Carol Morley
Nacimiento : 1966-01-14, Manchester, Greater Manchester, England, UK
Historia
Carol Anne Morley (born 14 January 1966) is an English film director, screenwriter and producer. She is best known for her semi-documentary Dreams of a Life, released in 2011, about Joyce Carol Vincent, who died in her North London bedsit in 2003, but was not discovered until 2006. Her older brother is the music journalist, critic and producer Paul Morley.
Writer
The growing friendship between two women as they hit the road in an electric car looking for endings and reconciliation.
Director
The growing friendship between two women as they hit the road in an electric car looking for endings and reconciliation.
Writer
La búsqueda de un asesino atrae a un detective a un misterio aún mayor: la naturaleza del universo mismo. Mike Hoolihan es un policía no convencional de Nueva Orleans que investiga el asesinato de la reconocida astrofísica Jennifer Rockwell, una experta en agujeros negros encontrada muerta a tiros en su observatorio. Mientras Mike cae por la madriguera del inquietante y laberíntico caso, se encuentra lidiando con preguntas cada vez más existenciales de mecánica cuántica, universos paralelos y estrellas explosivas, secretos cósmicos que pueden ser la clave para desentrañar el crimen, mientras pone en duda su Muy comprensión de la realidad. Inmerso en una atmósfera de ensueño, neo-noir, este thriller único en su tipo es a la vez una tentadora novedad y una mente rica y metafísica.
Director
La búsqueda de un asesino atrae a un detective a un misterio aún mayor: la naturaleza del universo mismo. Mike Hoolihan es un policía no convencional de Nueva Orleans que investiga el asesinato de la reconocida astrofísica Jennifer Rockwell, una experta en agujeros negros encontrada muerta a tiros en su observatorio. Mientras Mike cae por la madriguera del inquietante y laberíntico caso, se encuentra lidiando con preguntas cada vez más existenciales de mecánica cuántica, universos paralelos y estrellas explosivas, secretos cósmicos que pueden ser la clave para desentrañar el crimen, mientras pone en duda su Muy comprensión de la realidad. Inmerso en una atmósfera de ensueño, neo-noir, este thriller único en su tipo es a la vez una tentadora novedad y una mente rica y metafísica.
Screenplay
Año 1969. En un estricto colegio de mujeres la carismática Abbie y la problemática Lydia son grandes amigas. Después de una tragedia ocurrida en el lugar, una misteriosa epidemia de desmayos estallará amenazando la estabilidad de todos los residentes.
Director
Año 1969. En un estricto colegio de mujeres la carismática Abbie y la problemática Lydia son grandes amigas. Después de una tragedia ocurrida en el lugar, una misteriosa epidemia de desmayos estallará amenazando la estabilidad de todos los residentes.
Herself/Interviewer
A filmmaker sets out to discover the life of Joyce Vincent, who died in her bedsit in North London in 2003. Her body wasn't discovered for three years, and newspaper reports offered few details of her life - not even a photograph.
Writer
A filmmaker sets out to discover the life of Joyce Vincent, who died in her bedsit in North London in 2003. Her body wasn't discovered for three years, and newspaper reports offered few details of her life - not even a photograph.
Director
A filmmaker sets out to discover the life of Joyce Vincent, who died in her bedsit in North London in 2003. Her body wasn't discovered for three years, and newspaper reports offered few details of her life - not even a photograph.
Writer
A hotel. A cliff. Six lost people, looking for something, or looking to lose themselves.
Director
A hotel. A cliff. Six lost people, looking for something, or looking to lose themselves.
Writer
Maxine Peake stars in a short film about three fears (birds, falling, sleepwalking) - filmed and edited in a single day on a mobile phone for Cinema Now, a digital conference held at BAFTA.
Director
Maxine Peake stars in a short film about three fears (birds, falling, sleepwalking) - filmed and edited in a single day on a mobile phone for Cinema Now, a digital conference held at BAFTA.
Director
In the middle ages there was an outbreak of dancing manias in Europe that lasted hundreds of years. In the 20th century thousands of Chinese men and some women thought that their genitalia were vanishing, while schoolgirls in Belgium thought that they were being poisoned by a certain brand of fizzy drink. Looking at these various cases, and more, the professor (Maxine Peake) takes us on a musical journey through mass hysteria.
Writer
Annie wants to find her cat and forget her past. She walks the streets of the East End of London, in the footsteps of Josef Stalin and Mahatma Gandhi. Annie's obsessive journey through local history triggers an unravelling of her own life.
Director
Annie wants to find her cat and forget her past. She walks the streets of the East End of London, in the footsteps of Josef Stalin and Mahatma Gandhi. Annie's obsessive journey through local history triggers an unravelling of her own life.
Writer
Based on the filmmaker's collection of newspaper cuttings the film presents private moments that give strange glimpses into everyday life.
