Pehchaan: The Face of Truth (2005)
Género : Drama
Tiempo de ejecución : 2H 33M
Director : Shrabani Deodhar
Sinopsis
Swati Azad and Mridula are two inseparable friends in college. After successfully completing their college, they get married to Ajay Lal and Milind Khanna respectively. Four years later, Prasad Saxena, another former collegian meets with a pregnant Mridula and informs her that Swati has committed suicide as she had lost her sanity. However, he suspects that she was actually killed by the Lal family. Mridula gets hold of Swati’s diary, reads it, and concludes that the Lal family did kill Swati. She has the case reopened, files various documents in Court, and has the Lals, Ajay and his dad, Hasmukh, charged under section 302 and 34 of the Indian Penal Code. It is here that Mridula will find out that she has opened up a virtual Pandora’s box, for the lawyer representing the Lals is none other than Deepak Khanna, her father-in-law. When Milind finds out he accuses Mridula of trying to disrupt the Khanna family life and tells her that she is losing her sanity.
El amor entre dos jóvenes se vera truncado,pero tendrán una segunda oportunidad en otra vida paralela.
A young orphan boy working as a tank cleaner is trapped in a water tank by someone. He struggles for his life for four days in this tank full of water.
Una disputa entre hermanos que se extiende a través de dos generations. Esta es la primera parte de un drama contado en dos partes. La primera parte muestra los hermanos Baahubali y Bhallaladeva luchando por el trono del reino Mahishmathi.
Sanjay Singhania, un rico hombre de negocios, dueño de una compañía de teléfonos móviles llamada Air Voice, es herido en la cabeza con una vara de metal. Sanjay sobrevive al golpe, pero adquiere una extraña amnesia debido al trauma de su lesión cerebral. En un momento dado, él no recuerda nada de lo que pasó más de 15 minutos hacia atrás, aunque con frecuencia tiene flashbacks del asesinato de Kalpana, una joven de la que estuvo enamorado. Ahora Sanjay decidirá vengarse, junto con una estudiante universitaria de medicina Sunita. Remake de Bollywood de la película del mismo nombre dirigida por el propio director en 2005, en idioma tamil. Al igual que aquella, se inspira en "Memento", la película de culto dirigida por Christopher Nolan.
Sameer, fast at losing his temper is re-located to Goa where he falls in love with Rani. But Sameer's new roommate Sunny, has some plans of his own.
Un sultán tiránico y su ejército atacan un próspero reino para tratar de capturar a la bella reina Padmavati. Su marido, Maharawal Ratan Singh, reúne a sus valientes fuerzas para defender su tierra y el honor de su amada mujer.
Badrinath is looking for a typical bride; Vaidehi is looking for an independent life. Together they must break with tradition and redefine their role
Keshav y Jaya son de dos pueblos donde escasean los aseos. El primer día de su matrimonio surge el conflicto cuando Jaya deja a Keshav tras descubrir que no hay baño en su casa. Keshav intentará recuperarla luchando contra las tradiciones y los valores tradicionales de su país.
Sidharth (Aamir Khan), is a Mumbai 'Tapori' and a boxing champion. His elder brother, Jai (Rajat Kapoor) works with Raunak Singh (Sharad Saxena), who now rules their "Basti" through terrorising its people and collecting 'Hafta' from local merchants. Sidharth idolized his father, a freedom fighter, whom he saw falling to his death as a child. This effects Sidharth through his adult life. Sidharth meets a young girl, Alisha (Ranee Mukherjee), who rides with a motorcycle gang and Charlie (Deepak Tijori), the gang leader. Sidharth also meets Hari, whose idealism reminds him of his father. Hari's social work in the community possess a threat to Raunak Singh's evil empire. What happens to Hari changes Sidharth's life forever. How Sidharth breaks Raunak Singh's chains of 'Ghulami' around the community forms the crux of the story. Featuring the superhit song "Aati Kya Khandala" sung by Aamir Khan.
