Un viol (2009)

This video takes an analytical and humorous stab at the plethora of “pro-feminist” advertising that followed the emergence of the “new woman” and the increasing presence of women in the workforce during the 1990s. Conventional television genres are appropriated to show how the language and sentiments of feminism have been exploited by the advertising of an industry which cares little for the rights of its own female workers.

Intrigued and inspired by an unexpected encounter with an older neighbour, Leila spends her last days in the suburbs exploring her identity through nude photography. As she faces her transition to adulthood, Leila is confronted with her changing relationship to her best friend Cassy.

How do feminist and queer identities operate in contemporary Belfast? Let Us Be Seen is a documentary film that presents the work and ideas of individuals on the ground in Belfast, who have campaigned tirelessly for change and continue to do so. On 21st October 2019, abortion was decriminalised and same-sex marriage legalised in Northern Ireland. This important law change however has shed light on more nuanced barriers facing people locally.

En la comunidad nahua de Hueyapan, Puebla, coexisten los relatos de una generación de mujeres que han desafiado los límites sociales; a través de sus bordados, la rebeldía y el amor propio, se unen para transformarse a sí mismas y cambiar el rumbo de su historia. Aquí se narra sensiblemente la historia de un grupo de mujeres, indígenas nahuas, quienes han ejercido el oficio del bordado durante generaciones. Unidas hacen frente a las costumbres que les impedían cambiar su historia y expresarse por medio de su oficio.

Mientras tanto, en Tromaville, tres mujeres luchan contra todos los hombres misóginos que encuentran.

A group of prostitutes in Rio de Janeiro who fight to obtain rights and reduce stigma, create a clothing label that quickly invades Brazilian fashion shows. Poster photo by Daniela Pinheiro.

Dorothy, una directora de cine no muy exitosa, se divierte mucho escribiendo su propio guion. Pero, cuando su productora le llama, a Dorothy se le quitan las ganas de reír: ¡Ya es hora de dejar las comedias queer y escribir películas universales! Para no hundirse en la más profunda de las angustias, Dorothy busca consuelo en su serie preferida: Romy contra los vampiros. Pero, por desgracia, parece que sus fantasmas han decidido visitarla esa noche.

As the U.S. planned to withdraw troops from Afghanistan in September 2021, Canadian-Afghan filmmaker and journalist Brishkay Ahmed was filming IN THE RUMBLING BELLY OF MOTHERLAND. Revealing the ongoing dangers for women reporters, and the extraordinary risks they take, this brave film provides an in-depth look into Zan TV, Kabul’s female-led news agency. A professional journalist herself, Ahmed documents both the harrowing and inspiring work of young, female journalists over the course of the two-year lead up to the Taliban takeover of Afghanistan. Following parallel news stories as they unfold – two sets of national elections as well as ongoing U.S.-Taliban peace talks – the film reveals the daily hurdles Afghan female reporters and media staff face, underscoring the existential current events that threaten both Zan TV as a media outlet and the livelihoods of the women at its heart.

Es un documental DIY feminista que pretende mirar desde esta perspectiva la escena punk y hardcore del estado español. A lo largo del documental se recopilan las voces y testimonios de mujeres y otras identidades de género no hegemónicas que, a través de sus vivencias visibilizan empoderamientos y subversiones, pero también violencias y discriminaciones, a la par que conectan estos estilos musicales y prácticas contraculturales con los feminismos.

México es uno de los países más peligrosos para ejercer el periodismo, han sido asesinados y asesinadas 131 periodistas desde el 2000. En este contexto, las mujeres periodistas enfrentan un doble desafío: en primer lugar, trabajar en un país con un alto grado de hostilidad hacia su gremio y, en segundo lugar, su condición y situación de género en un feminicida.

A portrait of the leading female Bolshevik (and later Worker’s Opposition) revolutionary leader Alexandra Kollontai using her own words.

Documentary about the role of women in rural northern Swedish society.

Almost a year after her murder, people close to Nadia Verónica Rodríguez, evoked memories that arise from the intimate dialogue. Thoughts about nostalgia, friendship, and the memories they had with her.

"Las que faltaban". Documental grabado de forma amateur durante la gira de Mafalda "La última vez que te escucho" por las integrantes de Mafalda. ¿Alguna vez os habéis preguntado por qué no hay mujeres en los escenarios? ¿Por qué sus espacios suelen estar relegados a ciertos roles? Nos lanzamos a la carretera para averiguar qué opinaban sobre esto las mujeres de nuestro panorama musical. "Las que faltaban" es una mirada desde dentro del panorama sobre las vivencias y experiencias de las mujeres que lo habitan. Un relato colectivo de lo que es ser mujer en el ámbito musical. Roles, discriminaciones, referentes, sororidad, feminismo, lucha... de esto y más nos hablan las entrevistadas. Hemos trabajado en esto durante más de 9 meses y este es el resultado. Esperamos que si lo disfrutáis, lo difundáis y le llegue a muchísima gente. GRACIAS! Juntas somos más fuertes.

An eastern and Feminine reinterpretation of the 7days of creation through tattoo, a primeval art itself.

Shih-Yen is upset about Ko-Ching prioritizing her career over their marriage and even getting an abortion without his knowledge. To express discontent, Shih-Yen moves in with his mistress. Despite feeling overwhelmed by her messy personal life, Ko-Ching manages to lead her company and delivers a successful fashion show. The film reflects on career women’s struggles between family and work, it also describes the gender role stereotypes in a marriage. Although the film demonstrates clearly women’s difficult role in society, it still chooses to show the possibility of women being independent, capable and charming to refute the status quo of patriarchy.

Of Maine’s more than 5000 commercial lobstermen only 4% are female. The Captain celebrates that fearless minority through the lens of Sadie Samuels. At 27 years old, she is the youngest and only female lobster boat captain in the Rockport, Maine harbor. Despite the long hours and manual labor of hauling traps, Samuels is in love — obsessed even — with what she calls the most beautiful, magical place on the planet. Her love for lobster fishing was imparted early in her childhood by her dad Matt, who has been her mentor and inspiration since she was a little girl in yellow fishing boots.