Money Talks (1926)

A analista financeira Laurel Ayres é inteligente, esperta e talentosa em matéria de investimentos. Ela parece ter todos os elementos certos para ter sucesso e chegar ao topo das corporações em Wall Street, mas é preterida em sua tão almejada promoção para o ardiloso colega de trabalho Frank. É nesse momento que sua vida e carreira dão uma virada total. Ela monta um plano engenhoso e arriscado: para ter credibilidade, ela precisa de um sócio homem, um mago das finanças que atraia clientes. Mas ela não conhece tal homem. E por que não criá-lo? Com o personagem de "Robert S. Cutty", Laurel habilmente arma um mundo de ilusão e sucesso que conquista a todos nesse nervoso mundo das finanças.

Aspiring college cheerleader, Cassie Stratford consumes an experimental drug that grants her beauty and enough athletic ability to make the cheer squad. The drug has an unforeseen side effect — Cassie starts to grow and grow and grow!

Benji, Bobby e Hughie se alistam no exército, mas é claro que eles estão muito mais interessados em ir atrás de garotas do que seguir ordens dos oficiais do exercito.

Quando o governo britânico suspeita da existência de uma rede mundial de contrabando de diamantes, 007 (Sean Connery) é chamado para investigar. Ele logo descobre a extensão do problema e viaja para a América, onde o milionário proprietário de um cassino é suspeito de estar por trás de tudo. Só que ele é ninguém menos que Ernst Stavro Blofeld (Charles Gray), o arquiinimigo de James Bond, que sabe exatamente o que tem de fazer, principalmente quando as mais poderosas potências nucleares do planeta estão envolvidas.

Na antiga China, durante a guerra, todos os homens são convocados para lutar. Mas, um pobre velho, que pela idade não poderia mais lutar, descobre que sua filha Mulan toma o seu lugar, vestindo-se como homem e permanecendo em segredo. Se isso for descoberto, o castigo será severo. Agora, durante a guerra, Mulan ganha a proteção de um pequeno dragão, cuja missão é cuidar para que ela volte a salvo

Mabel is pursued by her boss, despite being engaged to his son, in this gender-bending comedy of errors and mistaken identities.

Does being the only guy in an all girl school sound like paradise? It might be, if the girls knew you were a guy, but to stay in school teenage pervert Banji can't let can't let anyone find out his chromosomes don't match. Banji's status conscious parents want him to go to a good school, but not enough to spend the money on a good co-ed school. Now, in addition to studying math and science, Banji has to learn how to put on a bra and makeup. His life has become a living hell. Not only is he at the bottom of the social pecking order, he must also got to conceal his inner-masculinity from the pretty classmate girl who's stolen his heart while avoiding the female bullies who threaten to expose his less-than-feminine charms in the locker room.

During anatomy class, students learn that war has broken out. Several enlist and are sent to Camp Poodle, for rookie training. At first the constant shelling bothers them, but within a week they are veterans, unfazed. Barker sort of volunteers to parachute behind enemy lines disguised as a nurse to get the enemy's troop movements. He's captured and sentenced to die, so his mates in the Airdale Army attempt a rescue. Will they succeed?

In ancient Babylon, SEMIRAMIDE (Anderson) encourages her lover Assur (Ramey) to murder her husband, King Ninus. Her son, Ninius, disappears, believed dead, and Semiramide rules in her own right. 15 years later, as the opera opens, she is about to announce the name of her successor. Idreno (Olsen) and Assur are the leading candidates for the throne and the hand of Princess Azema (Shin), but Semiramide has taken a fancy to young Arsace (Horne), her victorious military leader who has been summoned back to Babylon. Only the high priest Oroe (Cheek) knows that Arsace is actually Ninius, spirited away to safety after the coup. As the queen announces Arsace as her successor, the ghost of her husband appears from his tomb, demanding that Arsace punish the late king’s murderers... Filmed at New York's Metropolitan Opera, John Copley's production of Rossini's last, longest and most elaborate dramatic opera brings together what many consider the definitive contemporary cast.

A woman disguises herself as a man to avoid prosecution for murdering her lover fifteen years ago. She is the last living member of a wealthy Vienna family, and has spent the years after the murder traveling Europe with her female servant. Her travels provide her with an anonymous cloak that allows her freedom of movement but little peace of mind. Nearing middle age, the guilt and weariness of an empty life has her contemplating suicide as the only way out of her dilemma.

How do we represent the ideas of gender? This short reflects about this topic, as we see an unidentified character, suited up, and with a paper bag over his head, walking down the hallway of its high school.