Antonio Salieri es el músico más destacado de la corte del Emperador José II de Austria. Entregado completamente a la música, le promete a Dios humildad y castidad si, a cambio, conserva sus extraordinarias dotes musicales. Pero, después de la llegada a la corte de un joven llamado Wolfang Amadeus Mozart, Salieri queda relegado a un segundo plano. Irritado por la pérdida de protagonismo, hará todo lo posible para arruinar la carrera del joven músico. Mientras tanto, Mozart, ajeno a las maquinaciones de Salieri, sorprende a todos con su genialidad como músico, pero también con sus excentricidades.
Katarina, de 20 años, con un pasado turbulento en un triste suburbio, siente que su vida parece estar ya escrita en piedra, hasta que descubre la música. Todo cambia cuando oye una interpretación del Réquiem de Mozart en el Salón de Conciertos de Gotemburgo, abriendose un mundo nuevo y precioso para ella.
Adaptación televisiva de la famosa ópera de W. A. Mozart. El príncipe Tamino se ha enamorado de la princesa Pamina, pero ésta ha sido secuestrada por Sarastro. La madre de la princesa, la Reina de la Noche, lo incita a rescatarla, prometiéndole que si lo consigue podrá casarse con ella.
Wolfgang Amadeus Mozart, a rowdy young prodigy, arrives in Vienna, the music capital of the world – and he’s determined to make a splash. Awestruck by his genius, court composer Antonio Salieri has the power to promote his talent or destroy his name. Seized by obsessive jealousy he begins a war with Mozart, with music, and ultimately, with God.
Los días de Maroa giran en torno a las clases de música que imparte el músico Joaquín, tímido e incondicional, quien se interesa de inmediato por esta niña talentosa, carente de la más elemental disciplina. Joaquín, el único que siembra esperanza en su abandono, descubre que, a través de Maroa, su mundo cambia para siempre. (FILMAFFINITY)
Lucy Worsley traces the forgotten and fascinating story of the young Mozart's adventures in Georgian London. Arriving in 1764 as an eight-year-old boy, London held the promise of unrivalled musical opportunity. But in telling the telling the tale of Mozart's strange and unexpected encounters, Lucy reveals how life wasn't easy for the little boy in a big bustling city. With the demands of a royal performance, the humiliation of playing keyboard tricks in a London pub, a near fatal illness and finding himself heckled on the streets, it was a lot for a child to take. But London would prove pivotal, for it was here that the young Mozart made his musical breakthrough, blossoming from a precocious performer into a powerful new composer.
Trata sobre los entresijos de la creación de la famosa ópera de Mozart. El film se centra en Lorenzo Da Ponte, el autor del libreto y la fuerza inspiradora de la obra del genio austríaco. Una coproducción. Obtuvo muy buena acogida en su estreno mundial en el Festival de Toronto de 2009.
In the spotlight of global media coverage, the first transgender woman ever to perform as Don Giovanni in a professional opera, makes her historic debut in one of the reddest states in the U.S.
Letters, Riddles and Writs is a one act opera for television by Michael Nyman broadcast in 1991.
This release contains the celebrated 2006 production of Mozart's Nozze di Figaro that was directed for the stage by Claus Guth at that year's Salzburg Festival. Ildebrando D'Arcangelo takes the title role, and gets support from Anna Netrebko as Sussanna, Bo Skovhus as Il Conte Di Almaviva, and Dorothea Roschmann as La Contessa. Nikolaus Harnoncourt conducts the orchestra.
A young woman isolated by her fear of the inevitable finds solace in an unlikely digital companion, forcing her to reevaluate her life, her relationships, and herself.
Mozart's second collaboration with the mercurial librettist Lorenzo da Ponte is among the very blackest of black comedies. Glyndebourne welcomes back the winning team of director Jonathan Kent and designer Paul Brown, while the music is conducted by Vladimir Jurowski. In the title role, the bass-baritone Gerald Finley, joined by Luca Pisaroni, Kate Royal and the young Russian soprano Anna Samuil.
Semyon Bychkov conducts a cast of young, up-and-coming talent including American soprano Corinne Winters in a new production of Mozart’s opera on the nature of love.
Prince Tamino promises the Queen of the Night that he will rescue her daughter Pamina from the enchanter Sarastro. He begins his quest, accompanied by the bird-catcher Papageno – but all is not as it seems… Tamino and Papageno discover Sarastro is a wise and kind leader. They undergo three ordeals. By the end they are united with their true loves: Tamino with Pamina, and Papageno with his Papagena.
A quirky high school girl has to learn that you can't fit friendship into a checkbox.
Film version of the Rimsky Korsakov opera from the Pushkin story. Motsart i Salyeri (Mozart and Salieri), based on a legend that Salieri poisoned Mozart, meditates on the nature of creativity while introducing, in brilliantly compressed speeches, what was to be one of the important Russian themes—metaphysical rebellion against God.
Diana Damrau, Ildebrando D'Arcangelo, Pietro Spagnoli, Marcella Orsatti Talamanca, and Monica Bacelli star in this La Scala production of the Mozart opera conducted by Gerard Korsten and directed by Giorgio Strehler.
En un castillo del siglo XVIII, siete jóvenes músicos pasan quince días pensando y preparando, bajo la dirección de Michel Portal, clarinete principal, una nueva interpretación del Concierto de Mozart. Allí vivirán juntos, escucharán y comentarán diferentes versiones de la obra, las analizarán con el clarinetista, acogerán a otros grandes solistas o directores, cuestionarán el manuscrito (inacabado) de la obra, lo discutirán con un musicólogo y, sobre todo, tocarán según las indicaciones de Michel Portal que explora la partitura.