The Grateful Dead Movie (1977)
There is nothing like a Grateful Dead concert
Género : Música, Documental
Tiempo de ejecución : 2H 12M
Director : Jerry Garcia, Leon Gast
Sinopsis
Released in 1977 and directed by Jerry Garcia, is a film that captures performances from the Grateful Dead's October 1974 five-night stand at the Winterland Ballroom in San Francisco. This end-of-tour run marked the beginning of an extended hiatus for the band, with no shows planned for 1975. The movie also faithfully portrays the burgeoning Deadhead scene. The film features the "Wall of Sound" concert sound system that the Dead used for all of 1974.
Drop out of school to ride with the Merry Pranksters. Form America’s most enduring jam band. Become a family man and father. Never stop chasing the muse. Bob Weir took his own path to and through superstardom as rhythm guitarist for The Grateful Dead. Mike Fleiss re-imagines the whole wild journey in this magnetic rock doc and concert film, with memorable input from bandmates, contemporaries, followers, family, and, of course, the inimitable Bob Weir himself.
The tale of the Grateful Dead is inspiring, complicated, and downright messy. A tribe of contrarians, they made art out of open-ended chaos and inadvertently achieved success on their own terms. Never-before-seen footage and interviews offer this unprecedented and unvarnished look at the life of the Dead.
Sunshine Daydream is a concert film starring the Grateful Dead. On a blistering summer day in 1972, the Grateful Dead took the stage on the grounds of the Oregon Country Fair in Veneta, Oregon. for what would become one of the most legendary concerts of the band’s storied history. Considered to be the Merry Pranksters last "Acid Test", the concert offers a snapshot of the band at the peak of its playing prowess. The setlist that day included memorable performance of "Sugaree, " "Deal, " "Black-Throated Wind, " "Greatest Story Ever Told, " "Bird Song" and a mind-melting version of "Dark Star" that stretches over 30 minutes. The show, which was recorded and filmed but never released, has since become the most-requested live show in Grateful Dead history. A digitally remastered and reedited official version of the film was released on DVD and Blu-ray on September 17, 2013.
In celebration of the 50th anniversary of Grateful Dead, the "core four" original members - Mickey Hart, Bill Kreutzmann, Phil Lesh, and Bob Weir - reunited at Chicago's Soldier Field on July 3rd, 4th and 5th for the most anticipated concerts in recent history. Joined by Trey Anastasio, Jeff Chimenti, and Bruce Hornsby. Fare Thee Well: Celebrating 50 Years Of Grateful Dead is the original members' last-ever performance together nearly 20 years to the day of the last ever Grateful Dead concert with Jerry Garcia, which took place at the same historic venue.
Released in 1977 and directed by Jerry Garcia, is a film that captures performances from the Grateful Dead's October 1974 five-night stand at the Winterland Ballroom in San Francisco. This end-of-tour run marked the beginning of an extended hiatus for the band, with no shows planned for 1975. The movie also faithfully portrays the burgeoning Deadhead scene. The film features the "Wall of Sound" concert sound system that the Dead used for all of 1974.
Jerry Garcia, legendary lead guitarist for the Grateful Dead and David Grisman, virtuoso mandolinist and founder of "Dawg" music… Now, for the first time ever, the musical matrimony and extraordinary friendship of Garcia and Grisman is traced in the award-winning documentary Grateful Dawg.
The Making of "Built to Last" documents a rare behind the scenes look at the Grateful Dead's thirteenth and final studio album, Built to Last. The behind the scenes footage contains members of the band working on three songs for the album: Picasso Moon, Blow Away, & Just a Little Light. The footage was filmed at Club Front Studio in San Rafael, CA on March 1st 1989.
From the mind of Chris Benchetler comes TGR's latest short film collaboration. Improvisation is the silver thread that weaves this crew together. Just as the Grateful Dead did not fit their music into an established category, this short film finds a cast of some of the world’s best athletes on a spontaneous journey of skiing, snowboarding, surfing, and music, complete with a soundtrack comprised of only Grateful Dead music.
View from the Vault, Volume One, sometimes known simply as View from the Vault, is the first release in a series of DVDs and companion soundtracks by the Grateful Dead known as "View from the Vault". The audio is taken from the soundboard and the video from the video screens at the concerts. The first volume was recorded and filmed at Three Rivers Stadium in Pittsburgh on July 8, 1990 with bonus material recorded two days earlier at Cardinal Stadium, Louisville. The set was certified Gold by the RIAA on February 2, 2001.
