Dāvis Sīmanis

Four Latvian legionnaires are sentenced to death for deserting the German army. A Latvian girl heads to the German headquarters to try to free her beloved. In the few hours remaining before the execution a love triangle plays out between the girl, a German officer and the prisoner.

A portrait of prominent opera singer - bass-baritone Egils Silins. For 4 years, the crew followed the singer through the greatest European opera houses. The film reveals behind the scenes and perfor-mances of Richard Wagner’s The Flying Dutchman, Giacomo Puccini’s Tosca at the Latvian National Opera, Wagner’s The Valkyrie at the Zurich Opera, Georges Bizet’s Carmen at the Vienna Opera, and Wagner’s Parsifal at the Munich Opera.

The fading romance of the era of train travel is portrayed in the faces of railway workers, at lonely stations where trains no longer stop, on empty tracks where trains no longer run.

Actress Indra Burkovska tells the story of her father Aleksandrs and his large family, and life on the farm through the 20th century when the farmer was both a master and a slave to his land. Aleksandrs presents a gift to the Ethnographic Open Air Museum that was his life’s dream – a threshing machine Imanta.

The characters of the movie are closely twisted. Each of the heroes is a slave to their own passions. Only through strong will and some happy event they will be able to free themselves from their addictions.

An artist. A painter. The enfant terrible of the old Soviet and now post-communist 'petit bourgeois' society. A mother of three, no husband, and every child from a different father. The children's ages range from 4 to 20 years. The artist herself is 43 at this time. A happy and free person at all times under any regime. A young, beautiful, photogenic being. Temperamental, garrulous and witty.

An omnibus film consisting of ten parts, each directed by a different young director from the Latvian Academy of Culture. The unifying element of the ten shorts is the place where they take place - the airport. A lot can happen there - including a strike by a comet, a malicious attempt to break havoc by passengers, or an exploration of the old airport guard's house where not a lot has changed since the collapse of the Soviet Union. The film consists of the following parts: A Mishap (Nediena) by Arta Biseniece, Blurp (Šļurp) by Aija Bley, Alien Sky (Svešās debesis) by Viesturs Kairišs, 5 Versions (5 versijas) by Dzintars Krūmiņš, Comet (Komēta) by Māra Liniņa, Cleptomania (Kleptomānija) by Andis Mizišs, Alfredo's Poetry (Alfredo dzeja) by Igors Varenieks, Little Hand (Mazā roka) by Ilze Vidauska, Comet 2 (Komēta 2) by Anna Viduleja, and Life No. 2 (Dzīve nr.2) by Kristīne Želve.

The film’s protagonists Ieva and Apollon are former workers of a collective farm. Once they loved each other passionately. Yet it was in "another" life, the time of kolkholzs. The attempt to revive that love ends up in a tragedy. However the story goes on. The events around their burial are so intriguing that mass media raise them to the level of the United Nations.

Ziemmassvetku Jampadracis tells the story of the Cirulisi, a tight-knit family down on their luck, and their trials and tribulations during the Christmas season.

A miller's son, Johannes, falls in love with the daughter of a wealthy landowner, Victoria. The novel follows them through adolescence, as Johannes struggles with the social hierarchy and becomes a successful author, and Victoria is forced into marrying Otto, a lieutenant, to save the troubled family economy.

The 1980s. Kārlis did his military service in Afghanistan and is now confined to a wheelchair. Before he left, he had fallen in love with the teacher Judīte, but she has now married a rich man...and poses nude for Kārlis' neighbour, the cynical photographer Rūdofs. Soon Rūdolfs is found dead, and Kārlis admits to having murdered him. But investigator Konrāds suspects that Kārlis is incriminating himself.

A man sees his picture on a 'Most Wanted' board and after going to police he meets someone who looks suspiciously similar to him.

A young girl is looking for her long lost father while visiting Riga during winter vacations.

One of the iconic Latvian movies. Based on Astrid Lindgren's book 'Emil of Lönneberga'. A story of a little boy, Emil, who, according to others is incredibly naughty, but actually Emil is a lot more kind hearted than all the rest. And everything he does is to help someone. But somehow it all the time turns out like a prank. His family won't agree with any pranks on themselves, so there goes Emil in his father's tool shed, where he's locked up for every prank. Includes the phrase - 'the main idea is to keep your feet warm', which has been adapted in Latvian culture, so it's already a saying.

Película de aventuras inspirada en las tradiciones, creencias y leyendas populares y folklóricas. En el centro del relato están tres hermanos: Tom, Andr y Mikelis. Desesperados por la crueldad del señor feudal, ellos se esconden en el bosque, emprendiendo la lucha contra sus opresores. Recordando la antigua creencia letona de que un hombre puede convertirse en un brujo, ellos recurren a la astucia. Tom y sus hermanos amansan una manada de lobos que luego ayuda a todos los pobres que habitan en el bosque en su lucha contra los barones locales.

Latvia, late 19th century. Farm-hand boy Jancis lives on a homestead with his mother, grandfather and grandmother. His world does not reach beyond the horizon, and life progresses according to the seasonal cycle – from winter through spring, summer and autumn to the next St. George's Day when farmhands often had to move to the next farm.

With a traditional archery contest, the winner wins a silver arrow with gold lace and gold feathers. Even Robin Hood, although unrecognizable, takes part in this competition. As more and more participants are losing and Robin Hood eventually wins the award, his masquerade reveals. For none of the participants is as handy with a bow and an arrow like Robin Hood. With the help of his coolness and his friends Robin Hood may escape the dangerous situation.

A feature shot as a documentary, with minimal interference in the surrounding action. The resulting film is a truthful and innocent portrayal of the era with no imitations or conscious borrowings but with its own avant-garde experiments.