Casus Belli (2010)
If one man falls, we all fall down.
Género : Comedia, Comedia, Drama, Drama
Tiempo de ejecución : 11M
Director : Yorgos Zois
Sinopsis
All kinds of people are waiting in seven different queues. The first person of each queue becomes the last of the next one, thus creating an enormous human line. But at the end of the line, it all begins backwards again.
During the cold spring of 1941, with Greece already under German occupation, a long-suffering squad of war-battered soldiers receives orders from the headquarters in Athens to fall back, leaving behind the Albanian Front. As the men retreat through the snow-covered landscapes of the bomb-scarred Greek countryside, the terrifying certainty that nothing will ever be the same again crushes their weary human souls.
During the cold spring of 1941, with Greece already under German occupation, a long-suffering squad of war-battered soldiers receives orders from the headquarters in Athens to fall back, leaving behind the Albanian Front. As the men retreat through the snow-covered landscapes of the bomb-scarred Greek countryside, the terrifying certainty that nothing will ever be the same again crushes their weary human souls.
Loyalty, history and regret take center stage for university professor Pavel Josek, lauded for standing up to the communist regime when it counted most. But as a TV documentary starts to focus in on the facts of his past, new truths are uncovered which may threaten his reputation.
Loyalty, history and regret take center stage for university professor Pavel Josek, lauded for standing up to the communist regime when it counted most. But as a TV documentary starts to focus in on the facts of his past, new truths are uncovered which may threaten his reputation.
A young rock singer meets his childhood heroine, a famous singer who is now wallowing in alcohol and sex.
A young rock singer meets his childhood heroine, a famous singer who is now wallowing in alcohol and sex.
Brazilian director Julio Bressane directs this religious biography on the life and work of Saint Jerome, the monk who first translated the Bible into Latin. Set both in the desert and in the posh confines of the Vatican, Jerome (Everaldo Pontes) agonizes over which Latin word would best fit its Hebrew counterpart. ~ Jonathan Crow, Rovi
Brazilian director Julio Bressane directs this religious biography on the life and work of Saint Jerome, the monk who first translated the Bible into Latin. Set both in the desert and in the posh confines of the Vatican, Jerome (Everaldo Pontes) agonizes over which Latin word would best fit its Hebrew counterpart. ~ Jonathan Crow, Rovi
Ferding, Santos and Willy only drink in despair. One day, a Canadian woman’s visit changes everything.
Ferding, Santos and Willy only drink in despair. One day, a Canadian woman’s visit changes everything.
Woman living in São Paulo goes to Gramado, South of Brazil, to visit a friend of hers. Together, they meet an odd woman who engages in strange experiences in parapsychology. From then on, bizarre events are bound to happen.
Woman living in São Paulo goes to Gramado, South of Brazil, to visit a friend of hers. Together, they meet an odd woman who engages in strange experiences in parapsychology. From then on, bizarre events are bound to happen.
Ariel Goldstein es un joven judío de clase media. O mejor: es un joven de clase media que se siente obsesionado con el judaísmo, lo que él llama la "burbuja". Vive y trabaja con su padre, filmando casamientos y toda clase de actos sociales de los miembros de la comunidad judía, más menos respetuosos con las tradiciones religiosas. Cuando cambie los bar-mitzvas por una productora de televisión por cable empezará a tomar contacto con otra gente. Lo que lo invita a replantearse su lugar dentro del mundo y de la burbuja.
Ariel Goldstein es un joven judío de clase media. O mejor: es un joven de clase media que se siente obsesionado con el judaísmo, lo que él llama la "burbuja". Vive y trabaja con su padre, filmando casamientos y toda clase de actos sociales de los miembros de la comunidad judía, más menos respetuosos con las tradiciones religiosas. Cuando cambie los bar-mitzvas por una productora de televisión por cable empezará a tomar contacto con otra gente. Lo que lo invita a replantearse su lugar dentro del mundo y de la burbuja.
Basado en hechos reales, "Hiroshima" se distingue por ser un musical silencioso. Juan es cantante de un grupo de rock pero no es una persona que precisamente hable demasiado. Durante la noche, trabaja en una panadería y durante el día, duerme. "Hiroshima" es la historia de uno de estos días y cuenta lo que le pasa cuando se levanta.
Basado en hechos reales, "Hiroshima" se distingue por ser un musical silencioso. Juan es cantante de un grupo de rock pero no es una persona que precisamente hable demasiado. Durante la noche, trabaja en una panadería y durante el día, duerme. "Hiroshima" es la historia de uno de estos días y cuenta lo que le pasa cuando se levanta.
Film director Sergey Paradjanov creates brilliant films. His nonconformist behavior conflicts with Soviet System. He is committed to prison for being eccentric. His indestructible love for beauty allows him to withstand the years of imprisonment, isolation and oblivion.
Film director Sergey Paradjanov creates brilliant films. His nonconformist behavior conflicts with Soviet System. He is committed to prison for being eccentric. His indestructible love for beauty allows him to withstand the years of imprisonment, isolation and oblivion.
Robert Castle is the idealistic pastor of St. Mary's Episcopal Church in Harlem, and also the cousin of filmmaker Jonathan Demme. Demme's affectionate portrait of his cousin traces Castle's story, beginning with his first parish assignment, in New Jersey in the early 1960s, in an increasingly African-American-populated neighborhood rocked by violence and civil rights protests. The film raises intimate discussions of race, faith and family, while also showing Castle's daily routine as a pastor.
Robert Castle is the idealistic pastor of St. Mary's Episcopal Church in Harlem, and also the cousin of filmmaker Jonathan Demme. Demme's affectionate portrait of his cousin traces Castle's story, beginning with his first parish assignment, in New Jersey in the early 1960s, in an increasingly African-American-populated neighborhood rocked by violence and civil rights protests. The film raises intimate discussions of race, faith and family, while also showing Castle's daily routine as a pastor.
