Super Singh (2017)
He will put Spiderman to shame
Género : Acción, Comedia, Fantasía
Tiempo de ejecución : 2H 35M
Director : Anurag Singh
Escritor : Dheeraj Rattan, Anurag Singh
Sinopsis
La vida de un hombre cambia después de que sin saberlo obtiene superpoderes y se embarca en un viaje que le ayuda a descubrir el verdadero significado del amor, la vida, el valor, el sacrificio y su papel en el mundo.
The film starts with the veteran thespian Harish Mishra, he is gravely ill. The punishments of a film shoot have left the old man in a coma. His co-star, Shabnam, is wracked with worry, but their director, Siddharth, keeps strangely distant and refuses to visit his ailing star. In flashbacks, their story emerges.
Lucknow based Mithilesh Shukla, is a regular, nondescript sort of a guy, who has washed his hands off marriage, until his nagging mom and her concerned brother get him to see Veena as a prospective bride. Veena is beautiful, cultured, educated and pretty much everything Mithilesh wants. She is also leggy, a good 6" taller than our hero. This doesn't concern him too much, until he overhears people talk and laugh at his relative lack of stature/looks. Everyday situations, such as driving a scooter, with a tall wife towering from the back-seat, or a fawning doodh-wala (milk-man) delivering milk, become a nagging headache for the insecure Mithilesh. More problems crop up when Veena's good college friend, the TALL, worldly, smart Akash moves into the flat next door, and jealousy consumes Mithilesh, leading him into a quagmire of problems, which threaten to rip apart his life.
Sameer, fast at losing his temper is re-located to Goa where he falls in love with Rani. But Sameer's new roommate Sunny, has some plans of his own.
The gritty life of the Mumbai underworld, including prostitution, dance bars and gun crime.
Sanjay Singhania, un rico hombre de negocios, dueño de una compañía de teléfonos móviles llamada Air Voice, es herido en la cabeza con una vara de metal. Sanjay sobrevive al golpe, pero adquiere una extraña amnesia debido al trauma de su lesión cerebral. En un momento dado, él no recuerda nada de lo que pasó más de 15 minutos hacia atrás, aunque con frecuencia tiene flashbacks del asesinato de Kalpana, una joven de la que estuvo enamorado. Ahora Sanjay decidirá vengarse, junto con una estudiante universitaria de medicina Sunita. Remake de Bollywood de la película del mismo nombre dirigida por el propio director en 2005, en idioma tamil. Al igual que aquella, se inspira en "Memento", la película de culto dirigida por Christopher Nolan.
When Governor Jaisingh Sinha is murdered, the needle of suspicion points towards his estranged son Sahil who has been fighting with his father over the girl he had chosen for him to marry. Sahil is in love with Isha but the governor wanted him to marry Sheetal. Now Sahil must prove his innocence and find out who the killer is.
The film is about three close friends, each one having a different perspective about marriage. Govinda plays a divorce lawyer in the film who doesn't believe in marriage and is a Casanova of sorts. Khan plays a character for whom being in love matters most and D'Souza plays his love interest. Kapoor plays a Gujarati who believes in the system of arranged marriage and Desai plays his Gujarati wife.
Firaaq is an Urdu word that means both separation and quest. The film is a work of fiction, based on a thousand stories. The story is set over a 24-hour period, one month after a campaign that took place in Gujarat, India, in 2002. It traces the emotional journey of ordinary people- some who were victims, some perpetrators and some who choose to watch silently.
After getting bored with her love less marriage life, a wife decides to get a breathe of fresh air and meets a hit man.
Sidharth (Aamir Khan), is a Mumbai 'Tapori' and a boxing champion. His elder brother, Jai (Rajat Kapoor) works with Raunak Singh (Sharad Saxena), who now rules their "Basti" through terrorising its people and collecting 'Hafta' from local merchants. Sidharth idolized his father, a freedom fighter, whom he saw falling to his death as a child. This effects Sidharth through his adult life. Sidharth meets a young girl, Alisha (Ranee Mukherjee), who rides with a motorcycle gang and Charlie (Deepak Tijori), the gang leader. Sidharth also meets Hari, whose idealism reminds him of his father. Hari's social work in the community possess a threat to Raunak Singh's evil empire. What happens to Hari changes Sidharth's life forever. How Sidharth breaks Raunak Singh's chains of 'Ghulami' around the community forms the crux of the story. Featuring the superhit song "Aati Kya Khandala" sung by Aamir Khan.
