Un viol (2009)

This video takes an analytical and humorous stab at the plethora of “pro-feminist” advertising that followed the emergence of the “new woman” and the increasing presence of women in the workforce during the 1990s. Conventional television genres are appropriated to show how the language and sentiments of feminism have been exploited by the advertising of an industry which cares little for the rights of its own female workers.

Intrigued and inspired by an unexpected encounter with an older neighbour, Leila spends her last days in the suburbs exploring her identity through nude photography. As she faces her transition to adulthood, Leila is confronted with her changing relationship to her best friend Cassy.

How do feminist and queer identities operate in contemporary Belfast? Let Us Be Seen is a documentary film that presents the work and ideas of individuals on the ground in Belfast, who have campaigned tirelessly for change and continue to do so. On 21st October 2019, abortion was decriminalised and same-sex marriage legalised in Northern Ireland. This important law change however has shed light on more nuanced barriers facing people locally.

In Tromaville, three women warriors find themselves on the run and kicking in the teeth of every misogynist that dares to cross their path.

A group of prostitutes in Rio de Janeiro who fight to obtain rights and reduce stigma, create a clothing label that quickly invades Brazilian fashion shows. Poster photo by Daniela Pinheiro.

Дороти, режиссер-неудачник, посмеиваясь пишет свой сценарий. Но после телефонного звонка от ее продюсера ей становится не до смеха: пора заканчивать со странными комедиями и начинать снимать фильмы, понятные всем! Чтобы успокоиться, Дороти начинает смотреть свой любимый сериал «Роми – истребительница вампиров». К сожалению, демоны решили навестить ее сегодня ночью...

As the U.S. planned to withdraw troops from Afghanistan in September 2021, Canadian-Afghan filmmaker and journalist Brishkay Ahmed was filming IN THE RUMBLING BELLY OF MOTHERLAND. Revealing the ongoing dangers for women reporters, and the extraordinary risks they take, this brave film provides an in-depth look into Zan TV, Kabul’s female-led news agency. A professional journalist herself, Ahmed documents both the harrowing and inspiring work of young, female journalists over the course of the two-year lead up to the Taliban takeover of Afghanistan. Following parallel news stories as they unfold – two sets of national elections as well as ongoing U.S.-Taliban peace talks – the film reveals the daily hurdles Afghan female reporters and media staff face, underscoring the existential current events that threaten both Zan TV as a media outlet and the livelihoods of the women at its heart.

"Nobody told us that they would kill us, but neither did they tell them they would not silence us". Women journalists from several parts of Mexico who cover the beat of hard news, reveal the challenges they face when doing their work with various actors: their sources, law enforcement officers, drug trafficking and the state. Mexico is one of the most dangerous countries in which to practice journalism. Several reporters have been assassinated since 2000. Within this context, female journalists face a double challenge: firstly, to work in a country with a high level of anti-press, violence, and, secondly, the state and situation of their gender in a country riddled with femicide.

A portrait of the leading female Bolshevik (and later Worker’s Opposition) revolutionary leader Alexandra Kollontai using her own words.

Documentary about the role of women in rural northern Swedish society.

Almost a year after her murder, people close to Nadia Verónica Rodríguez, evoked memories that arise from the intimate dialogue. Thoughts about nostalgia, friendship, and the memories they had with her.

An eastern and Feminine reinterpretation of the 7days of creation through tattoo, a primeval art itself.

Shih-Yen is upset about Ko-Ching prioritizing her career over their marriage and even getting an abortion without his knowledge. To express discontent, Shih-Yen moves in with his mistress. Despite feeling overwhelmed by her messy personal life, Ko-Ching manages to lead her company and delivers a successful fashion show. The film reflects on career women’s struggles between family and work, it also describes the gender role stereotypes in a marriage. Although the film demonstrates clearly women’s difficult role in society, it still chooses to show the possibility of women being independent, capable and charming to refute the status quo of patriarchy.

Of Maine’s more than 5000 commercial lobstermen only 4% are female. The Captain celebrates that fearless minority through the lens of Sadie Samuels. At 27 years old, she is the youngest and only female lobster boat captain in the Rockport, Maine harbor. Despite the long hours and manual labor of hauling traps, Samuels is in love — obsessed even — with what she calls the most beautiful, magical place on the planet. Her love for lobster fishing was imparted early in her childhood by her dad Matt, who has been her mentor and inspiration since she was a little girl in yellow fishing boots.