Delhi in a Day (2012)
Género : Comedia, Drama
Tiempo de ejecución : 1H 28M
Director : Prashant Nair
Sinopsis
Jasper has arrived in Delhi to begin a tour of India, where the newness of his surroundings quickly prove overwhelming. As he is drawn into the dynamics of his host family, the Bhatias, he finds that his mere presence has upset the natural order of things. Jasper finds that the first day of his journey is possibly more than he bargained for.
Un ambicioso chofer indio emplea su astucia para salir de la pobreza y llegar a la cima en un viaje épico basado en el éxito de ventas del New York Times.
Zooni Ali Beg (Kajol) es una niña ciega de Cachemira que viaja sin sus padres por primera vez con un grupo de baile a Delhi para actuar en una ceremonia por el día de la independencia. En su viaje, conoce a Rehan Khan (Aamir Khan), un casanova y guía turístico que coquetea con ella. Aunque sus amigos le advierten a Zooni sobre él, ella no puede resistirse a enamorarse de él y él la lleva a un tour privado por Nueva Delhi. Pero hay más en Rehan de lo que parece y Zooni tendrá que tomar una decisión desgarradora.
A man and a woman come from two very different cultural backgrounds, and decide that they won't get married until they convince their parents. As feared, differences between the families pose a hurdle.
Los preparativos de una elegante boda en Nueva Delhi, que durará cuatro días, reflejan los conflictos entre generaciones partidarias de seguir las tradiciones y otras defensoras de la modernidad. A Lalit Verma y a su mujer Pimmi la boda concertada de su hija les lleva casi al borde de un ataque de nervios y de la quiebra. Otras historias paralelas se desarrollan a medida que van llegando a la ciudad parientes procedentes de todo el mundo. El novio llega de Houston (Texas), donde trabaja como ingeniero, para conocer a la novia. La novia, por su parte, acepta el compromiso a regañadientes, pues está enamorada de un presentador de televisión. Los preparativos de la boda exigen contratar a un organizador profesional y el elegido será P.K. Dubey, que es un inteligente joven de clase media.
The encounters of two people who run into each other on several occasions under circumstances ranging from friendly to hostile to loving. Along many years and countless run-ins, the two despise each other, befriend each other, and fall in love with each other—in no particular order.
Tres chicos normales y desprevenidos se encuentran en la lista de objetivos de uno de los sindicatos del crimen más poderosos de la India.
London-based Luv Agnihotri decides to end his bachelorhood and asks his Bollywood film-maker brother, Kush, to find a bride for him - much to the displeasure of his Dehradun-based father. Kush accordingly meets and interviews a variety of women, and finally selects Delhi-based Dimple Dixit, a woman he had known before, to be the perfect match. Dimple and Luv meet on-line, are attracted to each other, and the former travels to India where the two families get the couple formally engaged. It is then Dimple decides that she prefers Kush. Watch as things spiral out of control when she insists that Kush must elope with her.
Hired as a monkey repeller upon moving to Delhi, a young man struggles to find his footing in his unenviable job and his place in the unforgiving world.
Complications, impersonations and moral dilemmas arise when a Punjabi pretends to be a Tamil in order to obtain accommodation in New Delhi. An eloquent and entertaining plea for national unity that manages to showcase several cultural traditions whilst encouraging people to laugh both with and at each other.
Filmed in 1938, less than a decade before Indian independence, Delhi has a curious tale to tell. ‘Delhi’, the viewer is informed, ‘is the cockpit of the Indian Empire’, it provides the ‘gateway to the riches of the south’. The opening sections of the film focus upon those who have tried and failed to establish a lasting power in the capital. ‘At Delhi’, the commentator states, ‘successive cities have been built by conquering invaders – each has fallen into disuse and decay’. The camerawork focuses on the ‘impressive ruins’ of these earlier invaders. Although the film also depicts the enduring architecture of Muslim rulers, such as Akbar and Shahjahan, it is stressed that their power has been superseded. Legend has it that it will be the ninth city of Delhi that ‘will endure and will rule forever’. Shahjahan had built the eighth.