Suraj Singh is a wrestler by profession and has the misfortune of falling in love with wealthy Yashpaul Chaudhary's daughter Komal. When Yashpaul learns of there relationship he arrogantly disagrees of his daughter's choice but Komal refuses to accept her dad's word and gets married to Suraj without the blessings of Yashpaul. Aggravated by his daughter's act Yashpaul connote some negative scenes which spoil Suraj's character in the eyes of Komal resulting in the couple's separation. Before separation, Komal has given birth to a baby boy, which Yashpaul had wanted to kill but Suraj escapes with the child and single-handily brings him up in a poor environment. Years later Komal will return and demand that her child is handed over to her even if having to appeal to the judicial system.
A group of 7 youngsters-4 guys and 3 girls decide to spend a night at a reportedly haunted hotel to celebrate the farewell of one of them leaving for the USA. Despite people's warnings and other "signs" trying to ward them off from there, they enter the hotel, and then the truth dawns on them. Seven friends - Sam alias Samrat, Magesh, Achint, Neel, Neena, Sonia and Magi reunite after several years apart to celebrate the farewell of one of their friends, who is going abroad in order to pursue his career and fulfill his goals. The group soon learns about an abandoned hotel with strange stories around it. Much against warnings, they decide to spend a night at the hotel, and soon realize the mistake of their lives
In a village circa the British rule in India, lives a young school-going male named Amal, who is shortly to get married to a girl named Rajni. The traditional ritual-filled marriage takes place, the young couple are then left alone for a few days, and this is where the two develop their love and friendship. Then Rajni must return to her parents' house, while Amal continues with his studies in school, and at home with Masterji, an elderly teacher. His life is enlivened occasionally when Rajni is permitted to visit. Rajni next visit is scheduled for Durga Pooja, but she does not come, instead she comes at Vijay Dashami, to stay there for a couple nights, before going on a Tirth Yatra with her family, where they are scheduled to visit all the holy places in India namely, Benaras, Gaya, Mathura, Vrindavan, Hardwar, Nasik, Hrishikesh, Dwarka, Rameshwaram, Kamakshya, Puri, and Konarak.
El amor entre dos jóvenes se vera truncado,pero tendrán una segunda oportunidad en otra vida paralela.
Swati Azad and Mridula are two inseparable friends in college. After successfully completing their college, they get married to Ajay Lal and Milind Khanna respectively. Four years later, Prasad Saxena, another former collegian meets with a pregnant Mridula and informs her that Swati has committed suicide as she had lost her sanity. However, he suspects that she was actually killed by the Lal family. Mridula gets hold of Swati’s diary, reads it, and concludes that the Lal family did kill Swati. She has the case reopened, files various documents in Court, and has the Lals, Ajay and his dad, Hasmukh, charged under section 302 and 34 of the Indian Penal Code. It is here that Mridula will find out that she has opened up a virtual Pandora’s box, for the lawyer representing the Lals is none other than Deepak Khanna, her father-in-law. When Milind finds out he accuses Mridula of trying to disrupt the Khanna family life and tells her that she is losing her sanity.
On the eve of Nikhil and Karishma’s engagement, Karishma’s wealthy father, Devesh Solanki, expresses his disapproval, believing Nikhil to be a lackadaisical young man. With one week to prove himself worthy to marry Karishma, Nikhil and Karishma's sister, Meeta, grow closer to each other.
Una disputa entre hermanos que se extiende a través de dos generations. Esta es la primera parte de un drama contado en dos partes. La primera parte muestra los hermanos Baahubali y Bhallaladeva luchando por el trono del reino Mahishmathi.
Drama histórico que narra la historia de Bajirao I, uno de los más importantes Peshwas que tuvo el imperio de la India y del amor pasional que tuvo con Mastani, su segunda esposa. El filme narra su ascenso al poder, el amor con Mastani y cada lucha que tuvo que tener a lo largo de su vida. El poderoso guerrero, durante su mandato como primer ministro, derrotó a los ejércitos del Nizam y a los de Mongolia, instaló el poder maratha en la India e hizo que tomara el control del imperio Malwa, el Gujarat, se asoció con los clanes Rajput Sindhia, Holkar y Gaekwar. Bajirao luchó en más de 41 batallas importantes y tuvo la fama de no haber sido vencido jamás. Considerado un guerrero excepcional, murió en 1740 dejando un lugar importante en la historia.
Keshav y Jaya son de dos pueblos donde escasean los aseos. El primer día de su matrimonio surge el conflicto cuando Jaya deja a Keshav tras descubrir que no hay baño en su casa. Keshav intentará recuperarla luchando contra las tradiciones y los valores tradicionales de su país.
Fathers & Sons is a comedic exploration of a group of men and their relationships with their fathers. A middle-aged Jewish man meets his father for the first time at the funeral of his mother. A south-Asian accountant introduces his white fiance to his father - a gay, Bollywood choreographer. A recently bankrupted Wall-Street broker has come home to borrow money from his music teacher father, and four brothers gather at the paternal home to pay their last respects and to collect their inheritance.