Após tentar se suicidar, Salieri confessa a um padre que foi o responsável pela morte de Mozart e relata como conheceu, conviveu e passou a odiar Mozart, que era um jovem irreverente mas compunha como se sua música tivesse sido abençoada por Deus.
Katarina é uma jovem de 20 anos com um passado conturbado. Vivendo em um subúrbio sombrio, ela sente que sua vida não tem mais solução, até descobrir a música. Ao ouvir uma performance de Mozart durante um concerto, ela decide mudar, e começa a acreditar que existe um mundo novo, longe do subúrbio. No entanto, ela vai passar por algumas dificuldades para conseguir o que quer e uma delas é a perigosa ligação com um homem casado, Adam.
Neste filme mágico, Bergman filma a ópera "A Flauta Mágica" de Mozart em Estocolmo, no belo teatro de Drottningholm do século XVIII numa conjugação perfeita entre drama, música e cinema. O olhar de Bergman transforma "A Flauta Mágica" num espetáculo completo com uma simbologia sutil mas poderosa, tornando a ópera de Mozart, se é que isso é possível, numa obra ainda mais bela.
Wolfgang Amadeus Mozart, a rowdy young prodigy, arrives in Vienna, the music capital of the world – and he’s determined to make a splash. Awestruck by his genius, court composer Antonio Salieri has the power to promote his talent or destroy his name. Seized by obsessive jealousy he begins a war with Mozart, with music, and ultimately, with God.
Eleven-year-old petty criminal Maroa lives with her violent grandmother Brigida in Caracas. After her boyfriend Carlos is involved in a shooting, Maroa is arrested and sent to a school where Joaquin conducts the youth orchestra, and he asks the naturally talented Maroa to join. Days now revolve around the classes that Joaquin, the shy and unconventional teacher, gives her. He is immediately interested in this talented young girl, who lacks all notion of discipline. Joaquin, the only person to offer hope in the midst of her rejection, finds that through Maroa, his world has also changed forever.
Lucy Worsley traces the forgotten and fascinating story of the young Mozart's adventures in Georgian London. Arriving in 1764 as an eight-year-old boy, London held the promise of unrivalled musical opportunity. But in telling the telling the tale of Mozart's strange and unexpected encounters, Lucy reveals how life wasn't easy for the little boy in a big bustling city. With the demands of a royal performance, the humiliation of playing keyboard tricks in a London pub, a near fatal illness and finding himself heckled on the streets, it was a lot for a child to take. But London would prove pivotal, for it was here that the young Mozart made his musical breakthrough, blossoming from a precocious performer into a powerful new composer.
Um livre retrato do poeta italiano Lorenzo da Ponte, autor do libreto de Don Giovanni, amigo do libertino Giacomo Casanova e, ao mesmo tempo, um artista que vivia na dissipação. Da Ponte, um judeu veneziano convertido por obrigação ao cristianismo e que foi expulso de Veneza pela Inquisição, conheceu Mozart em Viena, trabalhando com ele na peça de teatro e lírica encarregada pelo rei austríaco, depois do sucesso de As Bodas de Figaro.
In the spotlight of global media coverage, the first transgender woman ever to perform as Don Giovanni in a professional opera, makes her historic debut in one of the reddest states in the U.S.
Letters, Riddles and Writs is a one act opera for television by Michael Nyman broadcast in 1991.
This release contains the celebrated 2006 production of Mozart's Nozze di Figaro that was directed for the stage by Claus Guth at that year's Salzburg Festival. Ildebrando D'Arcangelo takes the title role, and gets support from Anna Netrebko as Sussanna, Bo Skovhus as Il Conte Di Almaviva, and Dorothea Roschmann as La Contessa. Nikolaus Harnoncourt conducts the orchestra.
A young woman isolated by her fear of the inevitable finds solace in an unlikely digital companion, forcing her to reevaluate her life, her relationships, and herself.
Mozart's second collaboration with the mercurial librettist Lorenzo da Ponte is among the very blackest of black comedies. Glyndebourne welcomes back the winning team of director Jonathan Kent and designer Paul Brown, while the music is conducted by Vladimir Jurowski. In the title role, the bass-baritone Gerald Finley, joined by Luca Pisaroni, Kate Royal and the young Russian soprano Anna Samuil.
Semyon Bychkov conducts a cast of young, up-and-coming talent including American soprano Corinne Winters in a new production of Mozart’s opera on the nature of love.
Prince Tamino promises the Queen of the Night that he will rescue her daughter Pamina from the enchanter Sarastro. He begins his quest, accompanied by the bird-catcher Papageno – but all is not as it seems… Tamino and Papageno discover Sarastro is a wise and kind leader. They undergo three ordeals. By the end they are united with their true loves: Tamino with Pamina, and Papageno with his Papagena.
A quirky high school girl has to learn that you can't fit friendship into a checkbox.
Film version of the Rimsky Korsakov opera from the Pushkin story. Motsart i Salyeri (Mozart and Salieri), based on a legend that Salieri poisoned Mozart, meditates on the nature of creativity while introducing, in brilliantly compressed speeches, what was to be one of the important Russian themes—metaphysical rebellion against God.
Diana Damrau, Ildebrando D'Arcangelo, Pietro Spagnoli, Marcella Orsatti Talamanca, and Monica Bacelli star in this La Scala production of the Mozart opera conducted by Gerard Korsten and directed by Giorgio Strehler.
Based on an idea by the writer Francis Marmande, Michel Portal, jazz clarinetist, leads young virtuoso musicians for this concerto.
