A Boy (1977)
Género : Historia, Familia, Drama
Tiempo de ejecución : 1H 25M
Director : Aivars Freimanis
Sinopsis
Latvia, late 19th century. Farm-hand boy Jancis lives on a homestead with his mother, grandfather and grandmother. His world does not reach beyond the horizon, and life progresses according to the seasonal cycle – from winter through spring, summer and autumn to the next St. George's Day when farmhands often had to move to the next farm.
En su lecho de muerte, el rey reinante otorga poder a un inesperado heredero que debe encontrar fuerza dentro de sí mismo para unir a su pueblo contra las cruzadas violentas que amenazan su libertad.
La historia de amor de Arturs, de dieciséis años, se ve interrumpida por la Primera Guerra Mundial. Después de perder a su madre y su hogar, encuentra cierto consuelo al unirse al ejército, porque esta es la primera vez que se permiten batallones nacionales en el Imperio Ruso. Pero la guerra no se parece en nada a lo que Arturs imaginó: no hay gloria, no hay justicia. Es brutal y doloroso. Arturs está ahora completamente solo mientras la guerra acaba con la vida de su padre y su hermano. Además, no se avanza en la pronta resolución prometida de la guerra y el regreso oportuno a casa. Con la idea de que solo él se preocupa por regresar a casa y que su tierra natal es solo un patio de recreo para otras naciones, Arturs encuentra la fuerza para la batalla final y finalmente regresa a casa para comenzar todo desde cero, al igual que su país recién nacido.
Cezars Kalnins, portrayed by "Latvian Harrison Ford” Uldis Pucitis, installs telephones by day and composes pop songs by night. The puritan Soviet censorship deems Cezars’s lyrics "unsuitable and frivolous” and "unfit for the Soviet youth”. In fact, it can be argued that this assessment matches the opinion of the Soviet cinema authorities in regard to this film as a whole, since "Four White Shirts” was immediately banned and released in cinemas only in 1986. The creative boldness and stubbornness, evident in both Cezars’s bitingly ironic verses and the film’s unconventional narrative structure and fresh, new-wave-inspired mode of expression, turned out to be equally problematic for the hero and for the film itself, as well as for its director whose representation of the actual mechanisms of Soviet censorship ended up too realistic for his own good.
Ilze Burkovska, una niña obsesionada con las historias de la Segunda Guerra Mundial y que será cineasta en un futuro lejano, vive en Letonia bajo la bota totalitaria de los soviéticos y la ominosa sombra de las muchas amenazas y horrores de la Guerra Fría.
Para no perder su hogar, Raya, de 17 años, y su hermano pequeño, ocultan la muerte de su abuela. Raya trata todos los trucos posibles para hacer parecer que está viva, mientras al mismo tiempo se permite alimentar sus sentimientos hacia su profesor de inglés. Pero a pesar de todos los esfuerzos realizados, la situación se va de sus manos. Raya espera la ayuda de su madre en la lejana Londres.
One of the iconic Latvian movies. Based on Astrid Lindgren's book 'Emil of Lönneberga'. A story of a little boy, Emil, who, according to others is incredibly naughty, but actually Emil is a lot more kind hearted than all the rest. And everything he does is to help someone. But somehow it all the time turns out like a prank. His family won't agree with any pranks on themselves, so there goes Emil in his father's tool shed, where he's locked up for every prank. Includes the phrase - 'the main idea is to keep your feet warm', which has been adapted in Latvian culture, so it's already a saying.
A business executive lays off hundreds of harbor workers after they go on strike. He and his wife plan to escape the stress by taking an Italian vacation. On the evening before the trip, one of the fired workers, dressed in an orange harbor worker safety jacket, slips into their home. Although his immediate actions reveal a murderous intent, revenge is only the initial step.
Geneva, Switzerland 1935. The first European Basketball Championship is about to take place. Basketball is still an unknown sport in Europe, and the national teams are meeting for the first time. Each wants the honour of being the first champion. Meanwhile in Latvia, coach Baumanis is convinced that he can assemble a team and take it to Geneva. He quickly learns however, that triumph and defeat are also part of the game. Coach Baumanis faces many difficulties, as well as unexpected help from those closest to him.
The code to unlocking this feature documentary is 1949, the year the director was born, and also the year of the return of Soviet repressions to Latvia. The film tells a very personal story against the background of less visited historic events – the death of director’s father due to the KGB repressions, which is closely linked to the devious game Soviet Latvia’s KGB played against Swedish-British-American spy agencies.
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A feature shot as a documentary, with minimal interference in the surrounding action. The resulting film is a truthful and innocent portrayal of the era with no imitations or conscious borrowings but with its own avant-garde experiments.
Imants Veide is writing a script about con artists and their schemes. Together with his friend Harijs Kuharjonoks he's trying them out for real for greater authenticity, but gets too entangled in real criminal schemes. More and more colorful characters appear on the horizon, but Imant's main adversary on the road to criminal excellency is his Neighbour, a true iron lady with balls bigger than all those involved combined.
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This film is a story about that time in the Baltics, Latvia, and Riga. Young rebels of 1960s – nonconformists, hippies and beatniks – have turned into a generation of well-known writers, poets, musicians, directors, as well as politicians of the new independent Latvia. The ones who were 18, 20, or 25 in 1960s are half a century older today. The protagonists of the film are united by the bohemian gathering place of their youth, a small nameless cafe in the Old Town of Riga, commonly referred to as “Kaza” (The Goat). This place is surrounded by legends, myths and humorous stories.
Documentary about the ancient rites still practiced in rural Latvia.
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In this film, set in Latvia in the late 19th century, Edgars, the coachman of Alaine Manor, loves Kristine, the washerwoman's daughter, although he is too hot-headed for Kristine's mother to consider him a good suitor for his daughter. The servant Viskrelis and stable boy Sutka try to tempt Edgars to a life of drinking and a relationship with the barmaid Matilde. Meanwhile, Kristine is courted by the rich land owner, Akmentins.
A group of men go under-ice fishing, but find themselves trapped on a piece of ice, that has broken off. As they are drifting through the sea, the tension between them rises.