Casus Belli (2010)
If one man falls, we all fall down.
Жанр : комедия, комедия, драма, драма
Время выполнения : 11М
Директор : Yorgos Zois
Краткое содержание
All kinds of people are waiting in seven different queues. The first person of each queue becomes the last of the next one, thus creating an enormous human line. But at the end of the line, it all begins backwards again.
During the cold spring of 1941, with Greece already under German occupation, a long-suffering squad of war-battered soldiers receives orders from the headquarters in Athens to fall back, leaving behind the Albanian Front. As the men retreat through the snow-covered landscapes of the bomb-scarred Greek countryside, the terrifying certainty that nothing will ever be the same again crushes their weary human souls.
During the cold spring of 1941, with Greece already under German occupation, a long-suffering squad of war-battered soldiers receives orders from the headquarters in Athens to fall back, leaving behind the Albanian Front. As the men retreat through the snow-covered landscapes of the bomb-scarred Greek countryside, the terrifying certainty that nothing will ever be the same again crushes their weary human souls.
Loyalty, history and regret take center stage for university professor Pavel Josek, lauded for standing up to the communist regime when it counted most. But as a TV documentary starts to focus in on the facts of his past, new truths are uncovered which may threaten his reputation.
Loyalty, history and regret take center stage for university professor Pavel Josek, lauded for standing up to the communist regime when it counted most. But as a TV documentary starts to focus in on the facts of his past, new truths are uncovered which may threaten his reputation.
A young rock singer meets his childhood heroine, a famous singer who is now wallowing in alcohol and sex.
A young rock singer meets his childhood heroine, a famous singer who is now wallowing in alcohol and sex.
Brazilian director Julio Bressane directs this religious biography on the life and work of Saint Jerome, the monk who first translated the Bible into Latin. Set both in the desert and in the posh confines of the Vatican, Jerome (Everaldo Pontes) agonizes over which Latin word would best fit its Hebrew counterpart. ~ Jonathan Crow, Rovi
Brazilian director Julio Bressane directs this religious biography on the life and work of Saint Jerome, the monk who first translated the Bible into Latin. Set both in the desert and in the posh confines of the Vatican, Jerome (Everaldo Pontes) agonizes over which Latin word would best fit its Hebrew counterpart. ~ Jonathan Crow, Rovi
Ferding, Santos and Willy only drink in despair. One day, a Canadian woman’s visit changes everything.
Ferding, Santos and Willy only drink in despair. One day, a Canadian woman’s visit changes everything.
Woman living in São Paulo goes to Gramado, South of Brazil, to visit a friend of hers. Together, they meet an odd woman who engages in strange experiences in parapsychology. From then on, bizarre events are bound to happen.
Woman living in São Paulo goes to Gramado, South of Brazil, to visit a friend of hers. Together, they meet an odd woman who engages in strange experiences in parapsychology. From then on, bizarre events are bound to happen.
In 1999, Argentina's peso craters. Ariel, a young man from Buenos Aires' Jewish community, deals with his mother's fatal illness, finds a job as a night shift surveillance camera monitor, and wonders when he'll discover sex. Santamaria, middle aged, loses his bank job and is dismissed by his wife; he finds stolen wallets in dumpsters to return to their owners. Ariel tells Santamaria's story to a TV reporter who profiles lives on the street. She's Laura, in a relationship with another woman, but perhaps available. Ariel desires Laura, while Santamaria courts Elsa, a washroom attendant who's husband is in prison. Christmas and Hanukkah approach; can anyone connect?
In 1999, Argentina's peso craters. Ariel, a young man from Buenos Aires' Jewish community, deals with his mother's fatal illness, finds a job as a night shift surveillance camera monitor, and wonders when he'll discover sex. Santamaria, middle aged, loses his bank job and is dismissed by his wife; he finds stolen wallets in dumpsters to return to their owners. Ariel tells Santamaria's story to a TV reporter who profiles lives on the street. She's Laura, in a relationship with another woman, but perhaps available. Ariel desires Laura, while Santamaria courts Elsa, a washroom attendant who's husband is in prison. Christmas and Hanukkah approach; can anyone connect?
A young man in Uruguay has trouble expressing himself verbally. As the lead singer in a band, he interacts with the world through his music.
A young man in Uruguay has trouble expressing himself verbally. As the lead singer in a band, he interacts with the world through his music.
Режиссер Сергей Параджанов создает прекрасные фильмы. Его нон-конформистское поведение входит в противоречие с Советской системой. За свою эксцентричность он попадает в тюрьму. Его нерушимая любовь к красоте позволяет ему устоять в годы тюремного заключения, изоляции и забвения.
Режиссер Сергей Параджанов создает прекрасные фильмы. Его нон-конформистское поведение входит в противоречие с Советской системой. За свою эксцентричность он попадает в тюрьму. Его нерушимая любовь к красоте позволяет ему устоять в годы тюремного заключения, изоляции и забвения.
Robert Castle is the idealistic pastor of St. Mary's Episcopal Church in Harlem, and also the cousin of filmmaker Jonathan Demme. Demme's affectionate portrait of his cousin traces Castle's story, beginning with his first parish assignment, in New Jersey in the early 1960s, in an increasingly African-American-populated neighborhood rocked by violence and civil rights protests. The film raises intimate discussions of race, faith and family, while also showing Castle's daily routine as a pastor.
Robert Castle is the idealistic pastor of St. Mary's Episcopal Church in Harlem, and also the cousin of filmmaker Jonathan Demme. Demme's affectionate portrait of his cousin traces Castle's story, beginning with his first parish assignment, in New Jersey in the early 1960s, in an increasingly African-American-populated neighborhood rocked by violence and civil rights protests. The film raises intimate discussions of race, faith and family, while also showing Castle's daily routine as a pastor.