Lee Hak-min

Green is a professor in a long-term relationship with her lesbian partner. Failing at preparing the deposit for the house and Green being laid off for helping her homosexual colleague, the only option they can choose is to move in with Green’s mother. As their awkward stay prolongs, the mother drives all her energy into her job as a caregiver.

After the dissolution of the Truth and Reconciliation Commission, which was launched as a South Korean government organization in 2005, civic groups and bereaved families wishing to complete the mission the government had failed to accomplish form a joint organization to investigate the remains of civilians who were massacred during the Korean War. A three-year-long documentary about the organization’s three-year-long excavation efforts, 206: Unearthed is a record of sunlight, dirt, and sweat.

The title Good Light, Good Air is oddly paradoxical. Keenly working at the point where his artistic identity and persistent attention on modern Korean history meet, director Im in this film focused on where the history of oppression and struggle intersect between Gwangju and Buenos Aires. In both cities, a great number of people who fought against the dictatorship were slaughtered and disappeared. The people of both societies still live with that trauma. When the testimonies of the victims of the two cities cross over, the film gives us chills as the eerie history of the two is very similar. Through Good Light, Good Air, director Im asks us how we will remember the past from where we stand right now.

Трогательный, эмоциональный сюжет «Фукуока», знакомит с тихим, добродушным мужчиной среднего возраста, хозяина небольшой, скромной лавки по продаже разнообразной, книгопечатной продукции, обитающий в тихом провинциальном городке японской префектуры. Он ведет незаметный, нелюдимый образ существования, стараясь избегать ненужных мелких конфликтов с окружающими миром, давно приняв горечь одиночества холостяцкой жизни. Хотя этому следовала действительная, малоприятная причина, к которой герой изредка возвращался воспоминаниями с немалым сожалением о потерянных годах, при глубоком разочаровании в людях.

A group of women climbs a summer mountain situated in South Korea. They are refugees who have settled into South Korean society after fleeing from North Korea. For them, climbing the mountains has been an unavoidable journey for survival - a matter of life and death.

Yoon-young has been harboring feelings for Song-hyun, a friend's wife. When he finds out that she is divorced, Yoon-young and Songhyun take a trip to Gunsan on a whim. They find lodging at an inn where the middle-aged owner lives with his autistic daughter who does not leave her room. The four become star crossed lovers in the city of Gunsan.

A letter arrives in every house on Sorok Island on the 23rd of November 2005. The letter read the last words of two nurses. "Being old means not being able to work well and saying goodbye..." These women who came to the island in their 20s left just like that... Marianna and Margaret are two angels who took care of leprosy patients for 43 years. We take a look back at these two people's love for 43 years.

They’re losers, but nice ones. Every day they sit at Yeri’s bar, smitten by the young Chinese-Korean woman. Yeri doesn’t have a preference. To her, they are equally sweet: Jongbin, a milk-drinking epileptic, Ikjune, a former petty criminal, and the introverted Jungbum, who fled from North Korea.

People have varying perceptions and definitions of love and movies. One must overcome differing opinions and disregard insignificant factors in order to achieve the end product in each aspect. However, it is these trivial features that matter in the end and leave their imprint on our souls. Whether it is for love or for movies, we must continue to question and attend to the subtle inscriptions upon our emotions.

The drastic economic development in South Korea once surprised the rest of the world. However, behind of it was an oppression the marginalized female laborers had to endure. The film invites us to the lives of the working class women engaged in the textile industry of the 1960s, all the way through the stories of flight attendants, cashiers, and non-regular workers of today. As we encounter the vista of female factory workers in Cambodia that poignantly resembles the labor history of Korea, the form of labor changes its appearance but the essence of the bread-and-butter question remains still.

A Beijing professor returns to his stomping grounds for a friend's funeral. Reflecting on the past, he meets a tea shop owner who sparks feelings of love in a time of pain.