The Closing Of Winterland documents the Grateful Dead's landmark New Year's Eve 1978 concert that marked the end of the famed San Francisco Bay Area venue Winterland Aena. The Dead celebrated the closing as an approximately five-hour-long party (complete with breakfast with the audience at dawn) and invited some guests including guitarist John Cipollina of Quicksilver Messenger Service and Ken Kesey as well as actor Dan Aykroyd who provided the midnight countdown.
Grateful Dead show on July 17, 1989 at Alpine Valley.
The Grateful Dead perform two live concerts in Oakland and Anaheim in 1987. Featuring the entire sets from both shows, View from the Vault 4 is a must-rent for the legions of Deadheads. Songs include "When Push Comes to Shove," "Funiculi Funicula," "Terrapin Station," "Throwing Stones" and many more.
Grateful Dead live concert footage from July 4, 1989. Set list includes: Set 1: Bertha-> The Greatest Story Ever Told Cold Rain And Snow Walkin' Blues Row Jimmy When I Paint My Masterpiece Stagger Lee Looks Like Rain-> Deal Set 2: Touch Of Grey-> Man Smart Woman Smarter Ship Of Fools-> Playin' In The Band Reprise-> Terrapin Station-> Drums-> I Will Take You Home-> All Along The Watchtower-> Morning Dew-> Not Fade Away Encore: U.S. Blues The Band: Jerry Garcia Mickey Hart Bill Kreutzmann Phil Lesh Brent Mydland Bob Weir
The Grateful Dead performs two sets at Essen's Grugahalle in March of 1981. WDR's Rockpalast captures the magic for German televison -- including a special guest: Pete Townsend of The Who.
Grateful Dead - View from the Vault III Shoreline Amphitheater Mountain View CA June 16, 1990 First Set: 1 Let The Good Times Roll 2 Truckin' 3 Touch Of Grey 4 Mama Tried 5 Big River 6 Friend Of The Devil 7 Cassidy 8 Big Boss Man 9 One More Saturday Night Second Set: 10 China Cat Sunflower 11 I Know You Rider 12 We Can Run 13 Estimated Prophet 14 Terrapin Station 15 Jam 16 Space 17 Drums 18 China Doll 19 Sugar Magnolia 20 It's All Over Now, Baby Blue Bonus Footage: Shoreline Amphitheatre - Mountain View, CA - October 3, 1987 21 Hey Pocky Way 22 New Minglewood Blues 23 Candyman 24 When I Paint My Masterpiece 25 West L.A. Fadeaway 26 My Brother Esau
A short documentary about the Grateful Dead's legendary May 8, 1977 show at Barton Hall at Cornell University.
Ending months of speculation and anticipation surrounding the first Fare Thee Well -Celebrating 50 Years of the Grateful Dead concert, the “core four” remaining Grateful Dead members -drummers Bill Kreutzmann and Mickey Hart, bassist Phil Lesh and guitarist Bob Weir -along with Phish guitarist Trey Anastasio and keyboardists Bruce Hornsby and Jeff Chimenti slowly eased into “Truckin’” to begin the show. The biographical lyrics to the song proved to be a fitting choice to start the anniversary celebration, with the famed “What a long strange trip it’s been” verse capturing the moment perfectly. Recorded at Levi's Stadium on June 27th and 28th, 2015.
In 1993, Grateful Dead took the stage at Buckeye Lake Music Center in Hebron, OH. On hand that night was Peter Shapiro, at the time a Northwestern film student spending a month on summer tour alongside cameraman Philip Bruell. The Buckeye Lake show opens and the Heads document the swelling Dead scene.
1990 documentary by the University of North Carolina at Greensboro, featuring sociologist Rebecca Adams, PhD, who examines Deadhead subculture through a theoretical framework based on the ideas of social theorist Georg Simmel. Aired on PBS in the early 90s.
Covering 10 years, this 60 minute art documentary takes an inside look at the artisans, magicians, musicians, and lunatics that make up this cult of devotees, deadicated to a band that originated in 1965. Why these fans leave their schools, families and jobs to be part of these ritualistic tribal celebrations of dance, drugs and community, is a 20th century American cultural phenomenon captured here in this time capsuled video tape.