Night Train to Memphis (1946)

Una joven finlandesa toma un tren hacia Moscú para ir al yacimiento arqueológico de Múrmansk. Tendrá que compartir su compartimento con un desconocido. Esta convivencia y unos encuentros improbables unirán poco a poco a estos dos seres completamente opuestos.

A Joyce Willecombe le inspiran desconfianza dos hombres que viajan con ella en el tren; llama entonces a Calhoun (Holden), el jefe de policía de la Estación Unión. Aunque éste, al principio, se muestra escéptico, todo parece indicar que los sospechosos están implicados en un caso de secuestro, razón por la cual Calhoun pide ayuda al inspector de policía Donnelly, pero los secuestradores son muy escurridizos.

En el café de una estación de trenes, una mujer blanca, un tanto atemorizada, se levanta de su mesa para conseguir cubiertos. Cuando regresa, ve que un hombre negro se está comiendo su ensalada.

Flash Fulton (Bud Abbott) and Weejie McCoy (Lou Costello) take pictures of a bank robbery. Lured to the mountain resort hideout of the robbers and accompanied by Dr. Bill Elliott (Patric Knowles) and Peggy Osborn (Elyse Knox), they also meet old friend Johnny Long (Johnny Long) and his band and singer Marcia Manning (Ginny Simms). Dr. Elliott and Peggy are being held in a remote cabin by the robbers, but Weejie rescues them by turning himself into a human snowball that becomes an avalanche that engulfs the crooks.

Hired by a singer to defend her friend, who has been accused of murder, a formidable lawyer learns that the man he represents may not be innocent.

An American woman tries to break off her relationship with her Italian lover at Rome's Stazione Termini train station. This is Vittorio De Sica's original 89-minute "Terminal Station" which was released first in April 1953 as "Stazione Termini," the Italian title of Cesare Zavattini's story. A year later in May 1954, Columbia Pictures released a different version with the alternative title "Indiscretion of an American Wife" which producer David O. Selznick had re-edited and cut to a shortened 64 minutes, dramatically altering characterization by removing its establishing shots and neorealist touches.

The film explores the destruction of a unique train station in Zurich and the construction of the new prison and police centre in its place. From the perspective of the filmmaker’s window, and with testimony from prisoners awaiting deportation, the film probes how we deal with the extinction of history and its replacement with total security.

A good-natured, albeit a bit pedantic stationmaster works at a railway station in the middle of nowhere. One night, a beautiful high-society woman enters the station to buy a ticket. Waiting for her train, the two talk and eventually grow close. However, the mood quickly changes when the woman's fiancée arrives and tries to prevent her from leaving with increasingly violent means.

A mountain community is thrown into turmoil as the townspeople debate the advantages and disadvantages of having a railroad.

The stationmaster is trying to prevent his station from being closed. The train isn't coming and he has to explain to the waiting trainpassengers why it's late, while other people is trying to get the station for their use; for example the italians, who want to make a pizzeria out of it.

Inaugurated in 1986 by François Mitterrand, a link between the Louvre and Pompidou, Orsay houses the largest collection of Impressionist art in the world. Project after project, the museum has been transformed to modernize and welcome more visitors, while preserving its historic character. Challenges taken up with each new project.

Among the travelers of varied backgrounds that meet and interact on one night at Union Depot, a metropolitan train station, are Chick and his friend Scrap Iron, both newly released from prison after serving time for vagrancy. Hungry and desperate for a break, Chick fortuitously comes across across a valise abandoned by a drunken traveler. In it he finds a shaving kit and a suit of clothes with a bankroll, which help transform the affable tramp into a dashing gent. After buying himself a meal, Chick seeks some female companionship among the many hustlers who walk the station. He propositions Ruth Collins, a stranded, out-of-work showgirl and takes her to the station's hotel.

A young woman's encounter with a mysterious lover. This short film is an extra on the BFI Flipside DVD The Pleasure Girls.

A group of redcaps in a train station perform musical numbers to raise money for a sick member of their group.

A boy and girl, a hot July day, a railway station, an encounter.

In Ecuador, in a single day, the train passes from the mountainous Andes to the tropical coast. The roads were built between 1861 and 1908 to connect the country. Until this date, the two regions live as separate countries, although the roads connect them in less than a day. The film is an observational work that talks about space and collective memory.

James is unlucky in love. He’s stuck in a routine of all work and no play and can’t seem to shake loose from it. The only thing that keeps him going is his daily commute to work, which he shares with the girl of his dreams. The only downside however, is he can’t pluck up the courage to speak to her, and she doesn’t seem to know he exists. With his two work colleagues as his only aid, James finds himself caught up in a never ending cycle of embarrassing and awkward situations as he attempts to win her heart. This is the story of when boy meets girl… But with nerves…

This film is about two outlaws that come head to head. Kamil is the famed outlaw of the town. He plans to skip the town with his lover Nesrin, and get rid of his outlaw ways. Ahmet, on the other hand, is an outlaw whose reputation has spread to the entire country. At the end of his nine-year prison sentence, he is exiled to town for six months. The rumors that spread following the news of Ahmet's arrival aggravate Kamil. Ahmet is looking forward to meeting his mother who he has been yearning to meet for years, and doesn’t complain about what is being done to him. But someone else is doing their best to make the two outlaws fight one another

A young man reminisces on his relationship with a friend while awaiting a midnight train to New York City.