Phantom of the Plains (1945)

Con ambientación austera y simples recursos de montaje, Catherine Breillat desarrolla una sencilla pero entrañable versión del clásico de Charles Perrault. A una de las hermanas, Catherine, le gusta asustar a la otra, Marie-Anne, con cuentos de hadas e insiste con la lectura de Barba Azul. El relato de fines del siglo XVII se empieza a desarrollar en la pantalla. Otras dos hermanas cayeron en desgracia económica. Después de meditarlo, la más joven accede a casarse con el acaudalado Barba Azul, aún desagradable como es, aún desconociendo el paradero de sus siete mujeres anteriores. Cuando éste sale de viaje, ella sólo tiene que respetar la prohibición de entrar al cuarto misterioso del castillo. Pero la curiosidad de las hermanas abre camino al esperado horror. Breillat consigue representar el crudo y sangriento desenlace y mantener el tono de frescura y ensueño juvenil de las jóvenes en París de los años 50.

Redwood Valley residents raise $50,000 for blasting a mountain tunnel to bring a new railroad there. Town leader Bidwell engineers a plot to steal the money and to blame it on the Reno Kid (Bob Steele) who has recently broken out of prison in order to clear himself of false charges that sent him there and caused him to lose his ranch. The badly-wounded sheriff turns his badge over to Red Ryder. Reno visits his wife, Molly and their ailing son Johnny, and Red, also wounded, is brought there by Little Beaver. There, Red begins to believe Reno's story about being innocent. Written by Les Adams

Tom Lambert arrives and Long John Case gets him into trouble. To protect his wife and son he refuses to talk and is sent to prison. Long John then gets Lambert's son into his outlaw gang but Lambert is told the boy's problems are caused by Red Ryder. So Lambert breaks prison planning to kill Red. [Written by Maurice Van Auken]

The ranch of Red Ryder (Allan Lane) and his aunt, The Duchess (Martha Wentworth), is being used as the training site for "Gentleman Jim" Corbett (George Turner) for his upcoming fight in Carson City, Nevada for the heavyweight championship against Bob Fitzsimmons (John Dehner). Molly McVey (Peggy Stewart), the daughter of a U.S. Senator, crusading against prize-fighting in Nevada, complicates matters soemwhat when she conceives the bright idea of having Corbett kidnapped, thus causing the cancellation of the fight. The two men (George Chesebro and George Lloyd) she hires to do the kidnapping also add to the complications by kidnapping Ryder instead of Corbett. Meanwhile, a gang of crooks, led by McKean (Roy Barcroft), descend on the town intent on looting the town and also making off with the fight proceeds.

Lambert has the stagecoach wrecked killing the Commissioner so his phony replacement can alter Coonskin's land survey. When Red Ryder exposes the survey hoax, Lambert has his stooge Sheriff put Red in jail.

In this western, brave Red Ryder and his sidekick save a murdered judge's son from going to jail by proving that someone else killed his father.

In this western, Red Ryder rounds up a gang of horse thieves who have been stealing cavalry horses.

Red Ryder and his comical sidekick take on a new batch of bad-guys in this western, the 16th in the Red Ryder series. This time the heroic duo try to save a female rancher from a greedy financier who wants her land so he can exploit the enormous oil fields lying under it.

Red Ryder gets a telegram from his old friend Dan O'Connor asking for help in his fight against Faro Savage and his gang of rustlers. A gun dropped by Faro during a rustling raid makes Red and Sheila O'Connor, Dan's daughter, think they have ample proof against Faro but they are stymied by the law. Buckskin Blodgett and the Duchess, Red's aunt, find the body of O'Connor who was killed when Faro's men sent the sheriff out on a ruse. Sheila, discovered while rifling Faros office for evidence, escapes but not before she is recognized. Faro kills one of his own henchmen and then frames Sheila for the murder. Red and Little Beaver set out to clear Sheila and to try to find evidence against Faro and his gang. Written by Les Adams

In this western, Red Ryder tries to be a good example for a young man who idolizes his father, an outlaw. The boy wants to follow in his father's footsteps when the hero intervenes.

Jim Bannon is back as enduring cowboy hero Red Ryder in Eagle-Lion's Roll, Thunder, Roll. As ever, Ryder's cohorts are Little Beaver and the Duchess, here played by "Little Brown Jug" (aka Don Kay Reynolds) and Marin Sais. This time, Ryder tries to prove that a series of cattle raids and ranch fires were not the handiwork of masked Mexican do-gooder El Conejo (I. Stanford Jolley).

Red Ryder KO's a fight racket with sidekick Little Beaver (Little Brown Jug) and a new friend.

This "Red Ryder" entry stars Gordon "Wild Bill" Elliot as Ryder. The heroine (Linda Stirling) is having troubles with the freight company that she owns. Time and again, her coaches are beset by hooded thieves. With Red Ryder on the job, the robbers haven't got a chance, but they put up a fight anyway.

A geologist has found oil on the neighboring ranches and teams up with Ace who has his gang create a reign of terror to get the ranchers to sell out. But to get rid of Red Ryder, Ace sends for the San Antonio Kid. Arriving, the Kid has a freak accident and Red comes along to save his life. When the Kid later meets with Ace he learns that Red is the man he has been paid to kill. Written by Maurice Van Auken

One of two towns will be selected to be the County Seat and Editor Palmer has a gang working to make sure his town is chosen. Investigating the lawlessness, Red Ryder poses as an outlaw to get into the gang hoping to find out who the boss is. But Palmer knows Red and exposes his true identity when he arrives and Red and Gabby then find themselves prisoners of the gang. [Written by Maurice Van Auken]

The Duchess, the aunt of Red Ryder, comes to town to protect her property. Crawford, a town big-shot behind an outlaw gang, tries to prevent her from reaching her destination, but the attack is thwarted by Red. The latter is made town marshal, and when he gets too close to the truth and is making it too hot for the Crawford faction, Crawford has his henchman Luke kidnap Red's Indian friend Little Beaver.

In Elliot's initial appearance as Red Ryder, he finds himself framed for murder. Little Beaver then foils the crooked Sheriff's attempt to have Red killed escaping jail. When Hannah Rogers gives the Sheriff a note, Red sees her give him a signal. Gabby lifts the note and Red decodes it. The Duchess then gets a confession from Hannah enabling Red to set out after the outlaws.

An interesting entry in Republic Pictures' long-running "Red Ryder" B-Western series, this film is not about hardy settlers braving the Colorado winters, as the title would suggest. Instead it's a sort of Reform School Western about a couple of wayward Chicago boys (Billy Cummings and Freddie Chapman) taken in by Ryder's indomitable aunt, "The Duchess" (Alice Fleming.) The boys escaped their very own "Fagin," Bull Reagan (Roy Barcroft), and were given a second chance on the lady's Western ranch. Unfortunately, Reagan returns to do a bit of cattle rustling, once again luring the boys into becoming his accomplices.

In this western, Red Ryder leads a wagon train of homesteaders into a ghost town and discovers that it has become an outlaw's hideout.

California Gold Rush is set in 1849. Ryder heads to Sutter's Mill, where he must contend with claim-jumping and treachery.