Money Talks (1926)

Laurel Ayres, una analista financiera más inteligente que la mayoría de sus colegas masculinos, está harta de seguir las reglas para avanzar en su carrera. Por eso, cuando no recibe un esperado y merecido ascenso, decide actuar: hace creer a los demás que se ha asociado con un poderoso genio financiero. El engaño funciona y, mientras sus colegas se preguntan quién será su enigmático socio, Laurel consigue varios exitosos tratos financieros, probando así que los hombres no tienen el monopolio de la creatividad empresarial. (FILMAFFINITY)

Aspiring college cheerleader, Cassie Stratford consumes an experimental drug that grants her beauty and enough athletic ability to make the cheer squad. The drug has an unforeseen side effect — Cassie starts to grow and grow and grow!

Benji, Huey y Bobby, han sido reclutados por el ejercito para tres años. La tentación surge inmediatamente cuando les dicen que la zona de las mujeres es zona prohibida. Se hacen pasar por oficiales y sacan de la cama a las chicas con una falsa alarma de una plaga de piojos. Pero las deliciosas vistas de las chicas yendo a las duchas para desparasitarse se ven bruscamente interrumpidas cuando son asaltados por una mujer que resulta ser sargento.

Tras pasar unas merecidas vacaciones en Francia, el agente secreto James Bond recibe una llamada del Jefe M para realizar una peligrosa misión relacionada con unos diamantes en bruto desaparecidos.

Mulán, una joven china hija única de la familia Fa, en lugar de buscar novio, como sus amigas, trata por todos los medios de alistarse en el ejército imperial para evitar que su anciano padre sea llamado a filas para defender al Emperador del acoso de los Hunos. Cuando el emisario imperial lleva a cabo la orden de reclutar a los varones de todas las familias, Mulán se hará pasar por soldado y se someterá a un duro entrenamiento hasta hacerse merecedora de la estima y de la confianza del resto de su escuadrón.

Mabel is pursued by her boss, despite being engaged to his son, in this gender-bending comedy of errors and mistaken identities.

Does being the only guy in an all girl school sound like paradise? It might be, if the girls knew you were a guy, but to stay in school teenage pervert Banji can't let can't let anyone find out his chromosomes don't match. Banji's status conscious parents want him to go to a good school, but not enough to spend the money on a good co-ed school. Now, in addition to studying math and science, Banji has to learn how to put on a bra and makeup. His life has become a living hell. Not only is he at the bottom of the social pecking order, he must also got to conceal his inner-masculinity from the pretty classmate girl who's stolen his heart while avoiding the female bullies who threaten to expose his less-than-feminine charms in the locker room.

During anatomy class, students learn that war has broken out. Several enlist and are sent to Camp Poodle, for rookie training. At first the constant shelling bothers them, but within a week they are veterans, unfazed. Barker sort of volunteers to parachute behind enemy lines disguised as a nurse to get the enemy's troop movements. He's captured and sentenced to die, so his mates in the Airdale Army attempt a rescue. Will they succeed?

In ancient Babylon, SEMIRAMIDE (Anderson) encourages her lover Assur (Ramey) to murder her husband, King Ninus. Her son, Ninius, disappears, believed dead, and Semiramide rules in her own right. 15 years later, as the opera opens, she is about to announce the name of her successor. Idreno (Olsen) and Assur are the leading candidates for the throne and the hand of Princess Azema (Shin), but Semiramide has taken a fancy to young Arsace (Horne), her victorious military leader who has been summoned back to Babylon. Only the high priest Oroe (Cheek) knows that Arsace is actually Ninius, spirited away to safety after the coup. As the queen announces Arsace as her successor, the ghost of her husband appears from his tomb, demanding that Arsace punish the late king’s murderers... Filmed at New York's Metropolitan Opera, John Copley's production of Rossini's last, longest and most elaborate dramatic opera brings together what many consider the definitive contemporary cast.

A woman disguises herself as a man to avoid prosecution for murdering her lover fifteen years ago. She is the last living member of a wealthy Vienna family, and has spent the years after the murder traveling Europe with her female servant. Her travels provide her with an anonymous cloak that allows her freedom of movement but little peace of mind. Nearing middle age, the guilt and weariness of an empty life has her contemplating suicide as the only way out of her dilemma.

How do we represent the ideas of gender? This short reflects about this topic, as we see an unidentified character, suited up, and with a paper bag over his head, walking down the hallway of its high school.