Director
Based on the filmmaker's collection of newspaper cuttings the film presents private moments that give strange glimpses into everyday life.
Herself
Carol Morley tracks down her old friend Catherine Corcoran and returns to India where they once travelled as teenagers, in this playfully autobiographical short.
Writer
Carol Morley tracks down her old friend Catherine Corcoran and returns to India where they once travelled as teenagers, in this playfully autobiographical short.
Director
Carol Morley tracks down her old friend Catherine Corcoran and returns to India where they once travelled as teenagers, in this playfully autobiographical short.
Herself
Carol Morley returns to Manchester, where in the early 1980s, five years of her life were lost in an alcoholic blur. The Alcohol Years is a poetic retrieval of that time, in which rediscovered friends and acquaintances recount tales of her drunken and promiscuous behavior. In Morley’s search for her lost self, conflicting memories and viewpoints weave in and out, revealing a portrait of the city, its pop culture, and the people who lived it.
Writer
Carol Morley returns to Manchester, where in the early 1980s, five years of her life were lost in an alcoholic blur. The Alcohol Years is a poetic retrieval of that time, in which rediscovered friends and acquaintances recount tales of her drunken and promiscuous behavior. In Morley’s search for her lost self, conflicting memories and viewpoints weave in and out, revealing a portrait of the city, its pop culture, and the people who lived it.
Director
Carol Morley returns to Manchester, where in the early 1980s, five years of her life were lost in an alcoholic blur. The Alcohol Years is a poetic retrieval of that time, in which rediscovered friends and acquaintances recount tales of her drunken and promiscuous behavior. In Morley’s search for her lost self, conflicting memories and viewpoints weave in and out, revealing a portrait of the city, its pop culture, and the people who lived it.
Producer
Short documentary celebrating the achievements and passion of the women who were ferry pilots during World War II. They transported all types of aircraft, often in hazardous conditions, for Britain’s Air Transport Auxiliary (ATA).
Writer
Set in England in 1977, The Week Elvis Died is an evocative and bittersweet look at life from a child's point of view. Karen (Jennifer Williams) aged 10 is bullied at school by Julie and her gang. Her dysfunctional family can't help her and she doesn't confide in them. All she has for comfort are her descant recorder, her pet rabbit Elvis and her adoration of top disc jockey Tony Blackburn.
Director
Set in England in 1977, The Week Elvis Died is an evocative and bittersweet look at life from a child's point of view. Karen (Jennifer Williams) aged 10 is bullied at school by Julie and her gang. Her dysfunctional family can't help her and she doesn't confide in them. All she has for comfort are her descant recorder, her pet rabbit Elvis and her adoration of top disc jockey Tony Blackburn.
Writer
In January 1970 the actor Sir Alec Guinness wrote a letter to The Times complaining about the lack of attention shop assistants gave to customers. The letter was printed under the heading ‘I’m Not Here’. Using that story as its inspiration, this film about shop assistants and boredom wittily combines extracts from a Harrods' training video and original footage from 'Miss London Stores 1970'.
Director
In January 1970 the actor Sir Alec Guinness wrote a letter to The Times complaining about the lack of attention shop assistants gave to customers. The letter was printed under the heading ‘I’m Not Here’. Using that story as its inspiration, this film about shop assistants and boredom wittily combines extracts from a Harrods' training video and original footage from 'Miss London Stores 1970'.
Writer
Carol Morley's debut short uses the iconography of the genre of melodrama – the staircase, the father – to explore the story of a girl's relationship with her father, and the impossibility of recreating a time, a place, and a memory. Cross-cutting between the girl protagonist and her father, the film creates a sense of crisis and conflict. As the girl invests her feelings in her surroundings and describes events connected to her father, we are drawn into a world of pain and pathos. Morley's first directorial credit was her graduation film from Central St. Martin's School of Art.
Director
Carol Morley's debut short uses the iconography of the genre of melodrama – the staircase, the father – to explore the story of a girl's relationship with her father, and the impossibility of recreating a time, a place, and a memory. Cross-cutting between the girl protagonist and her father, the film creates a sense of crisis and conflict. As the girl invests her feelings in her surroundings and describes events connected to her father, we are drawn into a world of pain and pathos. Morley's first directorial credit was her graduation film from Central St. Martin's School of Art.
Writer
Carol Morley's 16mm documentary short is set in a fast food restaurant where a selection of twenty-somethings talk about their troubles. One of two shorts Morley directed as her graduation films from Central St. Martin's School of Art (the other being Girl).
Director
Carol Morley's 16mm documentary short is set in a fast food restaurant where a selection of twenty-somethings talk about their troubles. One of two shorts Morley directed as her graduation films from Central St. Martin's School of Art (the other being Girl).
