Pehchaan: The Face of Truth (2005)
Gênero : Drama
Runtime : 2H 33M
Director : Shrabani Deodhar
Sinopse
Swati Azad and Mridula are two inseparable friends in college. After successfully completing their college, they get married to Ajay Lal and Milind Khanna respectively. Four years later, Prasad Saxena, another former collegian meets with a pregnant Mridula and informs her that Swati has committed suicide as she had lost her sanity. However, he suspects that she was actually killed by the Lal family. Mridula gets hold of Swati’s diary, reads it, and concludes that the Lal family did kill Swati. She has the case reopened, files various documents in Court, and has the Lals, Ajay and his dad, Hasmukh, charged under section 302 and 34 of the Indian Penal Code. It is here that Mridula will find out that she has opened up a virtual Pandora’s box, for the lawyer representing the Lals is none other than Deepak Khanna, her father-in-law. When Milind finds out he accuses Mridula of trying to disrupt the Khanna family life and tells her that she is losing her sanity.
Shivudu, o filho de Bahubali, está cada vez mais perto de conhecer sua verdadeira herança e encarar de vez suas novas responsabilidades. Querendo respostas para questões que fogem de seu conhecimento, como o real motivo por trás da morte de seu pai, ele encontrará uma barreira para os seus planos devido aos fatos de seu próprio passado.
A young orphan boy working as a tank cleaner is trapped in a water tank by someone. He struggles for his life for four days in this tank full of water.
O rei de Mahishmati, Amarendra Baahubali e sua esposa Devasena gorvenaram o reino onde as pessoas estavam vivendo em paz e prosperidade, até que um cruel ministro se junta com o rei Bhallaladeva e captura o reino, matando Baahubali em uma grande guerra. Para evitar ameaças, Bhallaladeva manda matar Devasena e seu filho, que conseguem fugir. Agora, o filho de Baahubali, Shivudu, que é secretamente criado pela mãe de Bhallaladeva, volta para o resgate do reino de seus pais.
A man suffering from anterograde amnesia as a result of a violent attack in the past sets out to avenge his girlfriend's death with the aid of photographs, notes and tattoos all over his body.
Samir precisa enfrentar previsões astrológicas nada favoráveis, seus destemperos e um rival determinado a conquistar o coração de Rani, o amor de sua vida.
Na era medieval em Rajasthan, situado no Norte da Índia, a rainha Rani Padmavati é casada com um nobre rei Maharawal Ratan Singh e vive em uma próspera fortaleza com seus súditos. Alauddin Khilji, um ambicioso sultão, descobre a beleza de Padmavati e desenvolve um amor obsessivo pela Rainha de Mewar.
Badrinath is looking for a typical bride; Vaidehi is looking for an independent life. Together they must break with tradition and redefine their role
Uma mulher recém-casada pede divórcio porque sua nova casa não tem vaso sanitário. Desesperado, o marido tenta convencer os vizinhos a instalarem o aparato no vilarejo.
Sidharth (Aamir Khan), is a Mumbai 'Tapori' and a boxing champion. His elder brother, Jai (Rajat Kapoor) works with Raunak Singh (Sharad Saxena), who now rules their "Basti" through terrorising its people and collecting 'Hafta' from local merchants. Sidharth idolized his father, a freedom fighter, whom he saw falling to his death as a child. This effects Sidharth through his adult life. Sidharth meets a young girl, Alisha (Ranee Mukherjee), who rides with a motorcycle gang and Charlie (Deepak Tijori), the gang leader. Sidharth also meets Hari, whose idealism reminds him of his father. Hari's social work in the community possess a threat to Raunak Singh's evil empire. What happens to Hari changes Sidharth's life forever. How Sidharth breaks Raunak Singh's chains of 'Ghulami' around the community forms the crux of the story. Featuring the superhit song "Aati Kya Khandala" sung by Aamir Khan.
Lucknow based Mithilesh Shukla, is a regular, nondescript sort of a guy, who has washed his hands off marriage, until his nagging mom and her concerned brother get him to see Veena as a prospective bride. Veena is beautiful, cultured, educated and pretty much everything Mithilesh wants. She is also leggy, a good 6" taller than our hero. This doesn't concern him too much, until he overhears people talk and laugh at his relative lack of stature/looks. Everyday situations, such as driving a scooter, with a tall wife towering from the back-seat, or a fawning doodh-wala (milk-man) delivering milk, become a nagging headache for the insecure Mithilesh. More problems crop up when Veena's good college friend, the TALL, worldly, smart Akash moves into the flat next door, and jealousy consumes Mithilesh, leading him into a quagmire of problems, which threaten to rip apart his life.
Uma jovem órfã forçada a trabalhar como dançarina em um bar de Mumbai se pergunta se os musicais e os finais felizes de Bollywood realmente existem.
Descobertos por um excêntrico professor de balé, dois jovens de Mumbai encaram a intolerância e o julgamento da sociedade ao perseguirem seus sonhos.
Ambições da vida profissional interrompem uma história de amor, mas um relato do passado pode oferecer uma lição importante.
Suraj Singh is a wrestler by profession and has the misfortune of falling in love with wealthy Yashpaul Chaudhary's daughter Komal. When Yashpaul learns of there relationship he arrogantly disagrees of his daughter's choice but Komal refuses to accept her dad's word and gets married to Suraj without the blessings of Yashpaul. Aggravated by his daughter's act Yashpaul connote some negative scenes which spoil Suraj's character in the eyes of Komal resulting in the couple's separation. Before separation, Komal has given birth to a baby boy, which Yashpaul had wanted to kill but Suraj escapes with the child and single-handily brings him up in a poor environment. Years later Komal will return and demand that her child is handed over to her even if having to appeal to the judicial system.
Inpired from the movie "Liar Liar", this movie is about a lawyer (Govinda) who lies his way through marriage and career. His wife (Sushmita Sen) falls in love with him because of his honesty and when she finds out of his dishonesty she threatens to divorce him. Their son, to avoid the divorce, wishes on a shooting star that his father should lose the ability to lie. What happens after that is an enjoyable journey.
Trata-se de uma história de amor passada em uma época de guerras, desbravações e conquistas no século XVIII. Este épico tem como protagonista o primeiro-ministro do imperador, chamado Bajirao. Um grande guerreiro de espadas flexíveis que expandiu o imperio Maratha entre 1720 e 1740. Além de mostrar sua atuação como líder de seu exército, o filme foca, principalmente, em seu romance com sua segunda esposa, a muçulmana Mastani, filha do rei de Bundelkhand. O problema é que Bajirao já é casado com uma bela hindu, Kashi.
Firaaq is an Urdu word that means both separation and quest. The film is a work of fiction, based on a thousand stories. The story is set over a 24-hour period, one month after a campaign that took place in Gujarat, India, in 2002. It traces the emotional journey of ordinary people- some who were victims, some perpetrators and some who choose to watch silently.
The film is about three close friends, each one having a different perspective about marriage. Govinda plays a divorce lawyer in the film who doesn't believe in marriage and is a Casanova of sorts. Khan plays a character for whom being in love matters most and D'Souza plays his love interest. Kapoor plays a Gujarati who believes in the system of arranged marriage and Desai plays his Gujarati wife.
Hasee Toh Phasee é uma comédia romântica sobre o amadurecimento de duas pessoas em relação ao amor, suas famílias e o ambiente em que se encontram. É a história de suas jornadas e o modo como eles se encontram nesse mundo.
Eight year-old Hamid learns that 786 is God's number and decides to try and reach out to God, by dialing this number. He wants to talk to his father, who his mother tells him has gone to Allah. One fine day the phone call is answered.
