Venus on Trial (1941)

Tras la muerte de su amigo y colaborador, un escritor de cuentos para niños, un hombre más bien misógino, se ve obligado a trabajar con una ilustradora.

An illustrator can't find the perfect guy, so she draws her own.

Un thriller psicológico repleto de animaciones tipo manga sobre la ilustradora joven y pobre de historietas Nina, que vive con su casera. Ella se hunde cada vez más en un violento mundo de fantasía.

Film que comprende varias historias que tienen lugar entre Nochevieja y Año Nuevo: la de un hombre hospitalizado (De Niro) que vive sus últimos días, la de un hombre que odia las fiestas navideñas (Kutcher), la de una mujer de negocios (Pfeiffer) que trata de alcanzar sus propósitos antes de que acabe el año, y la de una mujer (Swank) que produce un espectáculo en el Time Square de Manhattan.

Isi doesn't get the world anymore. Just a short while ago, life was wild, fun, and without obligations, but suddenly everyone around her seems to be grown-up and successful. With her diploma in one hand and a drink in the other, she is stuck between the careless days of college and real life. When her best friend Lotte gets a respectable job and becomes pregnant, Isi realizes that she needs to find a way to start living a life on her own.

Brooks Wilson is in crisis. He is torn between his wife Selma and two daughters and his mistress Grace, and also between his career as a successful illustrator and his feeling that he might still produce something worthwhile.

An agoraphobic children's book illustrator is trapped inside her home by two young psychos-in-love, who terrorize her. It is only when her young son is threatened that she manages to overcome her paralyzing fears and attempt to leave her home to save him...

En una sociedad utópica futurista, las emociones humanas han sido erradicadas y todo el mundo vive en paz. Pero cuando unas enfermedades nuevas surgen, todo cambia para el ilustrador Silas y su ayudante, Nia. Ambos están infectados, y para sobrevivir, deben huir juntos.

Superman, Batman, Spider-Man, The X-Men – characters recognized all over the world, and have gained even wider popularity through television and film. What may not be known is that, since the 1970’s, Filipinos have had a significant contribution in these and other characters’ mythologies. In terms of comic book history, these creators are often left unaccredited or, at worse, neglected entirely for their accomplishments. “Illustrated By”: Filipino Invasion of U.S. Comics is a full-length documentary film tracing the phenomenon of Filipino comic artists breaking into the U.S. mainstream. The movie aims to pay tribute to many of these ignored, unacknowledged talents, and showcase their gorgeous artwork.

THE STORY WON’T DIE, from Award-winning filmmaker David Henry Gerson, is an inspiring, timely look at a young generation of Syrian artists who use their work to protest and process what is currently the world’s largest and longest ongoing displacement of people since WWII. The film is produced by Sundance Award-winner Odessa Rae (Navalny). Rapper Abu Hajar, together with other creative personalities of the Syrian uprising, a post-Rock musician (Anas Maghrebi), members of the first all-female Syrian rock band (Bahila Hijazi + Lynn Mayya), break-dancer (Bboy Shadow), choreographer (Medhat Aldaabal), and visual artists (Tammam Azzam, Omar Imam + Diala Brisly), use their art to rise in revolution and endure in exile in this new documentary reflecting on a battle for peace, justice and freedom of expression. It is an uplifting and humanizing look at what it means to be a refugee in today’s world and offers inspiring and hopeful vantages on a creative response to the chaos of war.

Charles Santore, in an expansion of his discussion in “Oz: The American Fairyland” (1997) (V), tells about his experience making an abridged storybook of “The Wizard of Oz”. He tells of his inspirations, the little girl who modeled for Dorothy, the tin man in folk art, and a left to right progression in a journey of identity, with opposing forces pushing the movement in art back to the left.

Un relato, con sus propias palabras y las de sus familiares, de la vida y la obra del genial Manuel Pérez-Sanjulián Clemente, uno de los ilustradores españoles más relevantes de todos los tiempos.

Americans are preoccupied with the news, but need an escape from many of the events reported in the news. These escapes in the past have included dime store novels. The most accessible of these escapes is what are known as the funny papers, the set of serialized comic strips that are included within many newspapers. They appeal to all socio-economic classes, and all ages. Some of the earliest known from the late 19th century include the Yellow Kid, Little Nemo, Happy Hooligan, the Katzenjammer Kids, Mutt & Jeff, and Bringing Up Father. Many cartoonists are seen in action. Some originated their characters, while others have taken over following the passing of the originator. The joy of many comic strips are the absurd and the fantastical, which are limited only by the imagination of the cartoonist. Others are grounded in reality, which add to their poignancy within the public mindset.

The illustrator and author paints scenes from a 70-year-long career, including his work with Roald Dahl. With David Walliams, Joanna Lumley, Peter Capaldi, Ore Oduba and Michael Rosen.

For the first time ever, Tasha Tudor has permitted a film crew unprecedented access to document her daily life. An intimate and charming portrait of one of America's best-loved artists.

Lynne Cherry is an author, illustrator, environmentalist, and naturalist. This documentary covers an assortment of her books and activism to save the Belt woods.

A visual journey into the life and legacy of one of Australia's most celebrated artists, Brett Whiteley.

This documentary celebrates the work of illustrator Reynold Brown, whose colorful and compelling art graced over 300 movie posters during the 1950s and '60s, ranging from star-studded westerns and studio epics to sensational creature features and low-budget B-movies. Art historians, writers, and movie producers discuss Brown's art within the context of the post-war social climate and an ever-changing movie industry.

Jeong-sun as her name lives an uncluttered life with modest behavior even though working at a food factory. Young-soo, a factory colleague, approaches her. As they get closer, they enjoy their secret relationship, and he takes candid shots in beds with his mobile camera. One day, she gets inappropriate stares from others.