Kevin Keating

Soul Power is a 2008 documentary film about the Zaire 74 music festival in Kinshasa which accompanied the Rumble in the Jungle heavyweight boxing championship match between Muhammad Ali and George Foreman in October 1974. The film was made from archival footage; other footage shot at the time focusing on the fight was edited to form the film When We Were Kings.

A documentary that investigates the 'new' New York City that then-Mayor Rudy Giuliani claimed he helped create.

1. Introduction 2. To Know You Is To Love You 3. I Believe In Myself 4. Why I Sing The Blues 5. Ain't Nobody Home 6. Sweet Sixteen 7. The Thrill Is Gone 8. Guess Who 9. I Like To Live The Love That I Sing About 10. Black Blues

The Pointer Sisters traen su sexy espectáculo teatral a Kinshasa, Zaire, en esta actuación de 1974 capturada en vivo en el escenario por el director ganador de un Oscar, Leon Gast. Con el telón de fondo de la pelea histórica de George Foreman y Muhammed Ali, este concierto fue el punto culminante de una celebración musical y deportiva de tres días e incluye éxitos como "Steam Heat", "Salt Peanuts", "I Wish I could Shimmy" "," Eso es un montón

In 1974, Muhammad Ali and George Foreman held their heavyweight title fight in Zaire, billing it as the "Rumble in the Jungle". A three-day music festival was staged concurrently, and B.B. King was the headlining act. Anyone who has ever had the fortune to see B.B. King play live, even in his later, seated years knows that he is a consummate showman. B.B. King: Live in Africa '74 presents the man at the peak of his powers, as a performer and as a player.

Estados Unidos, 1974. La resaca del Watergate y la dimisión de Nixon, el activismo negro y, sobre todo, los míticos combates de boxeo -especialmente el de Muhammad Ali contra George Foreman en el Zaire- en los que Ali, un hombre negro llegaría a ser un símbolo para su raza, son el telón de fondo de este documental.

A documentary of director Frank Perry's own fight with cancer, which he ultimately lost in 1995.

When workers at the Hormel meatpacking plant in Austin, Minnesota are asked to take a substantial pay cut in a highly profitable year, the local labor union decides to go on strike and fight for a wage they believe is fair. But as the work stoppage drags on and the strikers face losing everything, friends become enemies, families are divided and the very future of this typical mid American town is threatened.

What starts off as a squadron of American daredevil bombers in World War II, branded by society as renegades, turns into a revealing ride into the world of honor, violence, and undying passion for motorcycles on the road.

The film offers a comprehensive examination of the exploitation of animals in modern society.

A controversial three part critical documentary on the history of the CIA.

Released in 1977 and directed by Jerry Garcia, is a film that captures performances from the Grateful Dead's October 1974 five-night stand at the Winterland Ballroom in San Francisco. This end-of-tour run marked the beginning of an extended hiatus for the band, with no shows planned for 1975. The movie also faithfully portrays the burgeoning Deadhead scene. The film features the "Wall of Sound" concert sound system that the Dead used for all of 1974.

This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastovers refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA.

The personal and professional lives of aspiring dancers at New York's American Ballet Theatre School are chronicled in this documentary.