Woman Has No Name (1987)
Género : Drama
Tiempo de ejecución : 1H 30M
Director : Atıf Yılmaz
Escritor : Atıf Yılmaz, Barış Pirhasan
Sinopsis
A woman's fight for her identity and freedom as a woman.
A man meets a woman in a bar, the two go back to her flat and begin watching porno films. The man passes out and wakes to find himself strapped to a dentist chair. The woman, along with her accomplice begin to torture the man.
The film MISS REPRESENTATION exposes how American youth are being sold the concept that women and girls’ value lies in their youth, beauty and sexuality. Explores the under-representation of women in positions of power and influence in America, and challenges the media's limited portrayal of what it means to be a powerful woman. It’s time to break that cycle of mistruths.
Serap is a successful theater actress. Although she rejects the traditional roles assigned to women in her personal life, she agrees to play the role of a traditional housewife in a shampoo commercial. However, she is unaware that this commercial will turn into her worst nightmare.
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Un grupo de jóvenes viven bajo el mismo techo mientras se preguntan sobre sí mismos, sobre la sociedad, sobre sus creencias políticas y el mundo cambiante que gira a su alrededor. Al mismo tiempo, son conscientes de la importancia que tiene para ellos estar juntos, mantenerse unidos, constituir, en suma, una familia. Tras el éxito de "Fucking Amal" el sueco Moodysson vuelve a conquistar a crítica y público con una entrañable, divertida y encantadora comedia universal.
En una tranquila granja de la campiña holandesa, la nonagenaria Antonia repasa su vida. Tranquilamente acostada en su cama, hace memoria hasta el día, poco después de la Segunda Guerra Mundial, en que volvió al pueblo en el que nació. A partir de ahí, recuerda su vida durante los cincuenta años siguientes, así como la de sus hijos y nietos. Un día tras otro, el comportamiento independiente, inconsciente y algo excéntrico de Antonia y su familia, y en especial su lucha por el feminismo, se mezcla con la vida cotidiana del pueblo en que viven. La vieja granja se convierte en el hogar de personajes muy variados en los que el resentimiento inicial se convierte en tolerancia y, posteriormente, en amor.
Tess, una inteligente secretaria de origen humilde, descubre que ha sido traicionada por su jefa. Es entonces cuando decide suplantarla durante una baja por enfermedad.
Frances Farmer debuta en el cine con sólo 23 años. Es hermosa e inteligente, y muchos le auguran una brillante carrera. Pero es, además, una persona poco convencional, algo que en el Hollywood de los años treinta no se considera precisamente una cualidad. Tras un fracaso sentimental, se da a la bebida y emprende el camino de la autodestrucción. Su madre, una mujer autoritaria, obtiene la custodia legal y la interna en un hospital psiquiátrico, donde es sometida a electrochoques y a una cura de insulina. Frances se encuentra al borde del abismo y no le queda más que una esperanza: recurrir a su mejor amigo, Harry York.
A grandmother dies and leaves behind hours of secret film and audio recordings as well as an envelope with the words “Must read after my death,” which reveal a dark history for her family to discover.
Dive into more than a century of decadence with this tantalizing look at the evolution of burlesque. Cabaret star Leslie Zemeckis traces the art form from vaudeville-style variety show through its extinction and contemporary rebirth. Vintage photos, film clips and ads illustrate burlesque's resilient history and how the public's sexual appetite kept it alive amid moral and legal ado.
A crime film with comedic overtones, Terapie pentru crimă (Therapy for Murder) follows Matilde, a beginner "professional" assassin who not only has to overcome the problems that every beginner in this unusual profession faces, but also an additional and personal challenge: she's a woman. When Matilde realizes killing for money is not that easy she wants to back out but it may already be too late as a real professional assassin is now after her.
This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home. Featuring Kira Muratova, Natalia Ryazantseva, Inna Churikova, Nonna Mordyukova, and others.
The video opens with a barrage of explosive imagery along with an audio track of a siren taken from the 1970s TV show Wonder Woman. The following scenes are fast paced repeated shots from Wonder Woman, with several scenes following of actress Lynda Carter as the main character Diana Prince, performing her transformative spin from secretarial role into superhero role. […] The representation of repeated transformations expose the illusion of fixed female identities in media and attempts to show the emergence of a new woman through use of technology. […] The video ends with a scene of repeating explosions that precedes a blue background with white text that scrolls upwards, delivering a transcription of lyrics to the song ‘Wonder Woman Disco'.
The story of Algerian women trying to live in 1970s Algeria where the society is between conservative values and progressive modern Algeria.
Diana, princesa de las Amazonas, entrenada para ser una guerrera invencible, fue criada en una isla paradisíaca protegida, hasta que un día, un piloto norteamericano, que tuvo un accidente y acabó en sus costas, le habló de un gran conflicto existente en el mundo, la Primera Guerra Mundial. Diana decidió salir de la isla, convencida de que podía detener la terrible amenaza. Ahora lucha como Wonder Woman, junto a los hombres, en la guerra que acabará con todas las guerras y descubre todos sus poderes y su verdadero destino.
Photographed by an all-female crew and directed by the author of Sexual Politics, these are autobiographical interiews with three very different women who talk frankly about their lives, conflicts, and contrasting life styles.
It used be that everyone knew what it meant to be a man. A man was rugged and reliable and got the job done. But then came the worst recession in 80 years. So what happens now that the job is gone? The End of Men is a compelling new documentary that takes a profound look at how men are coping with the evolving role of masculinity in today's world, where the old rules no longer apply.
A Manhattan professor's (William Raymond, Larry Loonin) unseen artist wife mocks his pitiful existence.
"Clandestinas" is a documentary about the abortion situation in Brazil. Women share their experiences interrupting a pregnancy and actresses interpret that actual reports.
A musical horror story about two young women who are stalked through a shopping mall by a cannibal. He follows them home, and here the victims become the aggressors.