Critical Eye (2010)

In the modern village of the future, everything is mechanized, but the dreams of the village musician remain the same. He wants to become an artist. Thanks to the fact that an Art Nouveau goddess gave him a helping hand, Janko Muzykant saves his life and escapes from the village on a Pegasus.

La casa de los dibujos: La película es una película de comedia negra de parodia animada para adultos estadounidense de 2010 basada en la serie de televisión de comedia de situación de Comedy Central Drawn Together, escrita y producida por los creadores Dave Jeser y Matt Silverstein, producida por Brendan Burch y Richard Quan, y dirigida por Greg Franklin. La película es el primer estreno de La casa de los dibujos desde la cancelación del programa de televisión, y la película en sí trata el tema. Es la segunda película animada de Comedy Central.

Una mirada inquietante a un reality show de la televisión en el que los participantes acaban con su vida para disfrute del público. Un reality dónde un juego hará que las vidas de los participantes se pongan a favor de los juegos de la audiencia.

Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.

At one point Randy Stormberg, host of Food Channel's All You Can Eat, wanted to be a comedian. Now it's 9:30 in the goddamn morning and he's already eaten a bucket of shrimp.

When mobile nurse Esma finds one of her patients dead, the strictly timed schedule of her day is thrown off balance. Between professional ethics and family obligations, she is faced with a difficult decision.