Gyeongju (2014)

Un joven ambicioso y sin escrúpulos (Dennis Price) proyecta vengar la afrenta que la aristocrática familia D'Ascoyne, a la cual pertenece, les ha infligido a él y a su madre. El plan consiste en eliminar a todos los miembros de la familia que le preceden en la sucesión al título de Duque.

Una mujer usa los servicios de una empresa para borrar de su memoria todo recuerdo de su ex pareja. Ofendido, el hombre intenta hacer lo mismo que ella, pero el proceso no sucede según lo esperado y el protagonista debe atravesar la gigantesca marea de recuerdos de su propio cerebro para recomponer las cosas.

Egon escapes from the psychiatric ward, where he has been incarcerated since the gang's last coup. Keld and Benny pick him up, and when Egon, as always, is planning the big heist, the Olsen Gang is once again on the move.

The towns of Gschaid and Millsdorf are in a constant state of feuding with each other. Nevertheless Gschaid's Sebastian and Millsdorf's Susanne are married. In her husband's town Susanne has to put up with daily harassment by the locals, which also extends to her two children. Finally she moves back to her parents, alone. When the children, who long to find a magical crystal they believe has the power to reunite the family, get lost in a howling blizzard on the exposed mountain after bringing their mother her Christmas presents, both towns set up rescue missions.

Una joven estudiante de universidad, Yumi Nakamura (Kou Shibasaki), ve cómo sus amigos mueren uno a uno víctimas de una extraña “maldición” que parece tener su origen en el teléfono móvil. Todo empieza cuando Yoko, la mejor amiga de la protagonista, recibe una llamada a su móvil con un extraño tono que no había oído antes. En la pantalla aparece un mensaje: “Tienes una llamada perdida”. Cuando lo escucha, no sólo parece venir de su propio número, sino que también contiene un terrible grito que suena exactamente igual que la voz de Yoko. Además, la llamada está fechada tres días después. Tres días más tarde, Yoko muere. Las coincidencias empiezan a acumularse mientras se amplia el círculo de avisos de muerte a través de los móviles. Hasta que un día, el móvil de Yumi comienza a sonar...

This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.

A Documentary about Nashville's Maverick songwriter/producer, 'Cowboy' Jack Clement.

En los años 40, finalizado el conflicto de la Guerra Civil Española, una familia abandona el campo y emigra a Madrid con la esperanza de mejorar sus condiciones de vida. Sin embargo, la vida en la ciudad es cruel y está llena de desengaños y penalidades. Manuel, el padre, encuentra trabajo en una fundición, pero no puede soportar el ritmo de trabajo. Pepe, el hijo mayor, se dedica a turbios asuntos relacionados con el estraperlo. Manolo, el hijo menor, encuentra trabajo como chico de los recados, y Tonia, la hermana, empieza a trabajar como asistenta.

Water is a scarce and sometimes dangerous resource in the Swiss Mountain Village. Anytime the wooden pipe is damaged and the supply breaks, one man from the village is determined by "unlucky" draw to take on the life-threatening repairs.

An obese woman recently released from an insane asylum kills anyone who attempts to get her to stop eating.

A young poet gets the brilliant idea to live in a department store, hiding by day, and courting his muse by night where it's quiet, and he can have all his needs met. But, to his surprise, he learns his brilliant idea's not exactly original; there are other residents who dodge the night watchmen, and who keep their existence secret at all costs. And one of them is a young woman who wants to leave, but is too frightened to go. And Charles finds that he wants to show her the larger world outside.

In the aftermath of Stonewall, a newly politicized Vito Russo found his voice as a gay activist and critic of LGBTQ+ representation in the media. He went on to write "The Celluloid Closet", the first book to critique Hollywood's portrayals of gays on screen. During the AIDS crisis in the 1980s, Vito became a passionate advocate for justice via the newly formed ACT UP, before his death in 1990.

Kiyoko y su familia viven en el distrito central de Tokio. Tiene 23 años, es cobradora de autobús, pero anhela llegar a algo más en la vida. Su modelo es Katsuura, una inquilina que vive en su casa y que lee, pinta y escucha sus propios discos. Harta de las constantes rencillas de sus familiares por motivos económicos, se traslada a los suburbios y alquila una habitación a una anciana viuda.

A writer looking for inspiration finds a perfect muse in a girl. After much work, he makes her his girlfriend. But then he starts to get tired of her.

Beca es de esas chicas que prefiere escuchar lo que sale de sus auriculares a lo que puede decirle alguien. Al llegar a la universidad no tiene cabida en ningún grupo, pero la obligan a unirse a uno que jamás habría escogido, formado por chicas malas, chicas buenas y chicas raras que solo comparten una cosa: lo bien que suenan cuando están juntas. Beca quiere que el grupo de canto acústico salga del tradicional mundo musical y llegue a alcanzar armonías nuevas y sorprendentes. Las chicas deciden escalar puestos en el despiadado mundo del canto a cappella universitario. Su intento puede acabar siendo lo mejor que han hecho. O, quizá, su mayor locura. Probablemente sea una mezcla de ambas cosas.

In the year of 2008, war and sickness have overtaken the planet. The deranged government declares single women a threat to the human race. Singles women are imprisoned. The corrupt warden is determined to keep the prisoners locked up.

Bezhin Lug (Bezhin Meadow) was to be a Soviet film about a young farm boy whose father attempts to betray the government for political reasons by sabotaging the year's harvest, and the son's efforts to stop his own father to protect the Soviet state, culminating in the boy's murder and a social uprising. Assigned to Soviet film-maker Sergei Eisenstein, the filming followed the same path as with his previous effort, "Que Viva Mexico", into cost overrun and over-shooting of footage. Furthermore, Eisenstein's usage of forbidden experimental film techniques outraged his government superiors, who ordered the film destroyed before it was even completed. All that survives are the first and last frames of each shot, preserved by Sergei Eisenstein’s wife, Pera Atasheva. The 1967 reconstruction, by Naum Kleiman of the Eisenstein Museum and Sergei Yutkevich of Gosfilmofond, places these frames in order, approximating the original film.

A group of men and women travel to a Carribean resort to discover themselves sexually but unfortunately one of them has also discovered that they like to murder people too.

Richard Brown, a decorated Vietnam War veteran now living in Indonesia, discovers that gunmen invaded his home, murdered his son, Bobby, (preparing to celebrate his 8th birthday), and gang-raped and murdered his wife, Florinda. Vowing revenge, he begins to track down the culprits, learning in the process that they're in the employ of a business rival named Hawk. At one point he's captured, beaten, and tortured but then he's rescued by Julia, Hawk's personal secretary, who also seeks revenge on her employer for causing the death of her sister. Brown eventually finds and confronts Hawk at Hawk's fortress-like compound.