/kGbNIj25hUZuPln53RpbKdB5j70.jpg

The Falling (2015)

Género : Drama, Misterio

Tiempo de ejecución : 1H 43M

Director : Carol Morley
Escritor : Carol Morley

Sinopsis

Año 1969. En un estricto colegio de mujeres la carismática Abbie y la problemática Lydia son grandes amigas. Después de una tragedia ocurrida en el lugar, una misteriosa epidemia de desmayos estallará amenazando la estabilidad de todos los residentes.

Actores

Maisie Williams
Maisie Williams
Lydia Lamont
Maxine Peake
Maxine Peake
Eileen Lamont
Greta Scacchi
Greta Scacchi
Miss Edith Mantel
Monica Dolan
Monica Dolan
Miss Martha Alvaro
Mathew Baynton
Mathew Baynton
Mr. Hopkins
Florence Pugh
Florence Pugh
Abbie Mortimer
Joe Cole
Joe Cole
Kenneth Lamont
Morfydd Clark
Morfydd Clark
Miss Pamela Charron
Anna Burnett
Anna Burnett
Susan
Hannah Rose Caton
Hannah Rose Caton
Titch
Evie Hooton
Evie Hooton
Janet
Katie Ann Knight
Katie Ann Knight
Connie
Lauren McCrostie
Lauren McCrostie
Gwen
Elizabeth Marsh
Elizabeth Marsh
Miss Fanshawe
Hannah Stokely
Hannah Stokely
Miss Ash
Guy Morris
Guy Morris
Teacher #1
Katherine Peat
Katherine Peat
Teacher #2
Ben Kerfoot
Ben Kerfoot
Bike Boy
Jiggy Bhore
Jiggy Bhore
Mrs. Maud Leece
Crissy O'Donovan
Crissy O'Donovan
School Nurse
Simon Paisley Day
Simon Paisley Day
Psychiatrist
Ellie Bamber
Ellie Bamber
Schoolgirl #2

Tripulaciones

Carol Morley
Carol Morley
Director
Luc Roeg
Luc Roeg
Producer
Cairo Cannon
Cairo Cannon
Producer
Lizzie Francke
Lizzie Francke
Executive Producer
Agnès Godard
Agnès Godard
Director of Photography
Chris Wyatt
Chris Wyatt
Editor
Shaheen Baig
Shaheen Baig
Casting
Jane Levick
Jane Levick
Production Design
Vanessa Blackburn
Vanessa Blackburn
Art Direction
Sian Jenkins
Sian Jenkins
Costume Design
Christine Allsopp
Christine Allsopp
Makeup Designer
Mary Cooke
Mary Cooke
Makeup & Hair
Kylie Jonkman
Kylie Jonkman
Makeup Trainee
Claire Whiteley
Claire Whiteley
Makeup Supervisor
Joanne Crowther
Joanne Crowther
Production Manager
Gisela Evert
Gisela Evert
Post Production Supervisor
Hannah Green
Hannah Green
Third Assistant Director
Elaine Mackenzie
Elaine Mackenzie
First Assistant Director
Tracey Warren
Tracey Warren
Second Assistant Director
Grant Bridgeman
Grant Bridgeman
Sound Recordist
Paul Davies
Paul Davies
Sound Designer
Robert Farr
Robert Farr
Sound Re-Recording Mixer
Sarah Howe
Sarah Howe
Boom Operator
Rob Hughes
Rob Hughes
Sound Re-Recording Mixer
Rob Price
Rob Price
Foley Mixer
J. Alexandra Roberts
J. Alexandra Roberts
Sound Assistant
Peter Shaw
Peter Shaw
Dialogue Editor
Paul Driver
Paul Driver
Visual Effects Producer
Bryan Dunkley
Bryan Dunkley
Compositor
Andy Quinn
Andy Quinn
Digital Compositor
Peter Hampden
Peter Hampden
Executive Producer
Philip Herd
Philip Herd
Co-Producer
Phil Hunt
Phil Hunt
Executive Producer
Christine Langan
Christine Langan
Executive Producer
Donall McCusker
Donall McCusker
Line Producer
Norman Merry
Norman Merry
Executive Producer
Andrew Orr
Andrew Orr
Executive Producer
Shaun Compton Ross
Shaun Compton Ross
Executive Producer
Tracey Thorn
Tracey Thorn
Original Music Composer
Carol Morley
Carol Morley
Screenplay
Vanessa Blackburn
Vanessa Blackburn
Graphic Designer
Aimee Spinks
Aimee Spinks
Still Photographer
Rebecca Long
Rebecca Long
Executive Producer
Ian Davies
Ian Davies
Executive Producer

