Paywall: The Business of Scholarship (2018)

Julie Powell (Amy Adams), decidida a hacer algo creativo para olvidar su rutinario trabajo, se plantea como un reto elaborar las 524 recetas del libro "Dominando el arte de la cocina francesa", un clásico de la gastronomía publicado en 1961 por Julia Child (Meryl Streep). Durante ese año, escribe cada día sus experiencias en un blog que tendrá múltiples seguidores.

A physicist's life-long work comes to fruition when he is reluctantly partnered with a gifted young assistant. Ego divides them when they receive an unknown signal from space.

Member of a neo-Nazi gang, her day job is to take care of four crazy old people that all are just waiting to die. Her life becomes a journey into a burlesque fairytale, where the rules of the game are created by Mette herself. Mette is indifferent about her way of life, until she one night assaults a man, kicking him senseless. Waking up the day after, she realizes that something is wrong.

NOTHING TO HIDE is an independent documentary dealing with surveillance and its acceptance by the general public through the "I have nothing to hide" argument. The documentary was produced and directed by a pair of Berlin-based journalists, Mihaela Gladovic and Marc Meillassoux. It was crowdfunded by over 400 backers. NOTHING TO HIDE questions the growing, puzzling and passive public acceptance of massive corporate and governmental incursions into individual and group privacy and rights. After the emotion initially triggered by the Snowden revelations, it seems that the general public has finally accepted to live in a monitored digital world.

Vijay, a destitute poet, searches for true love while attempting to get his work published. With the assistance of two women in his life, his dream comes true - but at a cost that causes Vijay to rethink his worldview.

A haven for Black intellectuals, artists and revolutionaries—and path of promise toward the American dream—Black colleges and universities have educated the architects of freedom movements and cultivated leaders in every field. They have been unapologetically Black for 150 years. For the first time ever, their story is told.

Larry, a publisher, wants Kate to write a book about the 'Office Wife'. An executive stenographer's duties creates a relationship approaching that of his wife. Little does Larry know that sometimes literature mirrors life.

Good Copy Bad Copy is a documentary about copyright and culture in the context of Internet, peer-to-peer file sharing and other technological advances.

Hawke es un camionero que llega a Nueva York con la intención de hacerse escritor. Al poco, conoce a Jeanne Green, una editora que, convencida de su talento, lo ayudará a publicar su primera novela. Aunque la obra no alcanza un gran éxito, su adaptación para ser estrenada en Broadway le abrirá las puertas de la fama.

A amateur writer who seems to have nothing to live for, finds himself as the only hope of three people.

Marisa Salinas empieza a trabajar en una de las editoriales más importantes del país. Su jefe, don Enrique, un hombre al que no le gustan las iniciativas pero sí las novelas policíacas, le propone cenar. Enseguida entablan amistad y, al cabo de poco tiempo, inician una relación amorosa. Todo es perfecto, sin embargo, un misterio envuelve todo lo que tiene que ver con la ex mujer de Enrique. Y Marisa decide investigar…

Grace Guthrie tries to stave off the hostile take over of her publishing empire. While fighting off a ruthless British business-mogul, she must also deal with a mole.

It's 1997 and into a dizzy world of glamour and false promises comes Cass, a recent graduate. Innocent publishing appears perfect – but behind cool Britannia lurks a much darker place.

A portrait of Highlights Magazine following the creation of the cultural phenomenon's 70th Anniversary issue, from the first editorial meeting to its arrival in homes, and introducing the quirky people who passionately produce the monthly publication for "the world's most important people,"...children. Along the way, a rich and tragic history is revealed, the state of childhood, technology, and education is explored, and the future of print media is questioned.

CC’s signature animated film covers the basics of why we formed, what we do, and how we do it.

For more than three decades, transnational corporations have been busy buying up what used to be known as the commons -- everything from our forests and our oceans to our broadcast airwaves and our most important intellectual and cultural works. In This Land is Our Land, acclaimed author David Bollier, a leading figure in the global movement to reclaim the commons, bucks the rising tide of anti-government extremism and free market ideology to show how commercial interests are undermining our collective interests. Placing the commons squarely within the American tradition of community engagement and the free exchange of ideas and information, Bollier shows how a bold new international movement steeped in democratic principles is trying to reclaim our common wealth by modeling practical alternatives to the restrictive monopoly powers of corporate elites.

This film describes some of CC’s success stories and gives insight into where we’re headed.

After receiving some bad news, a New York escapes to Southern Indiana to visit her old friend, a frustrated sex researcher. The two women embark on a local road trip through a place that has seen better days. Part road trip, part meditation, part improvised fiction, part documentary, Rosehill is a film about crisis and eternal change, the darkness and resilience of the human spirit.

A merited female scientist is at an international conference and realises that a male moderator is explaining her own theory back at her, until a remark from the audience wakes both speakers and listeners.

The repercussions are immediate when activist history professor Arthur Collins - out of frustration - assigns his class to design a plan to assassinate the President of the United States. Life becomes particularly tough for the professor's teaching assistant T.K., whose reluctance to choose a side plants the young man right in the middle.