Lucknow based Mithilesh Shukla, is a regular, nondescript sort of a guy, who has washed his hands off marriage, until his nagging mom and her concerned brother get him to see Veena as a prospective bride. Veena is beautiful, cultured, educated and pretty much everything Mithilesh wants. She is also leggy, a good 6" taller than our hero. This doesn't concern him too much, until he overhears people talk and laugh at his relative lack of stature/looks. Everyday situations, such as driving a scooter, with a tall wife towering from the back-seat, or a fawning doodh-wala (milk-man) delivering milk, become a nagging headache for the insecure Mithilesh. More problems crop up when Veena's good college friend, the TALL, worldly, smart Akash moves into the flat next door, and jealousy consumes Mithilesh, leading him into a quagmire of problems, which threaten to rip apart his life.
The gritty life of the Mumbai underworld, including prostitution, dance bars and gun crime.
Dos adolescentes talentosos de una zona difícil de Bombay deben enfrentar los prejuicios y el odio para seguir sus sueños de la mano de un excéntrico maestro de ballet.
Secuela de la exitosa comedia romántica de Bollywood de 2009.
Suraj Singh is a wrestler by profession and has the misfortune of falling in love with wealthy Yashpaul Chaudhary's daughter Komal. When Yashpaul learns of there relationship he arrogantly disagrees of his daughter's choice but Komal refuses to accept her dad's word and gets married to Suraj without the blessings of Yashpaul. Aggravated by his daughter's act Yashpaul connote some negative scenes which spoil Suraj's character in the eyes of Komal resulting in the couple's separation. Before separation, Komal has given birth to a baby boy, which Yashpaul had wanted to kill but Suraj escapes with the child and single-handily brings him up in a poor environment. Years later Komal will return and demand that her child is handed over to her even if having to appeal to the judicial system.
Inpired from the movie "Liar Liar", this movie is about a lawyer (Govinda) who lies his way through marriage and career. His wife (Sushmita Sen) falls in love with him because of his honesty and when she finds out of his dishonesty she threatens to divorce him. Their son, to avoid the divorce, wishes on a shooting star that his father should lose the ability to lie. What happens after that is an enjoyable journey.
Drama histórico que narra la historia de Bajirao I, uno de los más importantes Peshwas que tuvo el imperio de la India y del amor pasional que tuvo con Mastani, su segunda esposa. El filme narra su ascenso al poder, el amor con Mastani y cada lucha que tuvo que tener a lo largo de su vida. El poderoso guerrero, durante su mandato como primer ministro, derrotó a los ejércitos del Nizam y a los de Mongolia, instaló el poder maratha en la India e hizo que tomara el control del imperio Malwa, el Gujarat, se asoció con los clanes Rajput Sindhia, Holkar y Gaekwar. Bajirao luchó en más de 41 batallas importantes y tuvo la fama de no haber sido vencido jamás. Considerado un guerrero excepcional, murió en 1740 dejando un lugar importante en la historia.
Firaaq is an Urdu word that means both separation and quest. The film is a work of fiction, based on a thousand stories. The story is set over a 24-hour period, one month after a campaign that took place in Gujarat, India, in 2002. It traces the emotional journey of ordinary people- some who were victims, some perpetrators and some who choose to watch silently.
The film is about three close friends, each one having a different perspective about marriage. Govinda plays a divorce lawyer in the film who doesn't believe in marriage and is a Casanova of sorts. Khan plays a character for whom being in love matters most and D'Souza plays his love interest. Kapoor plays a Gujarati who believes in the system of arranged marriage and Desai plays his Gujarati wife.
On the eve of Nikhil and Karishma’s engagement, Karishma’s wealthy father, Devesh Solanki, expresses his disapproval, believing Nikhil to be a lackadaisical young man. With one week to prove himself worthy to marry Karishma, Nikhil and Karishma's sister, Meeta, grow closer to each other.
Eight year-old Hamid learns that 786 is God's number and decides to try and reach out to God, by dialing this number. He wants to talk to his father, who his mother tells him has gone to Allah. One fine day the phone call is answered.
