Editor
Green is a professor in a long-term relationship with her lesbian partner. Failing at preparing the deposit for the house and Green being laid off for helping her homosexual colleague, the only option they can choose is to move in with Green’s mother. As their awkward stay prolongs, the mother drives all her energy into her job as a caregiver.
Editor
After the dissolution of the Truth and Reconciliation Commission, which was launched as a South Korean government organization in 2005, civic groups and bereaved families wishing to complete the mission the government had failed to accomplish form a joint organization to investigate the remains of civilians who were massacred during the Korean War. A three-year-long documentary about the organization’s three-year-long excavation efforts, 206: Unearthed is a record of sunlight, dirt, and sweat.
Editor
The title Good Light, Good Air is oddly paradoxical. Keenly working at the point where his artistic identity and persistent attention on modern Korean history meet, director Im in this film focused on where the history of oppression and struggle intersect between Gwangju and Buenos Aires. In both cities, a great number of people who fought against the dictatorship were slaughtered and disappeared. The people of both societies still live with that trauma. When the testimonies of the victims of the two cities cross over, the film gives us chills as the eerie history of the two is very similar. Through Good Light, Good Air, director Im asks us how we will remember the past from where we stand right now.
Editor
Un librero de Seúl viaja con una joven a Fukuoka en Japón para encontrarse con un antiguo amigo de la universidad. Mientras que su reunión está atormentada por los conflictos del pasado, su compañero de viaje flota a través de la trama como si se moviera en un sueño.
Editor
A group of women climbs a summer mountain situated in South Korea. They are refugees who have settled into South Korean society after fleeing from North Korea. For them, climbing the mountains has been an unavoidable journey for survival - a matter of life and death.
Editor
Yoon-young has been harboring feelings for Song-hyun, a friend's wife. When he finds out that she is divorced, Yoon-young and Songhyun take a trip to Gunsan on a whim. They find lodging at an inn where the middle-aged owner lives with his autistic daughter who does not leave her room. The four become star crossed lovers in the city of Gunsan.
Editor
A letter arrives in every house on Sorok Island on the 23rd of November 2005. The letter read the last words of two nurses. "Being old means not being able to work well and saying goodbye..." These women who came to the island in their 20s left just like that... Marianna and Margaret are two angels who took care of leprosy patients for 43 years. We take a look back at these two people's love for 43 years.
Editor
Ye Ri (Han Ye Ri) atiende un bar que heredó de su padre. Ella tiene 3 pretendientes. Los tres tienen personalidades totalmente diferentes, pero todos están locamente enamorados de Ye Ri. Los tres compiten por la atención de Ye Ri, pero también se confortan entre sí.
Editor
People have varying perceptions and definitions of love and movies. One must overcome differing opinions and disregard insignificant factors in order to achieve the end product in each aspect. However, it is these trivial features that matter in the end and leave their imprint on our souls. Whether it is for love or for movies, we must continue to question and attend to the subtle inscriptions upon our emotions.
Editor
The drastic economic development in South Korea once surprised the rest of the world. However, behind of it was an oppression the marginalized female laborers had to endure. The film invites us to the lives of the working class women engaged in the textile industry of the 1960s, all the way through the stories of flight attendants, cashiers, and non-regular workers of today. As we encounter the vista of female factory workers in Cambodia that poignantly resembles the labor history of Korea, the form of labor changes its appearance but the essence of the bread-and-butter question remains still.
Assistant Editor
Choi-Hyun regresa a Corea del Sur para asistir al funeral de un amigo. Es profesor en la Universidad de Pekín, en China, y está casado con una mujer china. Después del funeral, Choi-Hyun decide visitar la ciudad de Gyeongju. Él no puede olvidar una imagen obscena dibujada en la pared de una casa de té de allí. Vio aquella imagen hace siete años, cuando visitó Gyeongju con sus dos amigos. En la casa de té en Gyeongju, se encuentra con la nueva propietaria Yoon-Hee. Ella compró la casa de té hace tres años y la imagen obscena está ahora cubierta por el papel pintado. Choi Hyun-le pregunta acerca de la imagen, pero Yoon-Hee se sorprende por su extraña pregunta...
