “musical” you’ll see this year, Marc-Henri Wajnberg’s singular documentary/fiction hybrid follows a group of street children in the Congolese capital.

About the Chinese drivers who transport coal from the coal fields to the buyers.

A diary film about Kawase's relationship with her Grandma and the search for her Father, whom she has not seen since her parents divorced during her early childhood.

"Budapest Tales" is about a group of people (consisting of Szabo regular Andras Balint along with Ildiko Bansagi and Karoly Kovacs) who find a broken down tram while trying to go to the city. The people band together and try to get the tram back on the train tracks and head towards the city. Along this journey the passengers encounter many people who join them on the tram. What started out as only a handful of people has now turned into a small village. As the people travel on to the city each person takes on certain roles and through the course of time these roles will change. Some people fall in love, others out of love, and a few even die. But life goes on. The people keep the tram going hoping to reach Budapest.

If the scorpion could see and the viper could hear, there would be no escape". The viper is deaf and the scorpion can't see, so it is and so shall be, the same way the countryside is peaceful and the city bustling and the human being impossible to satisfy. Lacrau demands the return "to the curve where man got lost" in a journey from the city towards nature. The escape from chaos and emotional void we call progress; matter without spirit, without will. The search for the most ancient sensations and relationships of mankind. The amazement, the fear of the unknown, the loss of basic comforts, loneliness, the meeting with the other, the other animal, the other vegetable. A dive looking for a connection with the world. Where beginning and end are the same, but I am not.

In 1939, José Garcés is in French prison camp after the defeat of Spain's Republicans. To entertain and inspire his fellow prisoners, he tells the story of becoming a man in 1919, the year he realized that learning to live is the same as learning to die. His stiff and demanding father loses a fortune in German war bonds, takes a job in Caspe, and leaves José on his own in Zaragoza to finish high school while apprenticing in a pharmacy. José courts his beloved Valentina via letters, becomes intimate with Isabel, a maid he meets in a cinema who shares his ideas of free love, and comes under the influence of El Checa, an anarchist and gentle teacher who leads a doomed revolt.

“My best friend, Anna, asked me if I would mind taking her fifteen-year-old son Itvan to Berlin with me. I accepted immediately.” An elegant, refined man in his forties sets off with Itvan on a long, enjoyable journey, his Winter Journey. They cross snowbound Germany by car. As the man drives the boy through cities and countryside, Itvan discovers the past and the vast job of reunification now underway. Poetry and culture are also part of the journey, which is accompanied by classical German music. When their paths cross with the man's former lovers or the journey provides unexpected encounters, Itvan also gets to know more about the man's own life. When they finally arrive in Berlin, their ways must part. Itvan watches the man leave, taking the melancholy of his existence with him. However their journey together has created an unbreakable tie between the two men. Itvan will never be the same again.

Things take an interesting turn for Tanya and her mother when her father arrives with his foster son Kolya and new wife. This film is about Kolya and Tanya's bright, pure and bitter first love.

The terrorist Fors arrested after an attack on a OPEC meeting. Shortly afterwards town minister's daughter gets kidnapped by two men who require Fors be released and that he will flight phase to Albania. SÄPO agent Olsson will handle the case.

The screen story of four teenagers, on whom the horrors of war had left an indelible mark. Their relatives’ deaths and their yearning for fighting the Nazis led them, one way or another, to a sea cadet school that had been opened on Solovetski Islands at the start of the war. This film tells of men’s friendship, the boys’ first baptism of fire, and the victory…

Surreal tale of a 14 year-old boy who dreams of escaping the loneliness from an unhappy home & sexual abuse (from his mother's boyfriend who is also his school swimming coach). One day his back mysteriously sprouts feathers and he can metaphorically fly away from it all.

15-year-old Moritz lives in a posh area of Hamburg, but his parents did not care about it. The teenager suffers from ridicule of his classmates and finds refuge in his dreams and playing the saxophone. Only when he joins a band and began performing there Moritz pulled out of the vicious circle, and finds love with new friends...

Although he was once a colonel in Argentina, the principal character in this film is now a wealthy exile living in Paris with his beloved wife, who has been unable to bear children. To fill this void in their lives, he feeds and clothes abandoned children, raising them in his mansion as if they were his own. As would never be the case in real life today, in this fantasized story set in 1925, no one objects to this behavior, and they live pleasantly and enjoyably together. Things grow considerably more animated when a stage magician places his very attractive daughter in the colonel's household, which stirs a lively romantic interest from his boys and from the great man himself.