델리 인 어 데이 (2012)

야심에 불타는 인도의 운전사는 부유한 젊은 부부 밑에서 차를 몬다. 하지만 기지와 간계를 발휘하며, 그는 밑바닥을 차고 올라 사업가로 변신한다. 그렇게 타고난 운명에 도전한다.

Zooni Ali Beg is a blind Kashmiri girl who travels without her parents for the first time with a dance troupe to Delhi to perform in a ceremony for independence day. On her journey, she meets Rehan Khan, a casanova and tour guide who flirts with her. Although her friends warn Zooni about him, she cannot resist falling in love with him and he takes her on a private tour of New Delhi. But there is more to Rehan than meets the eye and Zooni will have to make a heartbreaking decision.

대학에서 만난 크리쉬와 아난야는 서로 사랑하는 사이이다. 두 사람은 결혼하고 싶어하지만 북인도와 남인도의 서로 다른 문화권에 자란 그들에게는 부모님의 동의가 필요하다. 서로의 부모님을 만난 자리에서 예상대로 강한 반대에 부딪히는 두 사람. 과연 이 둘은 사랑을 지켜낼 수 있을까?

라리트(50)와 피미(45)는 딸 아디티(24)의 결혼 준비로 분주하다. 아디티는 직장상사 비크람(42)과 이루지 못할 사랑에 빠져있으나, 휴스톤 출신 엔지니어 헤만트(32)와 결혼하기로 한다. 신부의 사촌인 아이샤(17)는 매우 개방적인 인도여성이다. 시드니 대학에서 공부하며 5년만에 인도를 찾은 라훌(19)은 아이샤에게 사로잡힌다.

The encounters of two people who run into each other on several occasions under circumstances ranging from friendly to hostile to loving. Along many years and countless run-ins, the two despise each other, befriend each other, and fall in love with each other—in no particular order.

세친구 타시, 니틴, 아룹은 허름한 아파트에서 빚에 허덕이며 폼나지 않게 살고 있는 청춘들. 이런 그들 앞에 비행을 마치고 돌아온 타시의 약혼녀 스튜어디스 소니아가 배달하기로 한 물건을 둘러싸고 한바탕 소동이 벌어진다.

London-based Luv Agnihotri decides to end his bachelorhood and asks his Bollywood film-maker brother, Kush, to find a bride for him - much to the displeasure of his Dehradun-based father. Kush accordingly meets and interviews a variety of women, and finally selects Delhi-based Dimple Dixit, a woman he had known before, to be the perfect match. Dimple and Luv meet on-line, are attracted to each other, and the former travels to India where the two families get the couple formally engaged. It is then Dimple decides that she prefers Kush. Watch as things spiral out of control when she insists that Kush must elope with her.

Hired as a monkey repeller upon moving to Delhi, a young man struggles to find his footing in his unenviable job and his place in the unforgiving world.

Complications, impersonations and moral dilemmas arise when a Punjabi pretends to be a Tamil in order to obtain accommodation in New Delhi. An eloquent and entertaining plea for national unity that manages to showcase several cultural traditions whilst encouraging people to laugh both with and at each other.

Filmed in 1938, less than a decade before Indian independence, Delhi has a curious tale to tell. ‘Delhi’, the viewer is informed, ‘is the cockpit of the Indian Empire’, it provides the ‘gateway to the riches of the south’. The opening sections of the film focus upon those who have tried and failed to establish a lasting power in the capital. ‘At Delhi’, the commentator states, ‘successive cities have been built by conquering invaders – each has fallen into disuse and decay’. The camerawork focuses on the ‘impressive ruins’ of these earlier invaders. Although the film also depicts the enduring architecture of Muslim rulers, such as Akbar and Shahjahan, it is stressed that their power has been superseded. Legend has it that it will be the ninth city of Delhi that ‘will endure and will rule forever’. Shahjahan had built the eighth.