White Night (2011)

Adaptación animada en CGI de un clásico libro para niños. El protagonista es un ratón que supera los peligros del bosque con su astucia. (FILMAFFINITY)

Kuso no Sora Tobu Kikaitachi (Imaginary Flying Machines) is a 2002 Japanese animated short film produced by Studio Ghibli for their near exclusive use in the Ghibli Museum. It features director Hayao Miyazaki as the narrator, in the form of a humanoid pig, reminiscent of Porco from Porco Rosso, telling the story of flight and the many machines imagined to achieve it.

Situaciones cómicas de los empleados de Studio Ghibli.

Filmed like the travel journey of a Western traveler in search of Madagascar's customs. The pages turn, the drawings come to life, and the luxuriant landscapes of Madagascar appear one after another.

Near an extraordinary chair with many legs, a hand is visible gripping an edge. The hand is weathered, the fingers cracked and scarred. The end of a rifle appears and a shot fires. The bullet is visible whirling through space; it caroms and then goes through a pine cone. A long spoon emerges from a drawer in the chair and stretches toward the hand. The bullet is on the spoon. Later, the hand holds the bullet between two fingers; another shot is fired.

A look at the life of Bob Kane, the creator of Batman.

The film centers on an unusual photograph dating back to the 1930s. An investigation of its particulars reveals a tapestry of secrets hidden in the details, and a tale of kidnapping and murder captured in a haunting moment.

In Prague, a professorial puppet, with metal pincers for hands and an open book for a hat, takes a boy as a pupil. First, the professor empties fluff and toys from the child's head, leaving him without the top of his head for most of the film. The professor then teaches the lad about illusions and perspectives, the pursuit of an object through exploring a bank of drawers, divining an object, and the migration of forms. The child then brings out a box with a tarantula in it: the professor puts his "hands" into the box and describes what he feels. The boy receives a final lesson about animation and film making; then the professor gives him a brain and his own open-book hat.

A parody of sci-fi films, written and acted entirely drunk.

A porcelain doll’s explorations of a dreamer’s imagination.

Stop-motion animated short film with a white ball, a rabbit, and a girl, and a voice singing "Are We Still Married".

In a solemn, haunted environment, a small bug crawls over the silhouette of a house.

French film crew follows around journalist Eddie Brock in the streets of New York.

The Seed follows the events surrounding a homeless veteran named Ken Mercado, played by Will Yun Lee. Living along the banks of the Los Angeles River, he is attacked by masked men in black vehicles, invisible to the eye. To any passers-by, Mercado appears to have some sort of mental illness, but as he is chased throughout the city, it is revealed to the audience that he is not in fact paranoid, but rather the victim of a government conspiracy. Sung's adversaries are visible to him, yet only visible to the audience part of the time. At the end of the film, an alien ship is visible in the sky, watching the scene.

Short mock trailer attached to select Canadian screenings of "Grindhouse."

The Quays' interest in esoteric illusions finds its perfect realization in this fascinating animated lecture on the art of anamorphosis. This artistic technique, often used in the 16th- and 17th centuries, utilizes a method of visual distortion with which paintings, when viewed from different angles, mischievously revealed hidden symbols.

Christmas and New Year. Three girls between 18 and 20, are hospitalized with cancer. All three of them have serious problems, not just in terms of health, but also in terms of their relationships with their nearest and dearest. The girls find a haven in each other's company, where they are free from the fear of death and loneliness, and a substantial part of the film describes their sense of humour, unrestrained candidness and uncompromising zest for life.

This film is not really animated, it just consists of Walt drawing a single frame. Part of the Newman Laugh-O-Grams Series.

It’s 1994 and there’s no Internet. So 14-year-old Jack Hoffman sets off on a quest to find and retrieve a stash of gay porn from across town before anyone finds out.