Películas similares

Great Grand Mother
This short film is an ode to the women who settled the Prairies, from the days of early immigration to 1916 - when Manitobans became the first women in Canada to receive the provincial vote - and beyond. Recollections of women are complemented by a series of quotations drawn from letters, diaries, and newspapers of the day, which are spoken over re-enacted scenes and archival photographs.
The Great Road
The Great Road is a 1927 Soviet silent documentary film directed by Esfir Shub. It is the second in Esfir Shub's trilogy of films that began with The Fall of the Romanov Dynasty (1927) and concluded with Lev Tolstoy and the Russia of Nicolai II (1928).
Gigantes del mar
Explorando los mares de medio mundo, nos encontramos con las historias más asombrosas de ballenas y delfines. Los mejores cámaras submarinos, acompañados por los grandes expertos mundiales en cetáceos, nos descubrirán nuevas habilidades de estos gigantes del mar.
En lo bueno y en lo malo
Narra el romance entre dos personas de caracteres y profesiones muy diferentes: por un lado Wendy (Lisa Whelchel), una planificadora de bodas, y por otro Marco (Antonio Cupo), un abogado especializado en divorcios. (FILMAFFINITY)
El juego de la asfixia
Taryn, una adolescente muy popular en su instituto, entabla amistad con otra chica tan carismática como ella. Pronto la inicia en una peligrosa práctica conocida como 'el juego de la asfixia'.
Tour of Duty
There remains only silence in a US military camp town and the, soon to be demolished, surrounding entertainment district in the northern part of Kyounggi province. In the town, three ex-prostitutes live with pains engraved in their minds and bodies. This film poignantly shows pieces of their memories and their figures wandering through the forgotten site, and reveals the most pathetic truth left behind.
The Yes Men Are Revolting
Durante los últimos veinte años, los famosos activistas Yes Men (Mike Bonanno y Andy Bichlbaum) han montado bromas escandalosas para secuestrar el diálogo público internacional sobre los asuntos del día. En su tercer viaje cinematográfico, ahora ya están bien entrados en la cuarentena, y su crisis de los cuarenta está amenazando con sacarlos del activismo para siempre, incluso mientras se preparan para aceptar el mayor reto, el cambio climático. Frustrados y preocupados por no poder marcar la diferencia nunca más. Tras seguir sus vidas durante más de cuatro años, The Yes Men Are Revolting revela su proceso creativo, sus hilarantes métodos y sus conflictos personales mientras hacen malabares con las exigencias de hacerse viejo, de mantener un trabajo y de tener un poco de vida personal.
Afterlife
A heavily neurotic young man starts to see his father's ghost, and while he helps the spirit cross to the otherworld, something happens that they could never achieve in their common life: they finally understand each other.
Couleur locale
Marianne Riblon runs a small construction business in the south of France. Widowed and estranged from a daughter she hasn't seen in 15 years, she spends her time and working and has a life devoid of affection. An active member of the town council, she has strong conservative and racist convictions. One day, her daughter Charlotte calls her to tell her she's a grandmother. Her grandson, Nicolas, is 12 and is on his way to come see her. Charlotte wants her to take care of the child while she's being treated for leukemia. A the station, Marianne discovers the boy is half-black. The two learn to know each other...
My Boyfriend's Back
A female singing group from the '60s reunites for a TV special.
California Company Town
Lee Anne Schmitt explores California's landscape and past to document the history of one-time boom towns built and abandoned by the industries that necessitated their creation. Sold as a limitless land expansive with free opportunity, California was actually, from its onset, fissured by the interwoven needs of private and public interests. Schmitt's film covers various locations through time, as the major industries of the early 20th century (mining, lumber, oil) give way to the military, eventually leading to multinational corporations, and the use of small towns as satellites for growing urban metropolises.
One Cut, One Life
When seminal documentarian Ed Pincus is diagnosed with a terminal illness, he and collaborator Lucia Small team up to make one last film, much to the chagrin of Jane, Ed’s wife of 50 years. Told from two points of view with vulnerability, intimacy and humor, ONE CUT, ONE LIFE challenges the form of first person documentary while offering a complex story of love, loss, legacy, and the delicacy of capturing the preciousness of life while time is fleeting.
Love Me
Across a language barrier, a Turkish groom-to-be on an engagement party in Kyev meets a Ukrainian that represents the 'other woman' for a marriage there.
Woodpeckers Don't Get Headaches
A young boy grapples with first love and his ambitions as a drummer during an eventful summer holiday.
Untold Odyssey: Reindeer Wrangling
A lyrical and haunting portrait of reindeer herding in the twilight expanses of the Lappish wilderness.
Exams at Any Odd Time
Two novels united by common characters and a never-settled problem: the clash between sincerity of children and the heartless pragmatism and ambitions of grown-ups.
Monday Morning
Frivolous girl falls in love with a young construction worker. He trusts her and decides to include her in his team of workers. In the beginning, she is happy, but soon starts to feel the tensions between the people in the team. Hypocrisy and demagogy fill her with indignation and she does not keep silent about the shortcomings and mistakes of her colleagues. Gradually, her superiors become uneasy about her and the girl has to go. Her boyfriend offers her marriage, but she decides to take her own path and lead a worthy life. The movie was shot in 1966 but was censored by the communist government and released in theatres on 31st October 1988.
Balcony
Jeton, a 10-year-old boy is sitting on the edge of a balcony on the 4th floor. Neighbours and passers-by, terrified by this situation, call the police and firefighters for help. But the situation quickly becomes unmanageable.
A Gift with a Character
Is it fun to be panda? May be... But not for Misha whose job is to work as a panda during birthday parties.
Beautiful People
In London, during October 1993, England is playing Holland in the preliminaries of the World Cup. The Bosnian War is at its height, and refugees from the ex-Yugoslavia are arriving. Football rivals, and political adversaries from the Balkans all precipitate conflict and amusing situations. Meanwhile, the lives of four English families are affected in different ways by encounter with the refugees.